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The book will be of interest to students of autobiography and life writing as well as specialists in Romantic literature and Anglo-German literary relations. The book includes sections on Robinson and nineteenth-century autobiography, on the different stages of Robinson's five years in Germany, including his initial stay in Frankfurt; his personal friendships and first meeting with literary lions; his days as a Jena student and aspiring "literator"; his contacts with Weimar; and his role as a philosophical informant for Mme de Stael on her visit there; his return to England and the failure of his hopes of achieving the professional literary career that he had dreamed about in Germany. --Book Jacket.
As a student at the University of Jena at the beginning of the nineteenth century, Henry Crabb Robinson (1775-1867) became the outstanding English mediator of the revolution in German thought. For the first time, this volume collects his early writings, both published and unpublished. The contents include 'Letters on the Philosophy of Kant' and notes from F.W.J. Schelling's lectures on the philosophy of art. Further, Robinson's private lectures for Madame de Staël are presented with her marginalia. In the intellectual history of Romanticism, Robinson emerges as a major figure whose lucid and entertaining essays can still guide the modern reader through the key German texts.
'[The text] significantly expands upon the [existing] body of scholarship to argue persuasively that Crabb Robinson was the most important pioneering comparatist during the Romantic period. [...] Hunnekuhl‟s tightly-woven monograph opens the door for further inquiry into other areas of Robinson‟s early reading, writing and social interactions. [...] Future scholarship in these and other areas in the early life of one of the most important diarists and commentators on British life and thought in the nineteenth century will now be able to build upon the solid foundation laid by Philipp Hunnekuhl.' Timothy Whelan, The Coleridge Bulletin
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
Of all the parts of the world to interest the Victorians, Germany was among the most important. Though less well known today, partly in consequence of the events of the twentieth century, German influences in Britain were strong, and their legacy substantial. This book charts the emergence, development and course of the Victorian interest in Germany. Its multidisciplinary approach, which binds together for the first time the latest research conducted in a variety of areas, shows how a discourse developed in Britain regarding Germany and the Germans which spilled over from one area of life to another, and included some of the most prominent figures in Victorian life. It provides a framework for understanding the causes of the Victorian fascination with Germany, and argues forcefully that the roots of this lay in the processes of modernisation taking place in each place respectively. It also points to the deep impact this had upon the course of British history and reveals how it prepared the ground for the future direction of Anglo-German relations.
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.