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The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.
One of the most entertaining genres of American literature is the bold, masculine, wildly exaggerated, and highly imaginative frontier humor of the Old Southwest, produced between 1835 and 1861 in an area that extended from Virginia, the Carolinas, and Georgia westward to Lousiana, Arkansas, Missouri, and Texas. Hennig Cohen and William B. Dillingham have tapped the wealth of this region to produce a collection that over the last three decades has become the standard anthology of Old Southwestern humor. This new, extensively revised edition includes an expanded introduction, a dozen replacement sections, an updated bibliography, and works by three new writers--Phillip B. January, Matthew C. Field, and John Gorman Barr. Most generously represented are George Washington Harris, Augustus Baldwin Longstreet, Johnson Jones Hooper, and Thomas Bangs Thorpe. Selections from twenty-five authors are featured along with brief biographical essays that combine historical and political analysis with perceptive literary criticism. These selections document important facets of antebellum American culture and provide the background of the literary achievement of Mark Twain and William Faulkner.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Offering a new perspective on medical progress in the nineteenth century, Steven M. Stowe provides an in-depth study of the midcentury culture of everyday medicine in the South. Reading deeply in the personal letters, daybooks, diaries, bedside notes, and published writings of doctors, Stowe illuminates an entire world of sickness and remedy, suffering and hope, and the deep ties between medicine and regional culture. In a distinct American region where climate, race and slavery, and assumptions about "southernness" profoundly shaped illness and healing in the lives of ordinary people, Stowe argues that southern doctors inhabited a world of skills, medicines, and ideas about sickness that allowed them to play moral, as well as practical, roles in their communities. Looking closely at medical education, bedside encounters, and medicine's larger social aims, he describes a "country orthodoxy" of local, social medical practice that highly valued the "art" of medicine. While not modern in the sense of laboratory science a century later, this country orthodoxy was in its own way modern, Stowe argues, providing a style of caregiving deeply rooted in individual experience, moral values, and a consciousness of place and time.
Jacob F. Rivers III has collected twenty-two classic hunting tales by twelve southern writers including Davey Crocket, Johnson J. Hooper, and Henry Clay Lewis. These stories spring not only from a genteel literary tradition but also from the tradition of the tall tale or stories of backwoods humor. Antebellum and post-Civil War tales reflect changes in the social and economic composition of the hunting class in the South. Some reveal themes of fear for the future of field sports, and others demonstrate an early conservation ethic among hunters and landowners. Early Southern Sports and Sportsmen brings to new readers a wealth of hunting and fishing lore heretofore hard to find by any but scholars in the field of southern literature. Rivers has gathered a host of well-read and well-heeled sportsmen who relish each and every detail of their encounters with their environment. Sports authors come from every spectrum of southern society, but their common vocabulary and shared enthusiasm bond them together. Rivers corrects unfortunate stereotypes of hunters as indifferent to aspects of nature other than environmental exploitation. Whether humorists or serious advocates, these authors reveal their sense of their place in the wild, and many advocate ecological good citizenship that disdains wanton slaughter and unethical practices. They condemn such acts as beneath the dignity and honor of true sportsmen. The collection includes accounts of hunting many types of game indigenous to the South from 1830 to 1910, from aristocratic foxhunts to yeoman deer drives. The structure is largely chronological, beginning with John James Audubon's essay on the American wild turkey from his Ornithological Biography (1832) and ending with stories from Alexander Hunter's The Huntsman in the South (1908). Whatever their era, the chief characteristics of these sporting accounts are the excitement the authors experience upon suddenly encountering game, the rigors and hardships they endure in its pursuit, their keen powers of observation of the woods and waters through which they travel, and the comedy often found in the strong friendships that frequently mark their adventures. But above all the tales resonate with a reverence for field sports as the means through which humans establish meaningful and lasting relationships with the mysteries and the magic of nature.
Since its inception in the early 1830s, southern frontier humor (also known as the humor of the Old Southwest) has had enduring appeal. The onset of the new millennium precipitated an impressive rejuvenation of scholarly interest. Beyond Southern Frontier Humor: Prospects and Possibilities represents the next step in this revival, providing a series of essays with fresh perspectives and contexts. First the book shows the importance of Henry Junius Nott, a writer virtually unknown and forgotten who mined many of the principal subjects, themes, tropes, and character types associated with southern frontier humor, followed by an essay addressing how this humor genre and its ideological impact helped to stimulate a national cultural revolution. Several essays focus on the genre's legacy to the post-Civil War era, exploring intersections between southern frontier humor and southern local color writers--Joel Chandler Harris, Charles W. Chesnutt, and Sherwood Bonner. Mark Twain's African American dialect piece "A True Story," though employing some of the conventions of southern frontier humor, is reexamined as a transitional text, showing his shift to broader concerns, particularly in race portraiture. Essays also examine the evolution of the trickster from the Jack Tales to Hooper's Simon Suggs to similar mountebanks in novels of John Kennedy Toole, Mark Childress, and Clyde Edgerton and transnational contexts, the latter exploring parallels between southern frontier humor and the Jamaican Anansi tales. Finally, the genre is situated contextually, using contemporary critical discourses, which are applied to G. W. Harris's Sut Lovingood and to various frontier hunting stories.