Download Free Henry Blake Fuller And Hamlin Garland Book in PDF and EPUB Free Download. You can read online Henry Blake Fuller And Hamlin Garland and write the review.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Bertram Cope’s Year chronicles the experiences of Bertram Cope, a young literature instructor who arrives in the fictional town of Churchton to pursue his graduate studies. Set in early 20th-century America, the novel explores Cope’s interactions with the town’s residents, where his charisma and charm quickly captivate those around him. As Cope navigates social engagements and forms close relationships, particularly with his friend Arthur Lemoyne, the narrative subtly examines themes of companionship, love, and societal expectations. Fuller’s writing is distinguished by its witty dialogue and astute social commentary, offering a critique of American social norms of the period. Published in 1919, Bertram Cope’s Year is recognized for its early portrayal of same-sex relationships in literature, depicting them with nuance and sensitivity uncommon for its time. The novel invites readers to reflect on the complexities of identity and relationships in an evolving society. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
The Cliff-Dwellers was the first American realist novel to use the rapidly developing city of Chicago as its setting. Henry Blake Fuller’s depiction of social climbing and human depravity among the “cliff-dwelling” residents and workers in the new Chicago skyscrapers shocked readers of the time, and influenced many American writers that followed. With its frenetic pace and many interrelated stories, it remains a compelling document of Chicago’s social history, as well as a searing indictment of modern American life at the close of the nineteenth century. The extensive appendices to this edition include Fuller’s literary criticism and his correspondence about the novel, reviews, and visual and historical materials on turn-of-the-century Chicago and literary realism.
Hamlin Garland, a Pulitzer Prize-winner and author of more than forty books, was a central figure in American literary life for half a century. He was intimately involved with many of the major literary, social, and artistic movements in American culture, and his extensive correspondence with the intellectual leaders of American culture was almost unparalleled in scope. This volume brings together a rich, representative sample of Garland?s letters. They are addressed to an impressive roster of individuals: Samuel Clemens, William Dean Howells, Walt Whitman, Zona Gale, Theodore Roosevelt, Van Wyck Brooks, Howard Mumford Jones, Brander Matthews, Stephen Crane, George Washington Cable, and many others. The letters touch on an equally broad range of subjects, from the U.S. government?s reprehensible treatment of Native Americans to environmental issues to the major literary figures and controversies of Garland?s day. Frank, opinionated, and wide-ranging, Garland?s letters provide a valuable and entertaining portrait of American cultural and intellectual life in the years between 1890 and 1940.
Hamlin Garland’s Main-Travelled Roads is recognized as one of the early landmarks of American literary realism. But Garland’s shift in mid-career from the harsh verisimilitude of Prairie Folks and Prairie Songs to a romanticizing of the Far West, and from ardent espousal of the principles of “veritism” to violent denunciations of naturalism, is a paradox which has long puzzled literary historians. In tracing the evolution of Garland’s work, the various reactions of his stories under the influence of editorial comment and of contemporary critical reaction, Jean Holloway suggests that the Garland apostasy was an illusion produced by his very intellectual immobility amidst the swirling currents of American thought. His extensive correspondence with Gilder of the Century, Alden of Harper’s Monthly, McClure of McClure’s, and Bok of the Ladies’ Home Journal is adduced in support of the thesis that the writer’s choices of subject and of treatment were psychologically forced rather than conditioned primarily by literary theory. As a subject for biography, however, Garland has an appeal far beyond the scope of his literary influence. The friendships of this gregarious peripatetic with the famous began with Howells, Twain, Whitman, and Stephen Crane, stretched down the years to include such younger men as Bret Harte and Carl Van Doren, and crossed the seas to embrace such British literary lions as Barrie, Shaw, and Kipling. Garland’s fervent espousal of “causes”—the Single Tax Movement, psychic experimentation, Indian rights-brought him into close contact with other prominent men—Henry George, Theodore Roosevelt, and William Jennings Bryan. These public figures form the incidental characters in Garland’s spate of autobiographical works. Yet it is the central figure of his own story which has become permanently identified with the “Middle Border,” that region “between the land of the hunter and the harvester” which Augustus Thomas defined as “wherever Hamlin Garland is.” In A Son of the Middle Border Garland nostalgically recreated his boyhood on the frontier and, regardless of the detractions of literary critics, preserved for posterity an important segment of American social history.
In recognition of his achievements in literature, Hamlin Garland (1860?1940) received four honorary doctorates and a Pulitzer Prize. Keith Newlin traces the rise of this prairie farm boy with a half-formed ambition to write who then skyrocketed into international prominence before he was forty. His life is a story of ironic contradictions: the radical whose early achievement thrust him to the forefront of literary innovation but whose evolutionary aesthetic principles could not themselves adapt to changing conditions; the self-styled ?veritist? whose credo demanded that he verify every fact but whose credulity led him to spend a lifetime seeking to confirm the existence of spirits. His need for recognition caused him to cultivate rewarding friendships with the leaders of literary culture, yet even when he attained that recognition, it was never enough, and his self-doubt caused him fits of black despair. ø The first and only other biography of Hamlin Garland was published more than forty years ago; since then, letters, manuscripts, and family memoirs have surfaced to provide, along with changing literary scholarship, a more evaluative and critical interpretation of Garland?s life and times. Hamlin Garland: A Life is an exploration of Garland?s contributions to American literary culture and places his work within the artistic context of its time.
Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America's great modernist writers and the nation's “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.