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At first glance, Nora Helmer appears to live the perfect life. She is married to the ambitious banker Torvald and is well provided for. But when she is blackmailed by one of her husband's colleagues, she is forced to re-examine her life along with her role as a frivolous, scatter-brained wife. First published in 1879, A Doll's House scandalized contemporary audiences and rewrote the rules of drama. It challenged notions of women's place in society and questioned every aspect of what constituted good conduct in domestic life. Ibsen's masterpiece was the first serious play to focus on ordinary people in everyday situations rather than on the lives of the upper classes. ABOUT THE SERIES: The Arcturus Classics series brings together high-quality paperback editions of classics works, presented with contemporary graphic cover designs. Together they make a wonderful collection which is perfect for any home library.
A Doll's House by Henrick Ibsen tells the story of Nora, a woman who is treated like a doll in her own home. Set in Victorian Norway, Nora eventually flees her marriage and children in an attempt to discover herself despite being confined by patriarchal society. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
At the end of Henrik Ibsen's play A Doll's House, Nora Helmer walks away from her family and comfortable life. It is 1879, late on a winter's night in Norway. She's alone, with little money and few legal rights. Guided by instinct and sustained by will, Nora sets off on a journey that impoverishes and radicalizes her, then strands her on the harsh Minnesota prairie. She's searching for love, purpose, and her true self, but struggles to be honest in a hostile world. Meanwhile, in 1918, a young university student tries to escape her family's bourgeois conformity as she unravels her grandfather's hidden shame and the fate of a shadowy feminist who vanished years earlier. With this inventive work of historical fiction, Swallow answers a question that has dogged theater audiences for A Doll's House: whatever happened to Nora Helmer? Masterfully crafted and painstakingly researched, the twin story lines of Searching for Nora combine to tell a powerful tale of redemption as they unfold over four decades in the fjords of Norway and the unforgiving American frontier. AUTHOR BIOGRAPHY: Wendy Swallow writes about women's challenges, now and in the tender past. A memoirist, journalist and professor, Swallow spent ten years working on Searching for Nora, traveling to Norway to interview Ibsen scholars and Norwegian historians, and driving across western Minnesota to hear the stories of immigrant grandparents and experience the wide, empty land. She is also the author of Breaking Apart: A Memoir of Divorce (Hyperion/Thea) and The Triumph of Love over Experience: A Memoir of Remarriage (Hyperion). Her work has been critically acclaimed by Publishers Weekly, Elle, Booklist, Newsday, and The Washington Post, among others, and reprinted in many magazines. She and her husband divide their time between Reno, Nevada, and Cape Cod, Massachusetts. AUTHOR HOME: Reno, NV
Secrets. Lies. Love. Lust. Betrayal. Freedom. Experience one of the most iconic plays of all time in this brand-new adaptation of Henrik Ibsen's classic play A Doll's House. Nora Helmer is a typical upper middle-class housewife living an exquisitely divine life, as she would say. But there's much more below the surface than she's willing to let on! When an old friend shows up unexpectedly on Christmas Eve, it sets off a chain of events that, over the course of three days, changes Nora's life forever. While this is more of an adaptation than a literal translation, Henrik Ibsen wrote that "I consider it most important that the dialogue in the translations be kept as close to ordinary, everyday speech as possible...I believe that a translator should employ the style which the original author would have used if he had written in the language of those who are to read him in translation." This adaptation honors Ibsen's original dialogue and intentions (many of which had been lost in translation) while also making the dialogue sound like it was meant for actors today instead of the Victorian-era. Keep in mind that Ibsen had always intended for this play to be set in the present, not the past. How can we do that when the circumstances of the play are so rooted in the time in which the play was written? We can't set it in the present day because the characters wouldn't behave this way in the present. However, if we set the language in the present day while keeping everything else in the past, the circumstances of the play will work while also feeling like it belongs "in the present."
“Smart, funny and utterly engrossing…This unexpectedly rich sequel reminds us that houses tremble and sometimes fall when doors slam, and that there are living people within, who may be wounded or lost…Mr. Hnath has a deft hand for combining incongruous elements to illuminating ends.” —Ben Brantley, New York Times It has been fifteen years since Nora Helmer slammed the door on her stifling domestic life, when a knock comes at that same door. It is Nora, and she has returned with an urgent request. What will her sudden return mean to those she left behind? Lucas Hnath’s funny, probing, and bold play is both a continuation of Ibsen’s complex exploration of traditional gender roles, as well as a sharp contemporary take on the struggles inherent in all human relationships across time.