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When she moved to Helsinki after her mother's death, Lilja Hansen expected many things. She expected to go to university, to find new friends, and to start a new life. What she didn't expect was a world unlike everything she had known before. A world full of supernatural beings and monsters. A world that can kill you in the blink of an eye. She has to take a descision: can she trust the mysterious Jyrki and his friends or not?
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
What's a boy to do—in Caleb Roehrig's YA paranormal romance The Fell of Dark—when his crush is a hot vampire with a mystery to solve? The only thing August Pfeiffer hates more than algebra is living in a vampire town. Located at a nexus of mystical energy fields, Fulton Heights is practically an electromagnet for supernatural drama. And when a mysterious (and annoyingly hot) vampire boy arrives with a cryptic warning, Auggie suddenly finds himself at the center of it. An ancient and terrible power is returning to the earthly realm, and somehow Auggie seems to be the only one who can stop it.
“Lindqvist’s short stories pack the same emotional punch as his novels. . . . excellent . . . well worth reading—just not alone in a cold, dark house.” —Booklist A classic short story collection from the writer called Sweden's Stephen King that continues the breathtaking story begun in the internationally acclaimed classic Let the Right One In Because of the two superb films made of John Ajvide Lindqvist's vampire masterpiece Let the Right One In, millions of people around the world know the story of Oskar and Eli and of their final escape from Blackeberg at the end of the novel. Now at last, in “Let the Old Dreams Die,” the title story in this absolutely stunning collection, we get a glimpse of what happened next to the pair. “Let the Old Dreams Die” is not the only stunner in this collection. In “Final Processing,” Lindqvist also reveals the next chapter in the lives of the characters he created in Handling the Undead. ”Equinox” is a story of a woman who takes care of her neighbor's house while they are away and readers will never forget what she finds in the house. Every story meets the very high standard of excellence and fright factor that Lindqvist fans have come to expect. Totally transcending genre writing, these are world class stories from possibly the most impressive horror writer writing today. Praise for John Ajvide Lindqvist: “John Ajvide Lindqvist is a force to reckoned with. Brilliant.” ―MTV.com “Sweden's answer to Stephen King.” ―Daily Mirror (UK)
From the fog-shrouded bay of San Francisco to the dark cobblestone streets of Helsinki and all the hidden places in-between, The Blood is Love takes the reader on a sensual and twisted journey deep into Lenore and Solon's lush vampire world in this thrilling sequel to Black Sunshine. When Lenore Warwick turned twenty-one, she expected lots of bar-hopping, parties with friends, and the occasional hookup. What she got was the realization that she's both a witch and a vampire, and that there are things in this world that want her dead. Thank god she has her enigmatic vampire lover, Absolon Stavig, to help show her the ropes. But while Lenore struggles to fit into her new topsy turvy world, full of blood, sex, and magic, she also has to contend with her messy and complicated love for a vampire who isn't always what he seems. To make matters worse, her real father, Jeremias, a powerful warlock from the dark side, has professed an interest in her, while Solon's father, the depraved vampire king Skarde, is intent on destroying everything she loves. When Solon and Lenore have to travel to Finland to work alongside Solon's charming and vicious brother, Kaleid, in an attempt to defeat Skarde once and for all, the two of them enter a bloody new world that neither of them are prepared for. Even if their love survives the carnage to come, the chances of them getting out of there alive are slim. Good thing they like to take their chances.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
"Move over, Percy Jackson, there’s a new girl in town." —Booklist Freya is the myth. Freya is the legend. And she’s about to make one hell of a comeback. There's far more to Sara Vanadi than meets the eye. In her prime, she was Freya, the Norse goddess of love, beauty, war, and death - though that past hardly seems to matter now. For an ancient goddess in the 21st century, true believers - and the strength they bring - are painfully hard to find. But when a new, rising power threatens to remake the world by bending the divine to its will, Sara realizes her days of hiding have ended, and a chance to claw her way out of the history books has arrived. She'll just need new clothes and a manicure before she gets started. Blending elements of fantasy and scifi in a modern-world setting, the first novel in this new young adult series by Matthew Laurence is perfect for fans of Buffy the Vampire Slayer. An Imprint Book
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
What do stories in games have in common with political narratives? This book identifies narrative strategies as mechanisms for meaning and manipulation in games and real life. It shows that the narrative mechanics so clearly identifiable in games are increasingly used (and abused) in politics and social life. They have »many faces«, displays and interfaces. They occur as texts, recipes, stories, dramas in three acts, movies, videos, tweets, journeys of heroes, but also as rewarding stories in games and as narratives in society - such as a career from rags to riches, the concept of modernity or market economy. Below their surface, however, narrative mechanics are a particular type of motivational design - of game mechanics.
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.