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When Luke O’Neil isn’t angry, he’s asleep. When he’s awake, he gives vent to some of the most heartfelt, political and anger-fueled prose to power its way to the public sphere since Hunter S. Thompson smashed a typewriter’s keys. Welcome to Hell World is an unexpurgated selection of Luke O’Neil’s finest rants, near-poetic rhapsodies, and investigatory journalism. Racism, sexism, immigration, unemployment, Marcus Aurelius, opioid addiction, Iraq: all are processed through the O’Neil grinder. He details failings in his own life and in those he observes around him: and the result is a book that is at once intensely confessional and an energetic, unforgettable condemnation of American mores. Welcome to Hell World is, in the author’s words, a “fever dream nightmare of reporting and personal essays from one of the lowest periods in our country in recent memory.” It is also a burning example of some of the best writing you’re likely to read anywhere.
In an effort to put her family back together, a teen struggles to discover what happened to her mother who disappeared during a ghost hunt in this haunting novel from the author of Party, Sick, and Shackled. Five years ago, Abby Booth’s mom, cohost of a ghost-hunting reality show, went missing while filming in a “haunted” cave in Arizona. Since then, Abby’s life has all but fallen to pieces, most notably because of her dad’s deep depression and how they’ve drifted further and further apart. But now, at sixteen, Abby has decided that things will change. She plans to go to the same cave where her mom and the crew went missing and to find out, once and for all, what happened there. With the help of the cohost’s son Charlie, and two of his friends, Abby sets off on a quest for answers…but when the group ends up finding, what they stumble across in that dark, primordial cave in Arizona, is nothing they could have ever imaged. Abby was investigating a possible haunting…she never expected that there could be something worse.
A band of outcasts is sent to colonize a barren and dangerous planet in this action-packed novel by a New York Times–bestselling author. A third-generation Naval officer, Scott Hunter was raised to be a captain in the Imperial starfleet. His career is soaring until he panics during a skirmish with the rebellion, a moment of weakness that gets half his crew killed. The Empire gives him a choice—quit the service, or join a Hell Squad. The Hell Squads are one-way planetary scouts—outcasts sent to explore new worlds and determine whether or not they are habitable. Their task is simple: either survive or die. For one whose whole life is the Navy, this was never a choice at all. On his first Hell Squad mission, Hunter leads a motley team of hard-nosed rebels to the volcano planet of Wolf IV. After a bumpy landing, they find that what was supposed to be a hospitable planet is actually completely barren. On a world that was meant to hold new life, why does there seem to be death all around?
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A ship heading from Earth to Athena, a planet 500 light years away, is suddenly attacked by the Gerns, an alien empire in its expansion phase. People aboard are divided by the invaders into Acceptables and Rejects. The Acceptables would become slave labor for the Gerns on Athena, and the Rejects are forced ashore on the nearest 'Earth-like' planet, called Ragnarok. The Gerns say they will return for the Rejects, but the Rejects quickly realise that that isn't going to happen.
Brian and his friends are not part of the cool crowd. They're the misfits and the troublemakers. So when a deadly virus breaks out, they're the only ones with a chance of surviving. The virus turns Brian's classmates and teachers into bloodthirsty attackers. This event will test everything they thought they knew about themselves and their classmates.
Debut novelist Miles Klee takes a landscape of drugs, decay, loss and, perhaps, hope, and manages to make the ensemble wryly funny: something only a few notable contemporaries such as Jeff Vandermeer and Michael Chabon have been able to do. Post-urban New Jersey is instantly recognizable in this interlinked series of short vignettes. . . . and Lev's living room is puddles of water and sun, and a bunch of those furry caterpillars are hauling themselves from surface to surface. Populated by a bumbling, murderous citizenry of corrupt cops, innocents, ravenous addicts, lovesick geniuses, and cynical adventurers, Ivyland operates in the shadow of a giant pharmaceutical corporation that thrives on people's weaknesses . . . and may have an even more sinister agenda. It's our world, only a bit more extreme, and lovingly, precisely depicted with the adept skills native to a master of dark humor.
Before Owen Deathstalker, there was the Twilight of the Empire... Ghostworld. Unseeli. A dead world, at least since the Ashrai Rebellion ten years before. A world of metal trees crucial to the Empire, as crucial as Captain John Silence will one day be to the Empress. But not now. Silence botched the Empire’s response to the Rebellion, and bears the burden for a world wiped clean of all life, save its precious metal trees. Now, Base Thirteen has gone silent, cut itself off from the Empire, and stopped its crucial shipments. Silence has to find out why, and clean up his mess, aided by the ESPer Diane Vertue and Investigator Frost. Behind each locked door on Base Thirteen, mystery and menace await. Ghostworld has previously been published singly, as well as in the omnibus editions Twilight of the Empire (US) and Deathstalker Prelude (UK). Be sure to enjoy the other Prelude/Twilight of the Empire novels Mistworld and Hellworld, and the entire Deathstalker series, all from New York Times bestselling author Simon R. Green.
As COVID-19 swept across the globe with merciless force, it was working people who kept the world from falling apart. Deemed "essential" by a system that has shown just how much it needs our labor but has no concern for our lives, workers sacrificed--and many were sacrificed--to keep us fed, to keep our shelves stocked, to keep our hospitals and transit running, to care for our loved ones, and so much more. But when we look back at this particular moment, when we try to write these days into history for ourselves and for future generations, whose voices will go on the record? Whose stories will be remembered? In late 2020 and early 2021, at what was then the height of the pandemic, Maximillian Alvarez conducted a series of intimate interviews with workers of all stripes, from all around the US--from Kyle, a sheet metal worker in Kentucky; to Mx. Pucks, a burlesque performer and producer in Seattle; to Nick, a gravedigger in New Jersey. As he does in his widely celebrated podcast, Working People, Alvarez spoke with them about their lives, their work, and their experiences living through a year when the world itself seemed to break apart. Those conversations, documented in these pages, are at times meandering, sometimes funny or philosophical, occasionally punctured by pain so deep that it hurts to read them. Filled with stories of struggle and strength, fear and loss, love and rage, The Work of Living is a deeply human history of one of the defining events of the 21st century told by the people who lived it.