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Traces the life of the Texas-born silent film actress who achieved notoriety as the hostess of a Broadway nightclub during the Prohibition era.
WELCOME TO JAZZ-AGE MANHATTAN’S KALEIDOSCOPIC UNDERWORLD. A site by site, crime by crime, outlaw by outlaw walking tour through the seedy underbelly of Roaring Twenties Manhattan—where gamblers and gangsters, crooks and cops, showgirls and speakeasies ruled the day and, always, the night. In Gangsterland, historian David Pietrusza tours the Big Apple’s rotten core. The Roaring Twenties blaze and sparkle with Times Square’s bright lights and showgirls, but its dark shadows mask a web of notorious gangsters ruling New York City. At the heart of this wickedness nests a “Prince of Darkness,” Arnold Rothstein, the kingpin most noted for fixing baseball’s infamous 1919 World Series, who also bankrolled high-stakes gambling dens, speakeasies, trigger-happy bootleggers, and even a record setting Broadway show. Sharing center stage are con artists Nicky Arnstein and “Dapper Don” Collins; crooked cop Lt. Charles Becker; politicians Mayor “Gentleman Jimmy” Walker and “Big Tim” Sullivan; master drug smugglers George Uffner and Sidney Stajer; murderous racketeers Lucky Luciano and Legs Diamon; show biz legends Flo Ziegfeld, Fanny Brice, and Texas Guinan; and many more. As Pietrusza prowls city boulevards and back alleys, exposing Tammany Hall, sports, Broadway, and Wall Street, jewels are fenced, bullets fly, and unmarked bills buy bribes and silence. Readers get up close and personal with this rogues’ gallery but better check their wallets before they leave.
Christian Bagge, an Iraq War veteran, lost both his legs in a roadside bomb attack on his Humvee in 2006. Months after the accident, outfitted with sleek new prosthetic legs, he jogged alongside President Bush for a photo op at the White House. The photograph served many functions, one of them being to revive faith in an American martial ideal—that war could be fought without permanent casualties, and that innovative technology could easily repair war’s damage. When Bagge was awarded his Purple Heart, however, military officials asked him to wear pants to the ceremony, saying that photos of the event should be “soft on the eyes.” Defiant, Bagge wore shorts. America has grappled with the questions posed by injured veterans since its founding, and with particular force since the early twentieth century: What are the nation’s obligations to those who fight in its name? And when does war’s legacy of disability outweigh the nation’s interests at home and abroad? In Paying with Their Bodies, John M. Kinder traces the complicated, intertwined histories of war and disability in modern America. Focusing in particular on the decades surrounding World War I, he argues that disabled veterans have long been at the center of two competing visions of American war: one that highlights the relative safety of US military intervention overseas; the other indelibly associating American war with injury, mutilation, and suffering. Kinder brings disabled veterans to the center of the American war story and shows that when we do so, the history of American war over the last century begins to look very different. War can no longer be seen as a discrete experience, easily left behind; rather, its human legacies are felt for decades. The first book to examine the history of American warfare through the lens of its troubled legacy of injury and disability, Paying with Their Bodies will force us to think anew about war and its painful costs.
In the Roaring Twenties, New York City nightclubs and speakeasies became hot spots where traditions were flouted and modernity was forged. With powerful patrons in Tammany Hall and a growing customer base, nightclubs flourished in spite of the efforts of civic-minded reformers and federal Prohibition enforcement. This encounter between clubs and government-generated scandals, reform crusades, and regulations helped to redefine the image and reality of urban life in the United States. Ultimately, it took the Great Depression to cool Manhattan's Jazz Age nightclubs, forcing them to adapt and relocate, but not before they left their mark on the future of American leisure. Nightclub City explores the cultural significance of New York City's nightlife between the wars, from Texas Guinan's notorious 300 Club to Billy Rose's nostalgic Diamond Horseshoe. Whether in Harlem, Midtown, or Greenwich Village, raucous nightclub activity tested early twentieth-century social boundaries. Anglo-Saxon novelty seekers, Eastern European impresarios, and African American performers crossed ethnic lines while provocative comediennes and scantily clad chorus dancers challenged and reshaped notions of femininity. These havens of liberated sexuality, as well as prostitution and illicit liquor consumption, allowed their denizens to explore their fantasies and fears of change. The reactions of cultural critics, federal investigators, and reformers such as Fiorello La Guardia exemplify the tension between leisure and order. Peretti's research delves into the symbiotic relationships among urban politicians, social reformers, and the business of vice. Illustrated with archival photographs of the clubs and the characters who frequented them, Nightclub City is a dark and dazzling study of New York's bygone nightlife.
“The drunken ’20s started roaring almost immediately, but they were loudest in Manhattan. David Rosen’s [book] has all the snazzy, jazzy details.” —NY Daily News Texas Guinan was the queen of New York’s speakeasies in the Roaring Twenties. Her clubs were backed by leading gangsters and welcomed some of the city’s biggest sharks and swankest swells. Movie stars, flappers, madams, musicians and more flocked to midtown’s “Wet Zone,” Greenwich Village and Harlem for inebriated entertainment. Patrons threw cultural norms aside as free-flowing hooch lubricated the jazz joints, sex circuses and drag balls that fueled the era’s insurgent spirit. At the center of the party was Texas with her trademark catchphrases and guarantee to have a good time. Author David Rosen recounts Texas’s adventurous life alongside tales of Gotham’s nightlife when abstinence was the law of the land and breaking the law an all-American indulgence.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Nils T. Granlund (1882-1957) created the first movie preview, filmed the first commercial, was the first to broadcast a live sports event, and, as a popular radio personality, introduced the Jazz Age to America via his broadcasts from Harlem's Cotton Club. He is also acknowledged as the creator of the modern nightclub, introducing the high-kicking chorus line to the stages of Las Vegas. But though he was among the highest-grossing entertainers of the World War II era--famous enough to star as "himself" in several Hollywood films--he died virtually penniless, and today is all but forgotten. This work is a comprehensive biography of the man known as NTG, from his herding reindeer in Sweden to shepherding the most beautiful chorus girls on Broadway.
About the Book: Magician and storyteller Taylor Hughes reexamines moments of his personal life through the eyes of wonder. It is a heartfelt and sometimes hilarious journey that will encourage and inspire you to chase wonder in your own life. About the Author: Taylor Hughes fell in love with the art of illusion when his parents bought him a magic kit for his 7th birthday. More than 30 years and 3,000 shows later, Taylor has become known for his signature style of Magic Storytelling. He is a favorite at Hollywood’s famed Magic Castle, a highly sought after Keynote Presenter and his Comedy Magic Special '“Chasing Wonder” is streaming now. Taylor is married to his high school sweetheart Katie and they live in Southern California with their two daughters Madelyn and Kennedy. To connect with Taylor visit www.taylorhughes.com For behind the scenes photos and more visit www.roadtowonder.com
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.