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Proceedings of an international conference held at Thessaloniki, Greece from 25-27 May 2012.
Here a team of established scholars offers new perspectives on poetic texts of wisdom, learning and teaching related to the great line of Greek and Latin poems descended from Hesiod. In previous scholarship, a drive to classify Greek and Latin didactic poetry has engaged with the near-total absence in ancient literary criticism of explicit discussion of didactic as a discrete genre. The present volume approaches didactic poetry from different perspectives: the diachronic, mapping the development of didactic through changing social and political landscapes (from Homer and Hesiod to Neo-Latin didactic); and the comparative, setting the Graeco-Roman tradition against a wider backdrop (including ancient near-eastern and contemporary African traditions). The issues raised include knowledge in its relation to power; the cognitive strategies of the didactic text; ethics and poetics; the interplay of obscurity and clarity, playfulness and solemnity; the authority of the teacher.
Beyond Alexandria aims to provide a better understanding of Seleucid literature, covering the period from Seleucus I to Antiochus III. Despite the historical importance of the Seleucid Empire during the long third century BCE, little attention has been devoted to its literature. The works of authors affiliated with the Seleucid court have tended to be overshadowed by works coming out of Alexandria, emerging from the court of the Ptolemies, the main rivals of the Seleucids. This book makes two key points, both of which challenge the idea that "Alexandrian" literature is coterminous with Hellenistic literature as a whole. First, the book sets out to demonstrate that a distinctly strand of writing emerged from the Seleucid court, characterized by shared perspectives and thematic concerns. Second, Beyond Alexandria explores how Seleucid literature was significant on the wider Hellenistic stage. Specifically, it shows that the works of Seleucid authors influenced and provided counterpoints to writers based in Alexandria, including key figures such as Eratosthenes and Callimachus. For this reason, the literature of the Seleucids is not only interesting in its own right; it also provides an important entry point for furthering our understanding of Hellenistic literature in general.
This collection of detailed studies of the epigraphical landscape of Ptolemaic Egypt explores the historical and cultural contexts of the surviving Greek and Greek/Egyptian bilingual and trilingual inscriptions as a complement to the Corpus of Ptolemaic Inscriptions edition, in which the texts will be presented together for the first time.
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Pindar's Library is the first volume to analyse the role played by Pindar's literary, cultic, and scholarly reception in affecting readers' engagement with his poetry, considering the continuities between reading and attending performances, and highlighting elements of readers' experiences which were distinctive to Hellenistic culture.
Brill's Companion to Theocritus offers an up-to-date guide to a thorough understanding of Theocritus’ literary output. Exploring his corpus from a variety of novel perspectives, it presents a detailed account of the intricacy of Theocritus’ poetic art.
Carpe diem – 'eat, drink and be merry, for tomorrow we die!' – is a prominent motif throughout ancient literature and beyond. This is the first book-length examination of its significance and demonstrates that close analysis can make a key contribution to a question that is central to literary studies in and beyond Classics: how can poetry give us the almost magical impression that something is happening here and now? In attempting an answer, Robert Rohland gives equal attention to Greek and Latin texts, as he offers new interpretations of well-known poems from Horace and tackles understudied epigrams. Pairing close readings of ancient texts along with interpretations of other forms of cultural production such as gems, cups, calendars, monuments, and Roman wine labels, this interdisciplinary study transforms our understanding of the motif of carpe diem.
This book offers a new interpretation of Augustan literature, focusing on its imaginative reading of Greek musical culture.
Scholarship surrounding the standard varieties of Ancient Greek (Attic, the Koine, and Atticistic Greek) focused from its beginnings until relatively recently on determining fixed uniformities or differences between them. This collection of essays advocates for understanding them as interconnected and continuously evolving and suggests viewing them as living organisms shaped by their speakers and texts. The authors propose approaches that integrate linguistics, sociolinguistics, and literary studies to explore how speakers navigate linguistic norms and social dynamics, leading to innovations and reshaping of standards. Each contribution challenges the dichotomy between standards and deviations, suggesting that studying linguistic diversity through socio-literary interconnectedness can enrich our understanding of language history and cultural wealth.