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''This book is a revised version of my doctoral dissertation, completed at the University of Warsaw in 2009." - Page [ix].
This volume presents the stratigraphy and architectural remains of the tell of ancient (biblical) Shechem on the eastern outskirts of the modern municipality of Nablus. First identified as an ancient ruin, and proposed as ancient Shechem in 1903, the site was excavated by an Austro-German team in the period between 1913 and 1934, and by the Drew-McCormick Archaeological Expedition, later named the Joint Expedition, between 1956 and 1973. Now, 87 years after Ernest Sellin began the dig, and 27 years after the expedition mounted by G. Ernest Wright left the field, this volume sets out to portray this mound of ancient cities that began its history at least 4000 years BCE and ended its premodern history in 107 BCE.
Specifically commissioned essays discussing how the ancient Greek art and literature were viewed by others in antiquity.
This volume brings together the work of scholars using various methodologies to investigate the prevalence, importance, and meanings of feasting and foodways in the texts and cultural-material environments of the Hebrew Bible and the ancient Near East. Thus, it serves as both an introduction to and explication of this emerging field. The offerings range from the third-millennium Early Dynastic period in Mesopotamia to the rise of a new cuisine in the Islamic period and transverse geographical locations such as southern Iraq, Syria, the Aegean, and especially the southern Levant. The strength of this collection lies in the many disciplines and methodologies that come together. Texts, pottery, faunal studies, iconography, and anthropological theory are all accorded a place at the table in locating the importance of feasting as a symbolic, social, and political practice. Various essays showcase both new archaeological methodologies—zooarchaeological bone analysis and spatial analysis—and classical methods such as iconographic studies, ceramic chronology, cultural anthropology, and composition-critical textual analysis.
This volume explores Cyprus in ancient literature and through contemporary evidence, discussing texts from Greco-Roman antiquity that examine the island, its myths, gods, heroes, and literary output, as well as the way it is perceived in ancient literature.
In this beautifully illustrated volume, Burn (Keeper of Antiquities, Fitzwilliam Museum, Cambridge) introduces the Hellenistic world to students and readers interested in ancient Greek society. After a brief political and cultural overview, Burn identifies several distinctly Hellenistic artistic developments emerging in fourth-century Macedon. She then examines representations of royal and private individuals; the design, furnishing and appearances of cities, sanctuaries, houses and tombs; and the characteristic themes of Hellenistic iconography.
Over 100 clay molds found between 1931 and 1977 in the fills within the three great Hellenistic stoas that once lined the Agora (the Middle Stoa, the Stoa of Attalos, and the South Stoa) are published in this book. While the repertory of images that could have been cast using them, comprising 25 subjects, is relatively conventional, the large size (up to 30 x 60 cm) makes their function a puzzle. The author concludes that they must have been for the casting of cheap funerary substitutes at a time when a decree of Demetrios of Phaleron prohibited the building of costly burial monuments in Athens. After the author's death in 1982, this volume was edited by Eileen Markson and Susan I. Rotroff.