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The sixth volume in the Institute of Classical Archaeology’s series on the rural countryside (chora) of Metaponto is a study of the Greek settlement at Sant’Angelo Vecchio. Located on a slope overlooking the Basento River, the site illustrates the extraordinary variety of settlements and uses of the territory from prehistory through the current day. Excavators brought to light a Late Archaic farmhouse, evidence of a sanctuary near a spring, and a cluster of eight burials of the mid-fifth century BC, but the most impressive remains belong to a production area with kilns. Active in the Hellenistic, Late Republican, and Early Imperial periods, these kilns illuminate important and lesser-known features of production in the chora of a Greek city and also chronicle the occupation of the territory in these periods. The thorough, diachronic presentation of the evidence from Sant’Angelo Vecchio is complemented by specialist studies on the environment, landscape, and artifacts, which date from prehistory to the post-medieval period. Significantly, the evidence spans the range of Greek site types (farmhouse, necropolis, sanctuary, and production center) as well as the Greek dates (from the Archaic to Early Imperial periods) highlighted during ICA’s survey of the Metapontine chora. In this regard, Chora 6 enhances the four volumes of The Chora of Metaponto 3: Archaeological Field Survey—Bradano to Basento and provides further insight into how sites in the chora interacted throughout its history.
The broad valley of the Bradano river and its tributary, the Basentello, separates the Apennine mountains in Lucania from the limestone plateau of the Murge in Apulia in southeast Italy. This book aims to explain how the pattern of settlement and land use changed in the valley over the whole period from the Neolithic to the late medieval.
This volume in the Institute of Classical Archaeology's series on rural settlements in the countryside (chora) of Metaponto presents the excavation of the Late Roman farmhouse at San Biagio. Located near the site of an earlier Greek sanctuary, this modest but well-appointed structure was an unexpected find from a period generally marked by large landholdings and monumental villas. Description of earlier periods of occupation (Neolithic and Greek) is followed by a detailed discussion of the farmhouse itself and its historical and socioeconomic context. The catalogs and analyses of finds include impressive deposits of coins from the late third and early fourth centuries AD. Use of virtual reality CAD software has yielded a deeper understanding of the architectural structure and its reconstruction. A remarkable feature is the small bath complex, with its examples of window glass. This study reveals the existence of a small but viable rural social and economic entity and alternative to the traditional image of crisis and decline during the Late Imperial period.
Clothing was an essential part of material culture in ancient societies both as a form of body protection and as house equipment. Besides a practical function, textiles played a crucial role in communicating various aspects of social and personal identity. Based largely on the analysis of textile tools, this book is intended to be the first systematic attempt at reconstructing textile culture in ancient Sicily. Textile implements represent the most abundant category of evidence for textile activity in Sicily and in this book they are used as a means to explore the social dynamics within cultural interactions in the final Bronze–Iron Age and Archaic Sicily. The book begins with an overview of the cultural complexity of communities in Sicily and the Aeolian islands, focusing on two crucial periods of Sicilian history, which are characterised by intense movements of peoples from the Italian peninsula and the establishment of Greek and Phoenician settlements. Through the investigation of textile tools, the book discusses several key aspects, including technological features of textile technology and production, knowledge transfer, networks of weavers, as well as the social significance of textile activity. By employing an interdisciplinary perspective, this book is important not only for textile specialists but also for scholars and students dealing with culturally hybrid frameworks of ancient Sicily and provides a springboard for future studies on textile culture and cultural interactions in the ancient world.
This volume contains 20 papers that explore ancient notions and experiences of childhood around the Mediterranean, from prehistory to late antiquity.
This volume offers a comprehensive survey of Roman villas in Italy and the Mediterranean provinces of the Roman Empire, from their origins to the collapse of the Empire. The architecture of villas could be humble or grand, and sometimes luxurious. Villas were most often farms where wine, olive oil, cereals, and manufactured goods, among other products, were produced. They were also venues for hospitality, conversation, and thinking on pagan, and ultimately Christian, themes. Villas spread as the Empire grew. Like towns and cities, they became the means of power and assimilation, just as infrastructure, such as aqueducts and bridges, was transforming the Mediterranean into a Roman sea. The distinctive Roman/Italian villa type was transferred to the provinces, resulting in Mediterranean-wide culture of rural dwelling and work that further unified the Empire.
In the past, most studies on Pre-Roman societies in Italy (1st millennium BCE) focused on the elites, their representation and cultural contacts. The aim of this volume is to look at dependent and marginalized social groups, which are less visible and often even difficult to define (slaves, servants, freedmen, captives, 'foreigners', athletes, women, children etc.). The methodological challenges connected to the study of such heterogeneous and scattered sources are addressed. Is the evidence representative enough for defining different forms of dependencies? Can we rely on written and pictorial sources or do they only reflect Greek and Roman views and iconographic conventions? Which social groups can't be traced in the literary and archaeological record? For the investigation of this topic, we combined historical and epigraphical studies (Greek and Roman literary sources, Etruscan inscriptions) with material culture studies (images, sanctuaries, necropoleis) including anthropological and bioarchaeological methods. These new insights open a new chapter in the study of dependency and social inequality in the societies of Pre-Roman Italy.
A collection of articles from a seminar on Hellenism in Italy, held in Copenhagen in 1993. They cover a wide spectrum of topics and reflect an interdisciplinary collaboration.Pia Guldager Bilde, Inge Nielsen & Marjatta Nielsen: IntroductionJesper Carlsen: Le città della Magna Grecia e loro sviluppo in età ellenisticaLars Karlsson: Did the Romans Allow the Sicilian Greeks to Fortify Their Cities in the Third Century BC?Tobias Fischer-Hansen: Apulia and Etruria in the Early Hellenistic period. A SurveyKarina Mitens: Theatre Architecture in Central Italy: Reception and ResistanceIngrid Strøm: Pontecagnano- Picentia: A Hellenistic Town in the Former Etruscan CampaniaLise Bek: From Eye-Sight to View-Planning: The Notion of Greek Philosophy and Hellenistic Optics as a Trend in Roman Aesthetics and Building PracticePia Guldager Bilde: The International Style: Aspects of Pompeian First Style and Its Eastern EquivalentsFlemming Gorm Andersen: Roman Figural Painting in the Hellenistic AgeSimon Laursen: Greek Intelectuals in Rome- Some ExamplesBenedicte Mygind: The Hellenization of the Latin VocabularyMette Moltesen: Lapis albanus: A Group of Hellenistic Sculptures in PeperinoJacob Isager: The Hellenization of Rome. Luxuria or liberalitas?Christian Høgel: The Poetic I in Hellenistic and Augustan PoetryHelle Salskov Roberts: The Creation of a Religious Iconography in Etruria in the Hellenistic PeriodMarjatta Nielsen: Cultural Orientations in Etruria in the Hellenistic Period: Greek Myths and Local Motifs on Volterran Urn ReliefsJohn Lund: Rhodian Amphorae as Evidence for the Relations between Late Punic Carthage and Rhodes
The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.