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Author George Haggerty examines the ""unnatural"" affections that flout cultural taboos and challenge what are seen as natural boundaries to desire. Such affections abound in 18th-century novels, offering a complex understanding of the role of gender and the articulation of female desire during the age in which women novel writers came into their own.
A not-for-the-squeamish journey back through the centuries to urban England, where the streets are crowded, noisy, filthy, and reeking of smoke and decay Modern city-dwellers suffer their share of unpleasant experiences—traffic jams, noisy neighbors, pollution, food scares—but urban nuisances of the past existed on a different scale entirely, this book explains in vivid detail. Focusing on offenses to the eyes, ears, noses, taste buds, and skin of inhabitants of England's pre-Industrial Revolution cities, Hubbub transports us to a world in which residents were scarred by smallpox, refuse rotted in the streets, pigs and dogs roamed free, and food hygiene consisted of little more than spit and polish. Through the stories of a large cast of characters from varied walks of life, the book compares what daily life was like in different cities across England from 1600 to 1770. Using a vast array of sources, from novels to records of urban administration to diaries, Emily Cockayne populates her book with anecdotes from the quirky lives of the famous and the obscure—all of whom confronted urban nuisances and physical ailments. Each chapter addresses an unpleasant aspect of city life (noise, violence, moldy food, smelly streets, poor air quality), and the volume is enhanced with a rich array of illustrations. Awakening both our senses and our imaginations, Cockayne creates a nuanced portrait of early modern English city life, unparalleled in breadth and unforgettable in detail.
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it? Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam, Wilde's The Importance of Being Earnest, Stoker's Dracula, and Lawrence's Women In Love. In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it? Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam, Wilde's The Importance of Being Earnest, Stoker's Dracula, and Lawrence's Women In Love.
A challenging and persuasive interpretation of poems too often seen as part of a coherent and accepted literary tradition.
Rather, it is a collection of episodic little histories.
In this collection, one of the world's leading scholars in the field of masculinity studies explores the historical construction of American and British masculinities. Tracing the emergence of American and British masculinities, the forms they have taken, and their development over time, Michael S. Kimmel analyzes the various ways that the ideology of masculinity—the cultural meaning of manhood—has been shaped by the course of historical events, and, in turn, how ideas about masculinity have also served to shape those historical events. He also considers newly emerging voices of previously marginalized groups such as women, the working class, people of color, gay men, and lesbians to explore the marginalized and de-centered notions of masculinity and the political processes and dynamics that have enabled this marginalization to occur.