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On 22 April 1915, the men of the 1st Canadian Division faced chlorine gas, a new lethal weapon against which they had no defence. In defiance of a particularly horrible death, or, at the very least, severe lung injury, these untested Canadians fought almost continuously for four days, often hand-to-hand, as they clung stubbornly against overwhelming odds to a vital part of the Allied line after the French units on their left fled in panic. By doing so, they saved 50,000 troops in the Ypres salient from almost certain destruction, and, in addition, prevented the momentum of the war from tipping in favour of the Germans. In this new, deeply researched account, the distinguished military historian George H. Cassar skillfully blends into the history of the battle the graphic and moving words of the men on the front line. Illustrated with outstanding photographs and numerous maps, and drawing from diaries, letters, and documents from every level of planning, Hell in Flanders Fields is an authoritative, gripping drama of politics, strategy, and human courage.
On 22 April 1915, the men of the 1st Canadian Division faced chlorine gas, a new lethal weapon against which they had no defence. In defiance of a particularly horrible death, or, at the very least, severe lung injury, these untested Canadians fought almost continuously for four days, often hand-to-hand, as they clung stubbornly against overwhelming odds to a vital part of the Allied line after the French units on their left fled in panic. By doing so, they saved 50,000 troops in the Ypres salient from almost certain destruction, and, in addition, prevented the momentum of the war from tipping in favour of the Germans. In this new, deeply researched account, the distinguished military historian George H. Cassar skillfully blends into the history of the battle the graphic and moving words of the men on the front line. Illustrated with outstanding photographs and numerous maps, and drawing from diaries, letters, and documents from every level of planning, Hell in Flanders Fields is an authoritative, gripping drama of politics, strategy, and human courage.
DIVRich selection of powerful, moving verse includes Brooke's "The Soldier," Owen's "Anthem for Doomed Youth," "In Flanders Fields," by Lieut. Col. McCrae, more by Hardy, Kipling, many others. /div
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
World War I has long captured the macabre imagination for the seemingly willful manner in which nations sent their young men to die in droves while fighting over essentially the same patch of land for four long years. The vision of those senseless deaths becomes even harsher and more depraved when we consider how many soldiers were killed by poison gas. In May 1915 the long and bloody Second Battle of Ypres gained notoriety for the participants’ use of poison gas, the first time the weapon had been used in battle. With both sides realizing the importance of victory in Ypres, moral considerations were set aside. Although other, more costly battles of World War I have often overshadowed the Second Battle of Ypres despite the unprecedented use of gas in the latter, that battle now receives an examination commensurate with its significance. In Trial by Gas, George H. Cassar focuses on the conflict’s second half: the battles at Frezenberg Ridge and Bellewaarde Ridge, both of which were fought primarily by British units, taking the reader inside the trenches and behind the desks of those making the decisions. Cassar’s intimate account offers an accurate, clear, and complete chronicle of a battle with a remarkably enduring impact despite its indecisive outcome.
A fast-paced and vivid narrative of the most horrific campaign in history: the four-year slaughter around the Belgian town of Ypres 1914-18. Switching seamlessly between the generals' headquarters, the politicians' councils and, above all, the mud and blood of the trenches, this is a wonderfully accessible history. Winston Churchill and Adolf Hitler both fought in the front line at Ypres: Groom reveals what happened to both men. We see the campaign through their eyes and the experience of other officers and men, including the war poet Edmund Blunden (later professor of poetry at Oxford). From the desperate defence put up by the tiny British regular army in 1914 to the infamous Passchendaele offensive, this is popular history at its best.
The definitive history of the ever-enduring icon In the aftermath of the horrific trench warfare of the First World War, the poppy – sprouting across the killing fields of France and Belgium, then immortalized in John McCrae’s moving poem – became a worldwide icon. Yet the poppy has a longer history, as the tell-tale sign of human cultivation of the land, of the ravages of war, and of the desire to escape the earthly realm through opium dreams or morphine drips. From the ancient Egyptian fights over prized potions to the addicts of the American Civil War, to the British entanglements in the Opium Wars with China and the struggle to end Afghanistan’s tribal narcotics trade, there is the poppy.
Few people alive today had direct experience of the First World War, and yet it seems embedded in the collective consciousness of the combatant nations as a warning to future generations of the futility of military conflict. Our awareness of the terror, loneliness and desperate hope endured by the men who fought this war we owe to the quality of the art that came out of it, not least the poetry. Despite the passage of time, its ability to move and inspire us remains undimmed, as this superb new compilation richly demonstrates. Selected from the work of soldiers killed in action - starting with Rupert Brooke in 1915 and ending with the tragic loss of Wilfred Owen seven days before the Armistice - the poems capture a broad range of emotions, contemplations and states of mind, ranging from anthems about the brutality of war to wistful evocations of home and loved ones left behind. This collection showcases some of the best poetry to emerge from the conflict and stands as a worthy memorial to the collective talent and sacrifice of those who gave their lives.