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Welcome back to Hellywood! A film crew tracks a creature in the forest—or is it tracking them…? A producer sells his soul for the rights to a comic book, but the deal isn’t what it seems… The hideous secret to an mega-star’s fame lies in the bottom of his hot tub… An actress buys a smartphone and gets far more than she bargained for… A reality TV show pushes contestants to insane limits… A Hollywood movie palace worker gets trapped in a ghostly nightmare… Take a behind the screams tour into the dark heart of show business and see the cast of bloodthirsty monsters, power-mad directors, starving zombies, deal-making demons and more horrific creatures tear up the screen! Buy your ticket, bloody the popcorn, and settle into your seat—and don’t forget to turn off your Hell phone…
This sequel to the critically acclaimed, Bram Stoker Award nominated horror anthology "Hell Comes To Hollywood" delivers twenty-two more terrifying tales set in Tinseltown. A film crew tracks a creature in the forest-or is it tracking them...? A producer sells his soul for the rights to a comic book, but the deal isn't what it seems... The hideous secret to an mega-star's fame lies in the bottom of his hot tub... An actress buys a smartphone and gets far more than she bargained for... A reality TV show pushes contestants to insane limits... A Hollywood movie palace worker gets trapped in a ghostly nightmare... Take a behind the screams tour into the dark heart of show business and see the cast of bloodthirsty monsters, power-mad directors, starving zombies, deal-making demons and more horrific creatures tear up the screen! Buy your ticket, bloody the popcorn, and settle into your seat-and don't forget to turn off your Hell phone...
An Illustrated biography about AP photographer Nick Ut, best-known for his iconic "Napalm Girl" image, whose career at The Associated Press spanned more than 51 years. Written by a former head of AP's photography department who was present when Ut's riveting photograph was first transmitted from Vietnam to New York City and recalls that historic moment in great detail. Featuring more than 100 photos from the AP archives and Ut's personal collection, "From Hell to Hollywood" covers Ut's incredible life from his humble beginnings until his celebrated retirement. Included is a Foreword by CBS' Bob Schieffer and an Afterword by former AP War Correspondent Peter Arnett.
Psychotic killers, devious ghosts, alien monsters, howling storms, undead creatures, and other dark forces haunt the highways and the truckers who drive them in these 18 chilling tales! Contains the Bram Stoker Award winning story "Happy Joe's Rest Stop" by John Palisano. A ghostly voice on a trucker’s CB radio knows more about his life than it should… Two drivers find their cargo gives them inhuman appetites… A boy in a truck stop encounters a supernatural force that threatens to destroy the world… The hypnotic singing lulling a driver to sleep might not be coming from the tires… A fender-bender between a big rig and a four wheeler is not as accidental as it seems… The sinister cargo lurking in a rock and roll band’s fleet of trucks is unleashed at their final show... Hit the road with this anthology of trucking horror fiction!
Born in the drive-in theatre backseats of the 1970s, the demonic fun of Teen Movie Hell ignited the 1980s VCR, cable TV, and multiplex booms that burned well into the 1990s. Author Mike 'McBeardo' McPadden passes righteous judgment, one boobs-and-boner opus at a time, plus penetrating insight from Eddie Deezen (Grease, Zapped!), Samm Deighan, Kat Ellinger, Wendy McClure, Katie Rife, Heather Drain, Lisa Carver, Rachel McPadden, Liz Mason, Christina Ward, and Kier-La Janisse.
Take a trip through the imaginations of 18 visionary writers as they explore the future of trucking in this new science fiction anthology! There's something for every genre fiction fan in this follow-up to the hit "18 wheels of Horror - a Trailer Full of Trucking Terrors." From the back cover: An alien fuel additive shows just how fast a big rig can go... A disembodied driver wages war on self-driving trucks... A haul through time takes an unexpected turn... Reality shatters for a trucker using an experimental delivery device... Stargazing gives an overweight driver a new lease on life... A young girl risks her life to hitch a ride out of an apocalyptic wasteland... The highways of the universe will never be the same!
Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.
The behind-the-scenes story of the making of the iconic movie Network, which transformed the way we think about television and the way television thinks about us "I'm mad as hell, and I'm not going to take this anymore!" Those words, spoken by an unhinged anchorman named Howard Beale, "the mad prophet of the airwaves," took America by storm in 1976, when Network became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In Mad As Hell, Dave Itzkoff of The New York Times recounts the surprising and dramatic story of how Network made it to the screen. Such a movie rarely gets made any more—one man's vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision—outlandish for its time—is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky's notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today's leading broadcasters and filmmakers to assess Network's lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression.
Playwrights have been depicting Hollywood as a cultural desert and an industry of profit-driven philistines ever since the early days of the movies. This collection of original essays covers the period from the 1920s to the present but concentrates on such contempory playwrights as David Mamet, Sam Shepard, David Rabe, Arthur Kopit, and Adrienne Kennedy. A substantial proportion of the volume is devoted to a discussion of the way in which these authors deconstruct Hollywood myths to reveal painful social and psychological issues in American life, providing a deeper and darker picture than the simple satires of movie-making in the 1920s and 1930s or Odets's comparison of the commercially debased Hollywood with the higher, purer art of the theatre. To complete and further complicate the picture, the volume concludes with essays on the African American experience, gay writers, and feminist writing as seen through the lens of Marlane Myer's ETTA JENKS. It is obvious that the legitimate stage remains a watchdog and constant critic of what is possibly the world's most powerful cultural phenomenon This book will be eargerly read by all students of film, theatre, and 20th century literature.