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Excerpt from Hell at Midnight in Springfield, or a Burning History of the Sin and Shame of the Capital City of Illinois John G Woolley had the same thought ln the followmg word p1cture, portray1ng the concentrated horrors and 1nfam1es of the llquor traffic when he sa1d Now I understand that cry, what a cry' A olty as large as New York, Brooklyn, Boston, Ch1cago, St Louls, C1nc1nnat1, Phlladelph1a, Balt1 more six m11110ns of pe0p1e and not a happy home, thousands of mlles of streets and not a cheery face, mult1tudes of madmen, ep11ept1cs, 1d10ts, pau pers, cr1m1nals, and no escape A walled c1ty first - an outer wall of mountams, then a wall of d1st111er1es, whlch ln a street of solld masonry would reach from Boston to Omaha, then one of brewerles nearly as long, then mad houses nearly as long, then brothels nearly as long, then gambhng houses nearly as long, then a double row of dram shops, and ravenmg through all the labyrlnth, the m1notaur of alcohollc conversatlon of rlbald and filthy soclety, rotten altogether V1le Seven days of personal llberty drunkenness, a week, no sweet nlght's rest No Sunday, no church, no God Two hundred men (he drunk there every day And all the foul 1nfect10ns and contag1ous fester and spread and k1ll and dr1ve men and women mad It 1s 11ke the leper colon1es of the Pac1fic Islands, multlphed by a m1ll1on horrors It IS 11ke a colossal madhouse w1th the added horror of lock1ng ln thousands of sane but broken-hearted women who refuse to be rescued be cause they love the brutlsh, red-eyed, plmply madmen who never touch them but to wound, and never speak to them but ln the d1alect of hell. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Springfield: A Reflection in Photography is a photo album of Springfield scenes from the late 19th through the mid 20th centuries-a nostalgic look back at everyday life in the capital city. Local people are seen at work, at play and socializing. Iron workers, construction crews and munitions makers show us the gritty, tiring work of a community and emphasize the man and animal power once common in industry. There are social changes as well, like the coming of women to the workplace. Shirtwaisted ladies at the Illinois Watch Company and "Rosie the Riveter" on the production line during the war make their appearance. Aerial views of the downtown area present a century of change in Springfield. The evolution of transportation in the community is chronicled, from horse and buggy to the railroad to the automobile. Images of ladies cooking at Temple and crews preparing community garden plots showcase the city's volunteer service heritage. Commonplace images of life in Springfield, such as children at play, shopping, parades, and the first day of school, are all presented here. But the less common events are included as well: fires, the race riot, even a baptism at Lake Springfield. Together, these images tell the story of who we were, and perhaps more importantly, who we have become as a result. This book shows a community readers may know intimately, yet have never seen.
Winner of the Gustavus Myers Center Award for the Study of Human Rights in the United States! Winner of the Illinois State Historical Society Superior Achievement Award! This detailed case study of the 1908 race riot in Springfield, Illinois, which began only a few blocks from Abraham Lincoln’s family home, explores the social origins of rioting by whites against the city’s African American community after a white woman alleged that a black man had raped her. Over two days rioters wrecked black-owned businesses, burned neighborhoods to the ground, killed two black men, and injured many others. Author Roberta Senechal de la Roche draws from a wide range of sources to describe the riot, identify the rioters and their victims, and challenge previous interpretations that attribute rioting to interracial competition for jobs, housing, or political influence. Written in a direct and clear style, In Lincoln’s Shadow documents a violent explosion of racial hatred that shocked the nation and reveals the complexity of white racial attitudes in the early twentieth century.
Winner, ISHS Annual Award for a Scholarly Publication, 2018 In Corn Kings and One-Horse Thieves, James Krohe Jr. presents an engaging history of an often overlooked region, filled with fascinating stories and surprising facts about Illinois’s midsection. Krohe describes in lively prose the history of mid-Illinois from the Woodland period of prehistory until roughly 1960, covering the settlement of the region by peoples of disparate races and religions; the exploitation by Euro-Americans of forest, fish, and waterfowl; the transformation of farming into a high-tech industry; and the founding and deaths of towns. The economic, cultural, and racial factors that led to antagonism and accommodation between various people of different backgrounds are explored, as are the roles of education and religion in this part of the state. The book examines remarkable utopian experiments, social and moral reform movements, and innovations in transportation and food processing. It also offers fresh accounts of labor union warfare and social violence directed against Native Americans, immigrants, and African Americans and profiles three generations of political and government leaders, sometimes extraordinary and sometimes corrupt (the “one-horse thieves” of the title). A concluding chapter examines history’s roles as product, recreation, and civic bond in today’s mid-Illinois. Accessible and entertaining yet well-researched and informative, Corn Kings and One-Horse Thieves draws on a wide range of sources to explore a surprisingly diverse section of Illinois whose history is America in microcosm.
"As Mouser shows, Scott spent his life figuring out--and satisfying--men's interests with liquor, gambling, and women, and . . . [he] refused to be complicit in backing politicians who took him and the broader base of first-generation black voters for dupes. . . . Scott saw the political game for what it was: a game of power."--Henry Louis Gates, Jr.