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A reissue of the controversial novel about middle-class Jewish life in Old San Francisco. Originally published in 1900 and set in fin-de-siècle California, Heirs of Yesterdayby Emma Wolf (1865–1932) uses a love story to explore topics such as familial loyalty, the conflict between American individualism and ethno-religious heritage, and anti-Semitism in the United States. The introduction, co-authored by Barbara Cantalupo and Lori Harrison-Kahan, includes biographical background on Wolf based on new research and explores key literary, historical, and religious contexts for Heirs of Yesterday.It incorporates background on the rise of Reform Judaism and the late nineteenth-century Jewish community in San Francisco, while also considering Wolf’s relationship to the broader literary movement of realism and to other writers of her time. As Cantalupo and Harrison-Kahan demonstrate, the publication history and reception of Heirs of Yesterdayilluminate competing notions of Jewish American identity at the turn of the twentieth century. Compared to the familiar ghetto tales penned by Yiddish-speaking, Eastern European immigrant writers, Heirs of Yesterdayoffers a very different narrative about turn-of-the-twentieth-century Jewish life in the United States. The novel’s central characters, physician Philip May and pianist Jean Willard, are not striving immigrants in the process of learning English and becoming American. Instead, they are native-born citizens who live in the middle-class community of San Francisco’s Pacific Heights, where they interact socially and professionally with their gentile peers. Tailored for students, scholars, and readers of women’s studies, Jewish studies, and American literature and history, this new edition of Heirs of Yesterday highlights the art, historical value, and controversial nature of Wolf’s work.
Originally published in 1900 and set in fin-de-siècle California, Heirs of Yesterday by Emma Wolf (1865-1932) uses a love story to explore topics such as familial loyalty, the conflict between American individualism and ethno-religious heritage, and anti-Semitism in the United States. The introduction, co-authored by Barbara Cantalupo and Lori Harrison-Kahan, includes biographical background on Wolf based on new research and explores key literary, historical, and religious contexts for Heirs of Yesterday. It incorporates background on the rise of Reform Judaism and the late nineteenth-century Jewish community in San Francisco, while also considering Wolf's relationship to the broader literary movement of realism and to other writers of her time. As Cantalupo and Harrison-Kahan demonstrate, the publication history and reception of Heirs of Yesterday illuminate competing notions of Jewish American identity at the turn of the twentieth century. Compared to the familiar ghetto tales penned by Yiddish-speaking, Eastern European immigrant writers, Heirs of Yesterday offers a very different narrative about turn-of-the-twentieth-century Jewish life in the United States. The novel's central characters, physician Philip May and pianist Jean Willard, are not striving immigrants in the process of learning English and becoming American. Instead, they are native-born citizens who live in the middle-class community of San Francisco's Pacific Heights, where they interact socially and professionally with their gentile peers. Tailored for students, scholars, and readers of women's studies, Jewish studies, and American literature and history, this new edition of Heirs of Yesterday highlights the art, historical value, and controversial nature of Wolf's work.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Named one of NPR's Best Books of 2017 "Both original and moving—and a whole lot of fun."—CAROLINE LEAVITT, New York Times Book Review "A must-read."—People "Fans of Salinger's stories about Manhattan's elite will enjoy this novel about privileged siblings who grapple with the state of their inheritance and long-held secrets that emerge in the wake of their father's death."—InStyle Six months after Rupert Falkes dies, leaving a grieving widow and five adult sons, an unknown woman sues his estate, claiming she had two sons by him. The Falkes brothers are pitched into turmoil, at once missing their father and feeling betrayed by him. In disconcerting contrast, their mother, Eleanor, is cool and calm, showing preternatural composure. Eleanor and Rupert had made an admirable life together—Eleanor with her sly wit and generosity, Rupert with his ambition and English charm—and they were proud of their handsome, talented sons: Harry, a brash law professor; Will, a savvy Hollywood agent; Sam, an astute doctor and scientific researcher; Jack, a jazz trumpet prodigy; Tom, a public-spirited federal prosecutor. The brothers see their identity and success as inextricably tied to family loyalty—a loyalty they always believed their father shared. Struggling to reclaim their identity, the brothers find Eleanor’s sympathy toward the woman and her sons confounding. Widowhood has let her cast off the rigid propriety of her stifling upbringing, and the brothers begin to question whether they knew either of their parents at all. A riveting portrait of a family, told with compassion, insight, and wit, The Heirs wrestles with the tangled nature of inheritance and legacy for one unforgettable, patrician New York family. Moving seamlessly through a constellation of rich, arresting voices, The Heirs is a tale out Edith Wharton for the 21st century.
The Daisy Dalrymple series continues in Heirs of the Body—when one of four potential claimants to the title of Lord Dalrymple dies a sudden, nasty death, the question on everyone's mind is, "was it murder"? In the late 1920's in England, The Honourable Daisy Dalrymple Fletcher is recruited to help her cousin Edgar—i.e. the Lord Dalrymple. About to turn fifty, Lord Dalrymple decides it is time to find out who would be the heir to the viscountcy. With the help of the family lawyer, who advertises Empire-wide, they have come up with four potential claimants. For his fiftieth birthday, Edgar invites those would-be heirs—along with Daisy and the rest of the family—to Fairacres, the family estate. In the meantime, Daisy is asked to be the family's representative at the lawyer's interviews with the claimants. Those four are a hotelier from Scarborough, a diamond merchant from South Africa, a young mixed-raced boy from Trinidad, and a sailor from Jamaica. However, according to his very pregnant wife, the sailor has gone missing. Daisy and Alec must uncover a conspiracy if they are going to stop the killing in the latest from the accomplished master of the genre, Carola Dunn.