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Heidegger Explained is a clear and thorough summary of the philosophy of Martin Heidegger (1889–1976). It gives a fascinating explanation of all stages of Heidegger’s life and career, and shows his entire philosophy to emerge from one simple but profound insight. Many philosophers believe that Heidegger was the greatest philosopher of the twentieth century. His influence has long been felt not just in philosophy, but also in such fields as art, architecture, and literary studies. Yet the great difficulty of Heidegger’s terminology has often scared away interested readers lacking an academic background in philosophy. Author Graham Harman shows that Heidegger is actually one of the simplest and clearest of thinkers. All the diverse topics of his writings, and all the lengthy analyses he gives of past philosophers, boil down to a single powerful idea: being is not presence. In any human relation with the world, our thinking and even our acting do not fully exhaust the world. Something more always withdraws from our grasp. Neither being itself nor individual beings are ever fully “present-at-hand,” in Heidegger’s terminology. This single insight allows Heidegger to revolutionize the phenomenology of his teacher Edmund Husserl. The method of Husserl was to focus entirely on how things present themselves to us as phenomena in consciousness. Heidegger understood that the things are always partly hidden from consciousness, living a secret life of their own. Human beings are not lucid scientific observers staring at the world and describing it, but instead are thrown into a world where light is always mixed with shadow. For Heidegger, the entire history of philosophy has reduced being to some sort of presence, whether by defining it as atoms, consciousness, perfect forms, the will to power, or even God. In this way, past philosophers have all chosen one specific kind of privileged being to represent being itself. Yet this is impossible, since being always partly withdraws from any attempt to define it. For this reason, philosophy needs to make a new beginning, one that would be just as great as the first beginning in ancient Greece. The book ends by shedding new light on Heidegger’s concept of the fourfold, which is so notoriously difficult that most commentators avoid it altogether.
A new 2024 translation of Martin Heidegger's major work "Being and Time" (Sein und Zeit), originally published in 1927 in multiple publications. This edition contains a new afterword by the Translator, a timeline of Heidegger's life and works, a philosophic index of core Heideggerian concepts and a guide for terminology across 19th and 20th century Existentialists. This translation is designed for readability and accessibility to Heidegger's enigmatic and dense philosophy. Complex and specific philosophic terms are translated as literally as possible and academic footnotes have been removed to ensure easy reading. Being and Time presents a complex philosophical discourse on the nature of being (Sein) and time (Zeit), focusing in particular on the temporal-existentialist concept of Dasein, a term that combines the German words for "to be" (sein) and "there" (da). This classic philosophic work examines the traditional metaphysical understanding of being, arguing that this understanding, typically based on the idea of a constant presence, fails to account for the temporal and existential dimensions of being. Heidegger proposes that an understanding of being requires an analysis of Dasein, which is characterized not only by its existence, but also by its being in the world and its temporal existence. The concept of Dasein is central to the his argument, emphasizing that Dasein is always already situated in a world, and its understanding of being is shaped by its temporal existence. This perspective challenges traditional metaphysical notions of being as static and unchanging, proposing instead that being is fundamentally temporal and connected to human existence and understanding. As the title suggests, Heidegger sees the question of Being as indistinguishable from Time, arguing that Newtonian conceptions of time as a series of now-points are inadequate for understanding the being of Dasein. His Ontochronology argues that the existential and ontological analysis of Dasein reveals a more fundamental concept of time, one that is integral to the structure of Being itself. The text further elaborates on the idea of "thrownness" and several other existentialist themes. Thrownness is one of the three conditions that signifies Dasein's immersion in the world, where it finds itself already entangled in a web of relations and meanings. This "thrownness", combined with Dasein's inherent being-toward-death, underscores the existential condition of human beings, framing their existence as a continual engagement with their own finitude and the possibilities of their being. Heidegger posits that understanding the nature of being requires a fundamental rethinking of both being and time, dogmatically stating that the true nature of being can only be grasped through an understanding of the temporality that characterizes the existence of being.
"Martin Heidegger (1889-1976) is one of the greatest conundrums in the modern philosophical world, by turns inspiring and mind-bogglingly frustrating. In this critical introduction S. J. McGrath offers not a comprehensive summary of Heidegger but a series of incisive takes on Heidegger's thought, leading readers to a point from which they can begin or continue their own relationship with him."--BOOK JACKET.
In this work Crowell proposes that the distinguishing feature of 20th-century philosophy is not so much its emphasis on language as its concern with meaning. He argues that transcendental phenomenology is indispensible to the philosophical explanation of the space of meaning.
This book offers a fundamentally new account of the arguments and concepts which define Heidegger's early philosophy, and locates them in relation to both contemporary analytic philosophy and the history of philosophy. Drawing on recent work in the philosophy of mind and on Heidegger's lectures on Plato and Kant, Sacha Golob argues against existing treatments of Heidegger on intentionality and suggests that Heidegger endorses a unique position with respect to conceptual and representational content; he also examines the implications of this for Heidegger's views on truth, realism and 'being'. He goes on to explore Heidegger's work on the underlying issue of normativity, and focuses on his theory of freedom, arguing that it is freedom that links the existential concerns of Being and Time to concepts such as reason, perfection and obligation. His book offers a distinctive new perspective for students of Heidegger and the history of twentieth-century philosophy.
Making Sense of Heidegger presents a radically new reading of Heidegger’s notoriously difficult oeuvre. Clearly written and rigorously grounded in the whole of Heidegger’s writings, Thomas Sheehan’s latest book argues for the strict unity of Heidegger’s thought on the basis of three theses: that his work was phenomenological from beginning to the end; that “being” refers to the meaningful presence of things in the world of human concerns; and that what makes such intelligibility possible is the existential structure of human being as the thrown-open or appropriated “clearing.” Sheehan offers a compelling alternative to the classical paradigm that has dominated Heidegger research over the last half-century, as well as a valuable retranslation of the key terms in Heidegger's lexicon. This important book opens a new path in Heidegger research that will stimulate dialogue not only within Heidegger studies but also with philosophers outside the phenomenological tradition and scholars in theology, literary criticism, and existential psychiatry.
The first book to document Heidegger's close connections to Nazism-now available to a new generation of students
Heidegger's writings are among the most formidable in recent philosophy. The pivotal concepts of his thought are for many the source of both fascination and frustration. Yet any student of philosophy needs to become acquainted with Heidegger's thought. "Martin Heidegger: Key Concepts" is designed to facilitate this. Each chapter introduces and explains a key Heideggerian concept, or a cluster of closely related concepts. Together, the chapters cover the full range of Heidegger's thought in its early, middle, and later phases.
Martin Heidegger is among the most important philosophers of the Twentieth Century. Within the continental tradition, almost every great figure has been deeply influenced by his work. For this reason, a full understanding of the course of modern philosophy is impossible without at least a basic grasp of Heidegger. Unfortunately, his work is notoriously difficult, both because of his innovative ideas and his difficult writing style. In this compelling book, Lee Braver cuts through the jargon to present Heidegger’s ideas in clear English, using illuminating examples and explications of thorny passages. In so doing, he offers readers an accessible overview of Heidegger’s entire career. The first half of the book presents a guide through Being and Time, Heidegger’s early masterpiece, while the second half covers the key themes of his later writing, including technology, subjectivity, history, nihilism, agency, and the nature of thought itself. As Heidegger’s later work is deeply engaged with other philosophers, Braver explains the relevance of Plato, Descartes, Kant, and Nietzsche for Heidegger’s thought. This book will be of great interest to students and scholars trying to find their way through Heidegger’s difficult ideas. Anyone interested in Twentieth Century continental philosophy must come to terms with Heidegger, and this book is the ideal place to begin.
Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.