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Hebrew Humor and Other Essays by J. Chotzner: Delight in the wit, satire, and cultural insights of J. Chotzner's collection of essays, Hebrew Humor and Other Essays. This book offers a humorous and insightful exploration of Jewish humor, traditions, and the Jewish experience, presenting a unique perspective on the power of laughter and cultural identity. Key Aspects of The Book Hebrew Humor and Other Essays”: Celebrates the rich tradition of Jewish humor, showcasing its unique characteristics and themes. Examines the cultural and historical context that has shaped Jewish humor and its role in Jewish identity. Provides a lighthearted yet insightful examination of the human condition, social interactions, and the power of laughter in building connections. Chotzner, a mysterious and elusive author, has managed to captivate readers with his enigmatic and thought-provoking works. Little is known about the person behind the pseudonym, adding an air of intrigue to his writings. Chotzner's oeuvre encompasses a wide range of genres, including surrealism, psychological thrillers, and philosophical musings. His narratives often challenge conventional notions and delve into the depths of the human psyche. With each publication, J. Chotzner continues to push the boundaries of literature, leaving readers in a constant state of anticipation for what lies beyond the next page.
When the Jews of Eastern Europe came to the United States in the 19th century, they brought with them their own special humor. Developed in response to the dissonant reality of their lives, their self-critical humor served as a source of salvation, enabling them to endure a painful history with a sense of power. In America, the marginal status of immigrant Jews prompted them to use humor a a defense, exaggerating or mocking their ethnicity as events dictated. Jewish Wry examines the development of Jewish humor in a series of essays on topics that range from Sholom Aleichem's humor to Jewish comediennes through to the humor of Philip Roth. This important book offers enjoyable reading as well as a significant and scholarly contribution to the field.
The thirteen chapters in this book are derived from the First International Conference on Jewish Humor held at Tel-Aviv University. The authors are scientists from the areas of literature, linguistics, sociology, psychology, history, communications, the theater, and Jewish studies. They all try to understand different aspects of Jewish humor, and they evoke associations, of a local-logical nature, with Jewish tradition. This compilation reflects the first interdisciplinary approach to Jewish humor. The chapters are arranged in four parts. The first section relates to humor as a way of coping with Jewish identity. Joseph Dorinson's chapter underscores the dilemma facing Jewish comedians in the United States. These comics try to assimilate into American culture, but without giving up their Jewish identity. The second section of the book deals with a central function of humor--aggression. Christie Davies makes a clear distinction between jokes that present the Jew as a victim of anti-Semitic attacks and those in which the approach is not aggressive. The third part focuses on humor in the Jewish tradition. Lawrence E. Mintz writes about jokes involving Jewish and Christian clergymen. The last part of the book deals with humor in Israel. David Alexander talks about the development of satire in Israel. Other chapters and contributors include: -Psycho-Social Aspects of Jewish Humor in Israel and in the Diaspora- by Avner Ziv; -Humor and Sexism: The Case of the Jewish Joke- by Esther Fuchs; -Halachic Issues as Satirical Elements in Nineteenth Century Hebrew Literature- by Yehuda Friedlander; -Do Jews in Israel still laugh at themselves?- by O. Nevo; and -Political Caricature as a Reflection of Israel's Development- by Kariel Gardosh. Each chapter in this volume paves the way for understanding the many facets of Jewish humor. This book will be immensely enjoyable and informative for sociologists, psychologists, and scholars of Judaic studies.
Issues for 1900/01- include report of the 12th- year of the Jewish Publication Society of America, 1890-1900- (issued also separately in some year); issues for 1908/09- include Report of the American Jewish Committee for 1906/08- (issued also separately in some years).
La historia de la música, de la literatura, del teatro, de la danza y de la pintura, refleja un interés por el humor. Desde los griegos, la tragedia y la comedia eran dos caras de una misma moneda que reflejaba el mundo psíquico del ser humano. Lo mismo se puede decir de la literatura, con obras tan magníficas como el Quijote, en la que a través de la sátira se pone en entredicho el valor de los libros y, en este sentido, del conocimiento mismo; o ese Cándido de Voltaire, en el que la crítica a la filosofía se mezcla con el más fino humor negro y una particular actitud pedagógica... La lista es extensa. En este tercer volumen de la serie Humor: aproximaciones transdisciplinares, editada por Ediciones UCC, se reflejan estos vínculos tan estrechos, desde el análisis de las puestas escénicas exageradas de los payasos, hasta el análisis de obras literarias universales y regionales. También este volumen recoge un tema fundamental: la educación. ¿Puede el humor facilitar los procesos de enseñanza? ¿Es posible que funcione como un facilitador para la enseñanza de una segunda lengua o de otros procesos de aprendizaje escolar?¿De qué manera los actos humorísticos evidencian los rasgos más importantes de una cultura y ayuda a transmitirlos de una generación a otra? El lector encontrará una variedad de temas que combinan, la cultura, la educación, el arte y el humor desde una óptica científica.
Works on Jewish humor and Jewish jokes abound today, but what formed the basis for our contemporary notions of Jewish jokes? How and when did these perceptions develop? In this groundbreaking study and translation, noted humor and folklore scholar Elliott Oring introduces us to the joke collections of Lippmann Moses Büschenthal, an enlightened rabbi, and an unknown author writing as "Judas Ascher." Originally published in German in 1812 and 1810, these books include jokes and anecdotes that play on stereotypes. The jokes depict Jews dealing with Gentiles who are bent on their conversion, Jews encountering government officials and institutions, newly propertied Jews attempting to demonstrate their acquisition of artistic and philosophical knowledge, and Jews engaged in trade and moneylending—often with the aim to defraud. In these jokes we see the antecedents of modern Jewish humor, and in Büschenthal's brief introduction we find perhaps the earliest theory of the Jewish joke. Oring provides helpful annotations for the jokes and contextualizing essays that examine the current state of Jewish joke scholarship and the situation of the Jews in France and Germany leading up to the periods when the two collections were published. Intended to stimulate the search for even earlier examples, Oring challenges us to confront the Jewish joke from a genuine historical perspective.
This book details the evolution of Jewish humor, highlighting its long history from the period of the Bible to the present day, and includes a wide spectrum of styles that are expressed in various works and fields, including the Bible, the Talmud, poetry, literature, folklore, jokes, movies, and television series. It focuses upon three socio-geographic regions where the majority of Jewish people lived during the 18th to 21st centuries and where Jewish humor was created, developed and thrived: Eastern Europe, the United States and Israel. The text is a complicated mosaic based on three central components of Jewish life: historical experience, survival, and wisdom. It shows that one cannot understand Jewish humor without referring to the various factors which led the Jewish people to create their unusual sense of humor.
With an ongoing international conference, Jewish humor in recent years has been a subject of serious scholarly inquiry. Most academic publications, however, have been individual works representing a particular thesis or viewpoint, generally on literary aspects. The present collection of essays by scholars from England, France, the United States, Denmark, Israel, and Australia explores characteristics of Jewish humor from a variety of perspectives, including anthropology, literature, psychology, sociology, and religion. Geographically, the work distinguishes between the Jewish humor of Israel and that of the diaspora; historically, it traces Jewish humor to the Bible. The linkages with Judaism and the Yiddish language are explored. Essays deal with the Jewish use of humor in stressful and tragic situations, with self-disparagement in Jewish humor, with anti-semitism and stereotyping, and with Jewish women as the objects of humor. The contributions to world culture of humorists Sholom Aleichem, Woody Allen, Philip Roth, Charlie Chaplin, and numerous contemporary performers are discussed as are the Jewish theorists of humor, including Sigmund Freud, Henri Bergson, and Arthur Koestler. An interdisciplinary book, it will be of interest to students and researchers of Jewish tradition and folklore, Jewish-American literature, American studies, and humor, popular culture, anthropology, psychology, and sociology.
This multicultural reference work on Jewish folklore, legends, customs, and other elements of folklife is the first of its kind.
Almost everyone tells and appreciates jokes. Yet the nature of jokes has proved elusive. When asked what they really mean, people tend to laugh off the question, dismissing jokes as meaningless or too obvious to require explanation. Of those who have seriously sought to understand humor, most have explained jokes as expressions of aggression- a socially acceptable way of showing contempt and displaying superiority. Elliott Oring offers a fresh perspective on jokes and related forms of humor. Criticizing and modifying traditional concepts and methods of analysis, he delineates an approach that can explain the peculiarities of a wide variety of humorous expression. Written in an accessible and engaging style, Jokes and Their Relations will appeal to anyone who has ever wondered how jokes work and what they mean. Humor, Oring argues, depends upon the perception of an appropriate incongruity. The first step in understanding a joke, anecdote, or comic song is to unravel this incongruity. The second step is to locate the incongruity within particular individual, social, or cultural contexts. To understand the meaning of a joke, one must know something of its tellers, the social and historical circumstances of its telling, and its relation to a wider repertoire of expression.