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(Bass Instruction). As the original bassist for the seminal death metal band Cannibal Corpse, author Alex Webster offers invaluable insight into the realm of metal bass guitar. This exclusive book/audio pack provides detailed, hands-on training, featuring vital bass guitar techniques and concepts. Extreme Metal Bass further demonstrates how these techniques can be applied in real-life situations within the context of a song. No matter what brand of metal you subscribe to from classic metal to modern metal and beyond Extreme Metal Bass will supply the bass skills you crave. Extreme Metal Bass also includes access to enhanced audio with demonstration and play-along tracks of all the examples in the book, plus play-along MIDI drum files for optimum practicing. This book is designed for players who use a standard-tuned five-string bass (low to high: B-E-A-D-G). If you do not have a five-string bass, a four string (tuned B-E-A-D) will work for much of the material presented.
(Bass Recorded Versions Mixed). 18 classic bass-heavy favorites transcribed note for note, including: Ace of Spades * (Anesthesia) - Pulling Teeth * Bat Country * Before I Forget * Combustion * Hammer Smashed Face * Hold On * Laid to Rest * Nothing Remains * The Number of the Beast * Oblivion * Panic Attack * Raining Blood * Stricken * Tears Don't Fall * Toxicity * Walk * Windowpane.
This book is all about Heavy Metal bass playing. It can be very fast and complicated. A variety of grooves (open string, octave, hammer-on) that range from old school to contemporary are presented. Rhythmic studies and rhythm section awareness are also a focal point. Working with space and complicated kicks is a major part of this style. Audio tracks are available that feature original instrumental songs with a full band and play-along mixes. There is also a section that focuses on music theory and interesting scale options. All examples are written in bass clef 4 and tablature. Free audio downloads are available for use with this title.
For beginner metal bass players. Contains another 130 classic Metal licks including slapping and tapping styles. Great for players looking for new ideas to expand their playing or find new grooves to jam on. Chord symbols are used to give an indication of what a guitarist would play and how the bass line relates to the chords.
Guitarskole.
For beginner metal bass players. Introduces all the important skills for playing Metal Bass. Includes fingerstyle, playing with the pick, hammer-ons, riffs, bass runs, scales, arpeggios, syncopation, grooves and special effects.
Heavy Metal Lead Guitar goes way beyond technique and licks: it actually teaches you to be creative and musical when you soloing.
(Transcribed). Artist Transcriptions Known for his recording and touring with Chick Corea as well as his own solo works and performing, John has made quite a name for himself in jazz bass guitar. This collection, transcribed by former student Troy Millard, includes 15 songs with solos from his solo albums. Also included is a foreword which gives an in-depth view of John's approach to his music and to his instrument. Features the songs: Growing * Backwoods * Bertha's Bop * On The Corner * and more.
J. S. Bach is one of the greatest composers and most virtuosic musicians of all time. His amazing compositions are technically demanding, which make them the perfect match for heavy metal shred guitar. Shredding Bach introduces you to the unique style of this musical master and stretches your playing to the limits. It shows you all the essential techniques to play Bach's music on your electric guitar, including sweep picking, tapping, legato, and rapid alternate picking. Every example has been arranged to be as true and accurate to the original compositions as possible, with only minor adjustments made to accommodate the guitar and shred style. The DVD features German Schauss demonstrating examples from the book. The accompanying CD features all of the examples recorded at multiple speeds to help you practice and to get you on your way to mastering Bach's challenging compositions.
Few forms of music elicit such strong reactions as does heavy metal. Embraced by millions of fans, it has also attracted a chorus of critics, who have denounced it as a corrupter of youth—even blamed it for tragedies like the murders at Columbine. Deena Weinstein argues that these fears stem from a deep misunderstanding of the energetic, rebellious culture of metal, which she analyzes, explains, and defends. She interprets all aspects of the metal world—the music and its makers, its fans, its dress code, its lyrics—and in the process unravels the myths, misconceptions, and truths about an irreverent subculture that has endured and evolved for twenty years.