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After heading south to investigate the place known as Tomato Heaven, Maru and Kiruko head back to Tokyo via a “ferry”. But they are ambushed at sea by one of the man-eating Hiruko monsters. This specific beast is amphibious, making him extremely deadly as he can easily take cover in the sea. Meanwhile in the school, Tokio, with the help of his classmate Kuku, uncovers a frightening secret. Maybe life is not what it seems at all. Maybe those who are inside the walls are not in heaven. And maybe the walls are there to keep them all inside!
Within the safety of the walls, youths are raised in a nursery-style setting by robots. While life there may appear stale on the surface, the children are full of potential and curiosity. In many ways it is like a slice of heaven. The outside world is a hell-scape. It is almost entirely void of anything mechanical and is now inhabited by bizarre, yet powerful super-natural beings. Maru, with the aid of Kiruko, is out there crisscrossing what was once Tokyo for heaven. But after searching for so long, maybe heaven is more of an untenable dream than a potential reality.
Upon meeting with a cult known as the Liviemen, Kiruko and Maru are tasked to dispose of some man-eaters. Their project would lead them to the people behind the organization known as the Immortal Order. With conflicting ideologies fighting for their services and rare working machinery in the heart of Tokyo, the two must decide whether or not to continue on their quest or to settle down with "civilization".
Spiders and snakes and rats? The slippery demons are going to make Tashi talk ... and there's more trouble for Tashi when the fierce River Pirate returns without a warning.
'" Tasuku is starting to feel at home at the drop-in center--just in time for him to help a younger student who also hangs out there. Misora Shuji likes to wear girls'' clothing but is unsure about their gender identity. Will Tasuku''s guidance offer Shuji some clarity or just make things harder? "'
Meme, Demon World citizen and Summoner-in-training, isn't the only strange resident of Kuroyuri Apartments! There's the former soldier turned lazy and cute-obsessed maid; the virgin Makoto, who is determined to marry Kuroyuri's rich proprietor, Sentarou; the spy intent on Sentarou's demise; and now a comic artist, who's super behind on a deadline?! With outrageous neighbors like these, there's luckily no shortage of good materials to pull from! Hang on tight! It's the last volume of The Strange Creature at Kuroyuri Apartments!
¿QUÉ ESTÁN OCULTANDO LOS ADULTOS DE LA ESCUELA? ¿QUÉ HA OCURRIDO EN EL JAPÓN DEL FUTURO? Maru y Kiruko llegan a la Plantación Kusakabe en busca del “Edén de los Tomates”, pero pronto descubren que ese no era el lugar al que querían llegar. Tras dejar atrás la plantación, suben a un ferri y, a bordo del barco, Maru conoce los detalles del pasado de Kiruko. En la escuela, Kuku le revela a Tokio la existencia de bebés sin rostro.
A groundbreaking anthology of contemporary literary indie manga. 332 pages. Perfect bound 7 × 10 inches format book. 1-color risograph printed interiors on a creamy natural paper stock. 4-color risograph covers, with a deluxe soft touch cover lamination. Features work from 13 artists (including the artist for the cover illustration) from the Japanese indie manga scene, almost all of whom have never been published in English before. Like the previous issue, Glaeolia no. 2 includes an essay introducing the participating authors and works to the English literary world, as well as endnotes contextualizing aspects of the stories, and a complete author biography ?section.