Download Free Heart Of American Darkness Bewilderment And Horror On The Early Frontier Book in PDF and EPUB Free Download. You can read online Heart Of American Darkness Bewilderment And Horror On The Early Frontier and write the review.

“A scarifying, blood-soaked portrait of savagery on the early frontier—much of it committed by European settlers . . . superb.”—Kirkus Reviews (starred) An acclaimed historian captures the true nature of imperialism in early America, demonstrating how the frontier shaped the nation. We are divided over the history of the United States, and one of the central dividing lines is the frontier. Was it a site of heroism? Or was it where the full force of an all-powerful empire was brought to bear on Native peoples? In this startingly original work, historian Robert Parkinson presents a new account of ever-shifting encounters between white colonists and Native Americans. Drawing skillfully on Joseph Conrad’s famous novella, Heart of Darkness, he demonstrates that imperialism in North America was neither heroic nor a perfectly planned conquest. It was, rather, as bewildering, violent, and haphazard as the European colonization of Africa, which Conrad knew firsthand and fictionalized in his masterwork. At the center of Parkinson’s story are two families whose entwined histories ended in tragedy. The family of Shickellamy, one of the most renowned Indigenous leaders of the eighteenth century, were Iroquois diplomats laboring to create a world where settlers and Native people could coexist. The Cresaps were frontiersmen who became famous throughout the colonies for their bravado, scheming, and land greed. Together, the families helped determine the fate of the British and French empires, which were battling for control of the Ohio River Valley. From the Seven Years’ War to the protests over the Stamp Act to the start of the Revolutionary War, Parkinson recounts the major turning points of the era from a vantage that allows us to see them anew, and to perceive how bewildering they were to people at the time. For the Shickellamy family, it all came to an end on April 30, 1774, when most of the clan were brutally murdered by white settlers associated with the Cresaps at a place called Yellow Creek. That horrific event became news all over the continent, and it led to war in the interior, at the very moment the First Continental Congress convened in Philadelphia. Meanwhile, Michael Cresap, at first blamed for the massacre at Yellow Creek, would be transformed by the Revolution into a hero alongside George Washington. In death, he helped cement the pioneer myth at the heart of the new republic. Parkinson argues that American history is, in fact, tied to the frontier, just not in the ways we are often told. Altering our understanding of the past, he also shows what this new understanding should mean for us today.
Colin Calloway offers an intricate portrait of the early American settlers who came to be known as Scotch-Irish -- from their origins on borderlands on one side of the Atlantic to their crucial part in conquering borderlands on the other. "Hard neighbors," as they were called, the Scotch-Irish were the tip of the spear of white colonial expansion into Indian lands, earning a reputation first as Indian killers and then as embodiments of the American pioneer spirit.
Known to history as "Dunmore's War," the 1774 campaign against a Shawnee-led Indian confederacy in the Ohio Country marked the final time an American colonial militia took to the field in His Majesty's service and under royal command. Led by John Murray, the fourth Earl of Dunmore and royal governor of Virginia, a force of colonials including George Rogers Clark, Daniel Morgan, Michael Cresap, Adam Stephen, and Andrew Lewis successfully drove the Indians from the territory south of the Ohio River in parts of present-day West Virginia, Ohio, and Kentucky. Although it proved to be the last Indian conflict of America's colonial era, it is often neglected in histories, despite its major influence on the conduct of the Revolutionary War that followed. In Dunmore's War: The Last Conflict of America's Colonial Era, award-winning historian Glenn F. Williams explains the course and importance of this fascinating event. Supported by primary source research, the author describes each military operation and illustrates the transition of the Virginia militia from a loyal instrument of the king to a weapon of revolution. In the process, he corrects much of the folklore concerning the war and frontier fighting in general, demonstrating that the Americans did not adopt Indian tactics for wilderness fighting as is popularly thought, but rather adapted European techniques to the woods.
This text presents evidence to support a thesis that there is much crime in the upper socio-economic classes and only the administrative procedures, used to deal with it, separate it from other animal behavior.
When the Revolutionary War began, the odds of a united, continental effort to resist the British seemed nearly impossible. Few on either side of the Atlantic expected thirteen colonies to stick together in a war against their cultural cousins. In this pathbreaking book, Robert Parkinson argues that to unify the patriot side, political and communications leaders linked British tyranny to colonial prejudices, stereotypes, and fears about insurrectionary slaves and violent Indians. Manipulating newspaper networks, Washington, Jefferson, Adams, Franklin, and their fellow agitators broadcast stories of British agents inciting African Americans and Indians to take up arms against the American rebellion. Using rhetoric like "domestic insurrectionists" and "merciless savages," the founding fathers rallied the people around a common enemy and made racial prejudice a cornerstone of the new Republic. In a fresh reading of the founding moment, Parkinson demonstrates the dual projection of the "common cause." Patriots through both an ideological appeal to popular rights and a wartime movement against a host of British-recruited slaves and Indians forged a racialized, exclusionary model of American citizenship.
In his celebrated account of the origins of American unity, John Adams described July 1776 as the moment when thirteen clocks managed to strike at the same time. So how did these American colonies overcome long odds to create a durable union capable of declaring independence from Britain? In this powerful new history of the fifteen tense months that culminated in the Declaration of Independence, Robert G. Parkinson provides a troubling answer: racial fear. Tracing the circulation of information in the colonial news systems that linked patriot leaders and average colonists, Parkinson reveals how the system's participants constructed a compelling drama featuring virtuous men who suddenly found themselves threatened by ruthless Indians and defiant slaves acting on behalf of the king. Parkinson argues that patriot leaders used racial prejudices to persuade Americans to declare independence. Between the Revolutionary War's start at Lexington and the Declaration, they broadcast any news they could find about Native Americans, enslaved Blacks, and Hessian mercenaries working with their British enemies. American independence thus owed less to the love of liberty than to the exploitation of colonial fears about race. Thirteen Clocks offers an accessible history of the Revolution that uncovers the uncomfortable origins of the republic even as it speaks to our own moment.
Far from being a static or eroding cultural inheritance from the past, the supernatural has continually been appropriated and updated to accommodate and express social, cultural, economic and environmental anxieties. SHORTLISTED for the 2020 Katharine Briggs Award. Since the Enlightenment, supernatural beliefs and practices have largely been derided as ignorant and un-modern - even anti-modern - and cities, being the ultimate symbol of progress and rationality, have not been thought to harbour magic. Scholars have long assumed that the world of the supernatural withered under the impact of urbanisation; yet, as numerous books, films and T.V. series from Hellboy to Being Human to the Harry Potterfranchise show, contemporary culture remains fascinated by urban-based legends and fantasy. This collection seeks to spur interest in the urban supernatural and argues for its prevalence, importance and vitality by presenting a rich cultural history of the complex relationship between supernatural beliefs and practices, imagination and storytelling, and urbanisation. Grouped around themes of enchantment, anxiety and spectrality, it explores urban supernatural cultures on five continents between the late eighteenth century and the present day. The book advances a ground-breaking exploration of the communal and cultural function of urban supernatural ideas, demonstrating howthey have continually been appropriated and updated to express and accommodate socio-cultural, economic and environmental anxieties and needs. Drawing together a diverse range of academic approaches, with contributions from historians, geographers, anthropologists, folklorists and literary scholars, it makes an important contribution to our understanding of how urban environments, both past and present, inform our imaginations, cultural insecurities and spatial fears. KARL BELL is Reader in Cultural and Social History at the University of Portsmouth. CONTRIBUTORS: Karl Bell, Oliver Betts, Alex Bevan, Tracy Fahey, Deirdre Flynn, Maria del Pilar Blanco, William Pooley, Elena Pryamikova, David J. Puglia, William Redwood, Morag Rose, Alevtina Solovyova, Tom Sykes, Natalya Veselkova, Mikhail Vandyshev, David Waldron, Sharn Waldron, Felicity Wood
Megan Carey was ready to embark on a trip to Europe, finally taking time to do something purely for herself, but when she finds her father on the brink of suicide, her plans go out the window. Her father is being blackmailed by a reclusive genius who’s demanded TK Carey show up to answer for his crimes. Panicked, Megan volunteers to go in his place. Ethan Winslowe is a brilliant, eccentric architect with a grudge. In his odd, rambling mansion, he waits for Megan’s father to enact his revenge, but when Megan comes in his stead, Ethan has a new prisoner to answer for the crimes. At first, Megan is afraid of the strange, dark man who tormented her father with threats of public ruin. Ethan is mysterious and deeply secretive, refusing to allow himself to be seen in the light of day. But soon, Megan’s fear is replaced by curiosity and a desire to see the man who haunts her dreams, and even as she’s kept prisoner she’s drawn to him, obsessed by him, on the edge of falling in love with a phantom. Is there any way she can learn to trust a creature of darkness before the outside forces of evil destroy them both?
Wallmann's sweep through the western is a careful, incisive, and blessedly non-theoretical examination of the implications of the western from the beginning to the present, taking the reader deep into the heart of the subject and offering original and perceptive theories of how the western reflects the evolution of America."--BOOK JACKET.
Raised in the bosom of the inner city, white Detroit Homicide cop Danny Cavanaugh speaks and acts with the unmistakable attitude of a black man. But the savage murders of affluent African-Americans are plunging him into the urban heart of terror, where he will learn first-hand how powerful, inviolate -- and deadly -- the color line truly is.