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A New York Times Book Review Editors' Choice Featured on recommended reading lists by the New York Times • New York Post • Library Journal • Thrillist • Locus • USA TODAY "The first great science fiction novel of 2020. " —NPR “As intellectually playful as the best of Thomas Pynchon and as sardonically warm as the best of Kurt Vonnegut. . . A masterful and humane gem of a novel.” —Shaun Hamill, author of A Cosmology of Monsters Blending the piercing humor of Alexandra Kleeman and the jagged satire of Black Mirror, an audacious, eerily prescient debut novel that chronicles the rise and fall of a massive high-rise housing complex, and the lives it affected before - and after - its demise. Standing nearly five hundred stories tall, Los Verticalés once bustled with life and excitement. Now this marvel of modern architecture and nontraditional urban planning has collapsed into a pile of rubble known as the Heap. In exchange for digging gear, a rehabilitated bicycle, and a small living stipend, a vast community of Dig Hands removes debris, trash, and bodies from the building’s mountainous remains, which span twenty acres of unincorporated desert land. Orville Anders burrows into the bowels of the Heap to find his brother Bernard, the beloved radio DJ of Los Verticalés, who is alive and miraculously broadcasting somewhere under the massive rubble. For months, Orville has lived in a sea of campers that surrounds the Heap, working tirelessly to free Bernard—the only known survivor of the imploded city—whom he speaks to every evening, calling into his radio show. The brothers’ conversations are a ratings bonanza, and the station’s parent company, Sundial Media, wants to boost its profits by having Orville slyly drop brand names into his nightly talks with Bernard. When Orville refuses, his access to Bernard is suddenly cut off, but strangely, he continues to hear his own voice over the airwaves, casually shilling products as “he” converses with Bernard. What follows is an imaginative and darkly hilarious story of conspiracy, revenge, and the strange life and death of Los Verticalés that both captures the wonderful weirdness of community and the bonds that tie us together.
Part one of an unusual and astonishing new fantasy trilogy that blends fine literary fare with a terrific romp through the reimagined outskirts of Victorian-era London In the imaginary borough of Filching, the extensive Iremonger family (“kings of mildew, moguls of mould”) have made a fortune from junk, building a dark and sprawling mansion from salvage scrap. Heap House is surrounded by the dangerous, noxious, shifting Heaps that stretch beyond its bounds. And within its walls, certain objects begin to display strange signs of life. Young Clod Iremonger is about to be "trousered" and betrothed (unwillingly) to his cousin Pinalippy when he meets the plucky orphan servant Lucy Pennant, with whose help he begins to uncover the dark secrets of his family’s empire. Mystery, romance and the perils of the Heaps await! Gorgeously (and ghoulishly) illustrated by the author, Heap House is peopled with unforgettable characters with delightfully skewed names--anxious, animal-loving Tummis with his pet seagull; menacing cousin Moorcus; dreadful Aunt Rosamud and more. As Carey writes, “Every life is thick with rubbish, but the Iremongers did it with a difference.”
Enter the world of Septimus Heap, Wizard Apprentice. Magyk is his destiny. A powerful necromancer plans to seize control of all things Magykal. He has killed the Queen and locked up the Extraordinary Wizard. Now with Darke Magyk he will create a world filled with Darke creatures. But the Necromancer made one mistake. A vital detail he has overlooked means there is a boy who can stop him - the only problem is, the boy doesn't know it yet. For the Heap family, life as they know is about to change, and the most fantastically fast-paced adventure of confused identities, magyk and mayhem, begin.
The evil DomDaniel has been disposed of, but something Darke is stirring. A shadow pursues Wizard Marcia Overstrand around, growingstronger every day. Septimus senses something sinister is afoot. He must rescue his sister.
In this spellbinding finale to an epic series, Septimus Heap must decide once and for all where his heart lies - with Magyk or with Alchemie and Physik. When, at last, Marcia agrees to allow the recently reinstated Castle Alchemist, Marcellus Pye, to open the Great Chamber of Alchemie and Physik, she fears she is unleashing more than she understands. But Marcia must learn to trust Marcellus, and together they must rid the Castle of the evil Two-Faced Ring. Caught between the two, will Septimus be able to bring both sides together?
The first book in the internationally bestselling Septimus Heap series by Angie Sage, featuring the funny and fantastic adventures of a wizard apprentice and his quest to become an ExtraOrdinary Wizard. New York Times Bestselling Series “A deliciously spellbinding series opener.” —Kirkus Reviews (starred review) “Fun, mystery, and rollicking characters.” —VOYA (starred review) “Fluent, charismatic storytelling.” —ALA Booklist Septimus Heap, the seventh son of the seventh son, disappears the night he is born, pronounced dead by the midwife. That same night, the baby's father, Silas Heap, comes across an abandoned child in the snow—a newborn girl with violet eyes. Who is this mysterious baby girl, and what really happened to the Heaps' beloved son Septimus? The first book in this enthralling series by Angie Sage leads readers on a fantastic journey filled with quirky characters and Magykal charms, potions, and spells. Magyk is the original story of lost and rediscovered identities, rich with humor and heart.
Enter the world of Septimus Heap, Wizard Apprentice. Magyk is his destiny. In the fifth book of this Magykal series, Septimus and his friends find themselves on an island whose secrets are as dark and dangerous as its inhabitants. Septimus Heap returns to the House of Foryx with Spit Fyre to pick up Jenna, Nicko, Snorri, and Beetle. But the journey home does not go well and when Septimus and his friends are caught in a storm, Spit Fyre crashes into the Rokk Lighthouse. They are rescued by the lighthouse keeper who is disturbingly sinister, and who has an equally sinister cat . . . And all the while, Septimus is trying to fight the strange pull he's feeling to the island and its mysterious secrets.
This book offers the first comprehensive survey of the art of Richard Stankiewicz (1922-1983) and reassesses its place in the art of his time. Stankiewicz's welded sculpture of rusted iron and cast-off steel played an important role in the redefinition of art in New York during the 1950s. Yet, as is the case of several artists who figured significantly in that heady decade when the New York School came to international prominence, the full range of Stankiewicz's art has not been fully appreciated. sculpture of the 1950s within the context of the artist's 30 year career. Although Stankiewicz has been included in important group exhibitions of Assemblage, Neo-Dada, and Abstract Expressionist sculpture, his art has eluded conclusive critical identification. This elusiveness may be attributed to the artist's persistently and subtly subversive stance toward the dominant artistic vocabularies of a partisan era in which the character of art and its audience changed radically. sculpture in relation to the aesthetic attitudes and critical concerns of post-World War II American art. Following an Introduction by Addison Gallery Director Adam D. Weinberg, is an extended critical look at Stankiewicz, his life, and his achievement by Emmie Donadio. The artist is placed within the 20th-century European avant-garde tradition in an essay by Jon Wood. Martin Friedman's Putting It All Together positions Stankiewicz's work in relation to that of his contemporaries in 1950s New York. The book also includes a narrative chronology, a bibliography, and generous illustrations of key sculptures by the artist. illustrated with his own art and that of his Euro-American contemporaries and predecessors. It is must reading for collectors, scholars, and anyone wishing to enlarge their conception of a pivotal period in modern art - and the unique achievement of a sculptor who can be classic, iconoclastic, and witty all at the same time.
Vagueness, volume XX, contains twenty-seven essays, with issues covered including: nihilism, phenomenal sorites, degrees of truth, epistemicism, higher-order vagueness, contextualism, and intuitionism. Written by leading contemporary philosophers, these essays will be of interest to researchers in philosophy of language, philosophical logic, metaphysics and epistemology; as well as those in natural language semantics, artificial intelligence and cognitive science more generally. A substantial introduction written by the editors provides a guide to the topic and to the essays in the volume.
A comprehensive update of the leading algorithms text, with new material on matchings in bipartite graphs, online algorithms, machine learning, and other topics. Some books on algorithms are rigorous but incomplete; others cover masses of material but lack rigor. Introduction to Algorithms uniquely combines rigor and comprehensiveness. It covers a broad range of algorithms in depth, yet makes their design and analysis accessible to all levels of readers, with self-contained chapters and algorithms in pseudocode. Since the publication of the first edition, Introduction to Algorithms has become the leading algorithms text in universities worldwide as well as the standard reference for professionals. This fourth edition has been updated throughout. New for the fourth edition New chapters on matchings in bipartite graphs, online algorithms, and machine learning New material on topics including solving recurrence equations, hash tables, potential functions, and suffix arrays 140 new exercises and 22 new problems Reader feedback–informed improvements to old problems Clearer, more personal, and gender-neutral writing style Color added to improve visual presentation Notes, bibliography, and index updated to reflect developments in the field Website with new supplementary material Warning: Avoid counterfeit copies of Introduction to Algorithms by buying only from reputable retailers. Counterfeit and pirated copies are incomplete and contain errors.