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Either you love them or you hate them, but everybody agrees on one thing—there's just nothing like a New York Post headline. Gathered here for the first time ever are the best of the best from the paper's two-hundred-year history. Whether outrageous or scandalous, laugh-out-loud funny or shocking, these classic headlines never fail to entertain. Headless Body in Topless Bar is the perfect book for any pop culture junkie and a hilarious tribute to the one-of-a-kind New York Post.
The insiders guide to Hindu spiritual life. Ashram is the general term for a study center, retreat house, or monastic community in Hinduism, the millennia-old religious tradition of India. Ashrams of various kinds are now found throughout North America, and are popular venues for spiritual retreats, workshops, and classes. Lighting the Lamp of Wisdom takes you into a typical week of retreat inside an ashram to demystify the ashram experience and show you what to expect from your own visit. You will experience all the elements of a typical day and week, including: The colorful puja, or worship services Meditation practices and yoga classes Classes on Hindu scriptures Chanting and music Satsang: an informal talk with the ashrams guru Work practice and much more. You'll also meet some of the people who visit ashrams to hear their reasons for going there, as well as the spiritual benefits they derive from the experience. Also included are a helpful glossary, a list of books for further reading, and a directory to ashrams in North America that will enable you to locate one near you and set up your own visit.
A jaw-dropping and unputdownable oral history of the New York Post and the legendary tabloid’s cultural impact from the 1970s to today as recounted by the men and women who witnessed it firsthand. By the 1970s, the country’s oldest continuously published newspaper had fallen on hard times, just like its nearly bankrupt hometown. When the New York Post was sold to a largely unknown Australian named Rupert Murdoch in 1976, staffers hoped it would be the start of a new golden age for the paper. Now, after the nearly fifty years Murdoch has owned the tabloid, American culture reflects what Murdoch first started in the 1970s: a celebrity-focused, noisy, one-sided media empire that reached its zenith with Fox News. Drawing on extensive interviews with key players and in-depth research, this eye-opening, wildly entertaining oral history shows us how we got to this point. It’s a rollicking tale full of bad behavior, inflated egos, and a corporate culture that rewarded skirting the rules and breaking norms. But working there was never boring and now, you can discover the entire remarkable true story of America’s favorite tabloid newspaper.
In this treasury of Gotham's secrets--some dark, some light, and some just plain weird--there are tales of underground sex clubs, a secret tunnel in Grand Central Station, an electrocuted elephant at Coney Island, and little-known bars, cafes, hangouts, and other places to frolic.
It’s a total crime wave: A mini encyclopedia of true crime, packed with stories of killers, cons, survivors, forensics and more! More than 200 stories of killers, con artists, master thieves, and brazen kidnappers—and strong survivors, detectives, forensic breakthroughs, and legal minds on all sides of the action. In other words, a mini-encyclopedia perfect for newcomers and hard-core crime fans alike. Here are the big names—Bundy, Manson, Berkowitz, Borden, and the Black Dahlia. The lingering mysteries—like JonBenet Ramsey and Natalie Wood. The disturbing puzzle of the Zodiac Killer. The true story behind the most lurid headline ever: “Headless Body in the Topless Bar.” Plus a feast of trivia and more, including the Psychopath test, how DNA profiling began, tattoo analysis, and quizzes like “Where Did They Hide?” and “Serial Killer Trophies.”
In the tradition of the instant bestsellers The Intellectual Devotional and The Intellectual Devotional: American History comes the third installment in this indispensable series. In The Intellectual Devotional: Modern Culture, authors David S. Kidder and Noah D. Oppenheim explore the fascinating world of contemporary culture to offer 365 daily readings that provide the essential references needed to navigate the world today. Quench your intellectual thirst with an overview of the literature, music, film, personalities, trends, sports, and pop references that have defined the way we live. From the Slinky to Star Wars; Beatlemania to Babe Ruth; flappers to fascism—refreshing your memory and dazzling your friends has never been easier, or more fun. Whether you're a trivia genius, pop-culture buff, or avid reader, you'll be riveted by this comprehensive journey through contemporary culture.
"I accepted the certainty of my untimely death with gallows humor and a calculator. I'd read somewhere that each cigarette you smoke knocks seven minutes off your time on the planet. To amuse myself, I did the math: 153,000 cigarettes = two years of my life, up in smoke." Julia Hansen first lit up at nineteen. Twenty years later, she was editing books about health -- and smoking a pack or two a day. She denied her son fast food, but smoked in the house and car; curtailed his video games, but lit up at his soccer matches. Despite repeated attempts to quit, she always crawled back to her beloved menthol lights. Smoking had become a metaphorical chain around her neck, shackling her to an early death. Haunted by a nightmarish vision of her future -- her son at her deathbed, begging her not to leave him -- Hansen devised a drastic quit method. She bought a 72-foot length of chain that was "unwieldy as a corpse" and locked herself to a radiator in her dining room. What followed: seven days of cold-turkey misery, comic absurdity, and revelation as Hansen stepped from behind her wall of smoke to face her addiction to nicotine -- and some painful truths. Clanking around her house like Marley's ghost, white-knuckling cravings, and struggling to understand tobacco's unyielding grip on her, Hansen confronted her life in smoke: fractured relationships, lifelong battles with alcohol and depression, and a profound sense of emptiness. On day 1, the chain was her addiction to nicotine, each link a story about cigarettes and self-loathing. By day 7, it had revealed its ringing, rattling truth -- that every smoker has a story, and it always centers on clinging to a comfort that can kill you. In the end, Hansen's story was painfully simple: She smoked to survive her life. And then, to save it, she quit. Fierce and funny, honest and utterly absorbing, A Life in Smoke is Julia Hansen's evocative and inspiring account of the extreme measures she took to quit smoking -- decidedly not recommended by the medical profession.
This is a reprint of a previously published book. It deals with the life of Rupert Murdoch, the media mogul.
There is no journalistic work more deserving of the designation “story” than news of crime. From antiquity, the culture of crime has been about the human condition, and whether information comes from Homer, Hollywood, or the city desk, it is a bottom about the human capacity for cruelty and suffering, about desperation and fear, about sex, race, and public morals. Facts are important to the telling of a crime story, but ultimately less so than the often apocryphal narratives we derive from them. The Culture of Crime is hence about the most common and least studies staple of news. Its prominence dates at least to the 1830s, when the urban penny press employed violence, sex, and scandal to build dizzying high levels of circulation and begin the modern age of mass media. In its coverage of crime, in particular, the popular press represented a new kind of journalism, if not a new definition of news, that made available for public consumption whole areas of social and private life that the mercantile, elite, and political press earlier ignored. This legacy has continued unabated for 150 years. The book explores new wrinkles in the study of crime and as a mass cultural activity—from exploring the private lives of public officials to dangers posed by constraints to a free press. The volume is prepared with the rigor of a scholarly brief but also the excitement of actual crime stories as such. Throughout, the reader is reminded that crime stories are both news and drama, and to ignore either is to diminish the other. The work delves deeply into current problems without either sentimental or trivial pursuits. It will be a volume of great interest to people in communications research, the social sciences, criminologists, and not least, the broad public which must endure the punishment of crime and the thrill of the crime story alike.