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A lost child. A missing hero. A bitter rivalry. In Cairo the ghosts of the past are stirring... Makana is a former police inspector who fled for his life to Cairo from his native Sudan seven years ago. Down on his luck and haunted by the past, he lives on a rickety Nile houseboat. When the notorious and powerful Saad Hanafi hires him to track down a missing person Makana is in no position to refuse him. Hanafi, whose past is as shady as his fortune is glittering, is the owner of Cairo's star-studded football team. His most valuable player has just vanished and Adil Romario's disappearance threatens to bring down not only Hanafi's private empire, but the entire country. But why should the city's most powerful man hire its lowliest private detective? Thrust into a dangerous and glittering world, Makana's investigation leads him into the treacherous underbelly of his adopted country- where he encounters Muslim extremists, Russian gangsters and a desperate mother hunting for her missing daughter. It becomes a trail that stirs up painful memories, leading him back into the sights of an old and dangerous enemy...
A city divided. A killer on the streets. A past that refuses to be forgotten.
Sudanese investigator Makana travels into the desert heart of Egypt to solve a series of brutal murders and explore the shifting sands of the past, in this third installment of the acclaimed Makana Mystery series
Take a journey into the Taro Farm and learn the Hawaiian names of many different animals found in the islands, as well as information about the process of growing and harvesting taro, a staple crop of the native Hawaiian people.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Mary Elizabeth Barber (18181899), born in Britain, arrived in the Cape Colony in 1820 where she spent the rest of her life as a rolling stone, as she lived in and near Grahamstown, the diamond and gold fields, Pietermaritzburg, Malvern near Durban and on various farms in the eastern part of the Cape Colony. She has been perceived as the most advanced woman of her time, yet her legacy has attracted relatively little attention. She was the first woman ornithologist in South Africa, one of the first who propagated Darwins theory of evolution, an early archaeologist, keen botanist and interested lepidopterist. In her scientific writing, she propagated a new gender order; positioned herself as a feminist avant la lettre without relying on difference models and at the same time made use of genuinely racist argumentation. This is the first publication of her edited scientific correspondence. The letters transcribed by Alan Cohen, who has written a number of biographical articles on Barber and her brothers are primarily addressed to the entomologist Roland Trimen, the director of the Royal Botanic Gardens Kew, London. Today, the letters are housed at the Royal Entomological Society in St Albans. This book also includes a critical introduction by historian Tanja Hammel who has published a number of articles and is about to publish a monograph on Mary Elizabeth Barber.
The Laieikawai is a Hawaiian romance which recounts the wooing of a native chiefess of high rank and her final deification among the gods. The story was handed down orally from ancient times in the form of a kaao, a narrative rehearsed in prose interspersed with song, in which form old tales are still recited by Hawaiian story-tellers. It was put into writing by a native Hawaiian, Haleole by name, who hoped thus to awaken in his countrymen an interest in genuine native story-telling based upon the folklore of their race and preserving its ancient customs—already fast disappearing since Cook's rediscovery of the group in 1778 opened the way to foreign influence—and by this means to inspire in them old ideals of racial glory. Haleole was born about the time of the death of Kaméhaméha I, a year or two before the arrival of the first American missionaries and the establishment of the Protestant mission in Hawaii. In 1834 he entered the mission school at Lahainaluna, Maui, where his interest in the ancient history of his people was stimulated and trained under the teaching of Lorrin Andrews, compiler of the Hawaiian dictionary, published in 1865, and Sheldon Dibble, under whose direction David Malo prepared his collection of "Hawaiian Antiquities," and whose History of the Sandwich Islands (1843) is an authentic source for the early history of the mission. Such early Hawaiian writers as Malo, Kamakau, and John Ii were among Haleole's fellow students. After leaving school he became first a teacher, then an editor. In the early sixties he brought out the Laieikawai, first as a serial in the Hawaiian newspaper, the Kuokoa, then, in 1863, in book form. Later, in 1885, two part-Hawaiian editors, Bolster and Meheula, revised and reprinted the story, this time in pamphlet form, together with several other romances culled from Hawaiian journals, as the initial volumes of a series of Hawaiian reprints, a venture which ended in financial failure. The romance of Laieikawai therefore remains the sole piece of Hawaiian, imaginative writing to reach book form. Not only this, but it represents the single composition of a Polynesian mind working upon the material of an old legend and eager to create a genuine national literature. As such it claims a kind of classic interest.
‘You would not think it to look at you, but your voice, when you use it: akin to a god’s. You must be careful what you do with it.’ Exiled Jacob Kitara takes in injured compatriots and nurses them in a boarded-up building. Social unrest has emptied the streets of London, movement into and out of the country has been suspended, and those who remain are in hiding. When a young man makes his appearance, insisting that he is Jacob’s son – a man presumed dead, torn from Jacob’s life by war and guilt over the fate of the boy’s mother – Jacob is driven to anger. But can this stranger offer Jacob a chance to reach back to a different continent, to the foot of Africa from where he has been banished, to atone for the past? The Weight of Skin is a poignant tale of personal and political responsibility, and of the intricate narratives of family and nationality that bind us.