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This little book is for the future. It is a time capsule for our family, for Hazels descendants. It is her legacy in her words, some transcribed from recorded memories, some composed as stories told in third person. It is her message to the future about times past, as she glimpsed it, so that those who come after may share it. I once asked myself, among all the lessons I learned from the wisdom she dispensed, what was it that stood out. She was creative; she was loving; she was witty; she was resilient; she was honest; she was intelligent; she was curious; she was hard-working. Yet, the quality I want to point out is that in the course of her life, nothing was ever lost. She made the most of every moment, of every experience, of every acquaintance. While she did not live on a grand scale, over all those years, in all those places, among all the people she touched, she inherently knew that this was indeed the fabric of her life and that nothing was to be wasted, taken for granted, or ignored. Everyone she met remembered her because she was always fully present to those she encountered. Throughout Mothers journey, her devotion to family and friends defined her. She was intensely proud of Johns accomplishments, and she doted on her grandchildren, Matt, Julie, and Steve. In addition to Martha, in whom she found the daughter she always wanted, many younger women were especially drawn to her. To them she was mentor, ally, confidante, and friend. Doug Haydel Hazel was a widow about as long as she was married but she never loved anyone else and not a day went buy after Daddy died that she didnt miss him think about him fondly. They fit together like two pieces in a jigsaw puzzle with a lot of other pieces missing. Daddy was a dreamer and Hazel was an enabler. Mother gave us a love of learning through her example. She was a constant reader and often mispronounced new words because she didnt often have a chance to exercise her vocabulary with her friends with smaller vocabularies. She constantly reminded us of the plutocracy of the Haydels in early Louisiana and made us feel sort of special; at least our family was maybe once if not now. Hazel never learned to drive, was clumsy and never screwed lids on jars, causing lots of spilling. She often successfully depended on the kindness of strangers. She was a natural cook. She could walk into a kitchen bereft of pantry supplies and produce magical dishes. She was a beautiful woman. I once overheard his father talking to someone and he said my wife is a beautiful women I want you to meet her I felt sorry for my friends that didnt have a beautiful mother. They are both buried in the Catholic cemetery in Plaucheville, La. John Haydel
For fans of Erin Entrada Kelly and Ali Benjamin comes a poignant yet hopeful novel about a girl navigating grief, trauma, and friendship, from Ashley Herring Blake, the award-winning author of Ivy Aberdeen's Letter to the World. Hazel Bly used to live in the perfect house with the perfect family in sunny California. But when a kayaking trip goes horribly wrong, Mum is suddenly gone forever and Hazel is left with crippling anxiety and a jagged scar on her face. After Mum's death, Hazel, her other mother, Mama, and her little sister, Peach, needed a fresh start. So for the last two years, the Bly girls have lived all over the country, never settling anywhere for more than a few months. When the family arrives in Rose Harbor, Maine, there's a wildness to the small town that feels like magic. But when Mama runs into an old childhood friend—Claire—suddenly Hazel's tight-knit world is infiltrated. To make it worse, she has a daughter Hazel's age, Lemon, who can't stop rambling on and on about the Rose Maid, a local 150-year-old mermaid myth. Soon, Hazel finds herself just as obsessed with the Rose Maid as Lemon is—because what if magic were real? What if grief really could change you so much, you weren't even yourself anymore? And what if instead you emerged from the darkness stronger than before?
As the new school year begins, Happy Hazel and Jolly Jim are excited to start a new year of adventures as school bus drivers in Treetown. Happy Hazel and Jolly Jim take pride in their jobs and always do their best for the kids on their buses. They take their jobs seriously and expect the kids on their buses to always be respectful and kind. When Happy Hazel and Jolly Jim make the trip to the school bus garage to pick up their buses, they are in for a surprise. A new student will begin riding the bus on the first day of school. Happy Hazel wants to make sure that the new student feels welcome, accepted, and safe.
One of E! News' 13 Books to Read This September | One of Bookish's Debuts to Read in the Second Half of 2021 | One of Medium's Best Releases Out Today “Hazel Hayes writes with such honesty and casual confidence and flowing dialogue, you feel you are overhearing it rather than reading it. The writing sparkles with wit and a poignant emotional reality. I love it.”—Matt Haig, bestselling author of The Midnight Library “A smart, touching, time-bending romance. Funny and affecting.”—David Nicholls, bestselling author of One Day and Sweet Sorrow For anyone who has loved and lost, and lived to tell the tale, this gorgeously written debut is a love story told in reverse, a modern novel with the heart of a classic: truthful, tragic, and ultimately full of hope. Out of Love begins at the end. A couple call it quits after nearly five years, and while holding a box of her ex-boyfriend’s belongings, the young woman wonders: How could they have spent so long together? When did they fall out of love? Were there good times before the bad? These are the questions we obsess over when a relationship ends, even when obsessing can do no good. But instead of moving forward through the emotional fallout of a break-up, Out of Love moves backward in time, weaving together an already unraveled tapestry, from tragic ending to magical first kiss. Each chapter jumps further into the past, mining their history for the days and details that might help us understand love; how it happens and why it sometimes falls apart. Readers of Normal People; Goodbye, Vitamin; and One Day will adore this bittersweet romance, a sparkling debut that you won’t want to miss.
Windows and Words is a collection of seventeen essays that confirms and celebrates the artistry of Canadian Children's Literature. There are essays that survey a wealth of English language fiction, from the internationally acclaimed work of Lucy Maud Montgomery, the aboriginal adolescent novel, to the increasingly multi-cultural character of children's books. Others examine book illustration, visual literacy, and the creative partnership seen in the picture book and its art design. With contributions by two Governor General's Award winning authors, Janet Lunn and Tim Wynne-Jones, and a final commentary by Elizabeth Waterson, the heart of this collection offers a unique perspective on the artistry of writing for children and claims a rightful place for Canadian children's literature as literature.
Thirty-five-year-old Hazel is chef and drag queen at a small city restaurant. His life is completely changed when he is entrusted with the management of an enormous run-down estate in the outback of Australia, not to mention the upbringing of a beautiful but repressed eleven-year-old boy. On the estate, he encounters heart-stopping Matthew, an image of male perfection. The small outback town has a variety of fascinating characters, including members of the rival Wallace family; Doris, a dominating matriarchal figure; and Carmel, who reads the future in a pack of nonexistent cards. As Hazel brings the estate to life again, so his own life is changed by his growing attraction to Matthew . . .