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Based her experience as a Gestalt therapist, clinical psychologist Pilar Ocampo presents a comprehensive guide to using Gestalt principles to improve clients' lives. Pilar Ocampo, psicóloga clínica con doctorado en psicoterapia, presenta en estas páginas un material de consulta y apoyo que brinda bases firmes y una estructura dinámica para vivir la experiencia como psicoterapeuta Gestalt. Aborda temas tan importantes como: el ser y el hacer del psicoterapeuta, el modelaje, el trabajo con sueños y lo hace a través de la presentación de casos clínicos. Plantea su propuesta y su deseo de promover una Gestalt existencial, vivencial y clínica que permita rescatar toda la profundidad integradora y a la vez preventiva que brinda este enfoque. Una Gestalt que le permite al paciente caminar por su propio sendero parado en sus pies, no en los del psicoterapeuta.
It's been six months since Ashlyn Daniels was kicked out of her home. Six months since she stood up to her abusive stepfather and got a busted rib-and seeing all her things set ablaze in a backyard bonfire-for her trouble. Never going back. She doesn't need trouble...especially if trouble is tattoo artist Lane Garrett, who's six-feet-plus of tattooed hotness and a complete ass. Lane has spent the last decade fighting to support his family. To protect them. There's no room for romance, even with a fragile (yet amusingly feisty) stunner...even if she somehow manages to invade his world and his heart. But while some secrets are as visible as ink on the skin, others must remain hidden at all costs... Each book in the Written on my Heart series is a standalone story that can be enjoyed out of order. Series Order: Book #1 Written on my Heart Book #2 Seared on My Soul
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
The classic conception of human transcendental consciousness assumes its self-supporting existential status within the horizon of life-world, nature and earth. Yet this assumed absoluteness does not entail the nature of its powers, neither their constitutive force. This latter call for an existential source reaching beyond the generative life-world network. Transcendental consciousness, having lost its absolute status (its point of reference) it is the role of the logos to lay down the harmonious positioning in the cosmic sphere of the all, establishing an original foundation of phenomenology in the primogenital ontopoiesis of life. ​
This play is based on David R. Slavitt's translation of The Metamorphoses of Ovid - Monologues.
This collection is the final volume of a four book survey of the state of phenomenology fifty years after the death of Edmund Husserl. Its publication represents a landmark in the comprehensive treatment of contemporary phenomenology in all its vastness and richness. The diversity of the issues raised here is dazzling, but the main themes of Husserl's thought are all either explicitly treated, or else they underlie the ingenious approaches found here. Time, historicity, intentionality, eidos, meaning, possibility/reality, and teleology are the main concerns of this collection devoted to studies in aesthetics, metaphysics and literary interpretation, written by such authors as, among others, R. Cobb-Stevens, C. Moreno Marquez, J. Swiecimski, Sitansu Ray and M. Kronegger. These original studies of phenomenological aesthetics and literary theory by scholars from all parts of the world were gathered by the World Institute for Advanced Phenomenological Research and Learn ing during the year 1988/89 during its assessment of the phenomeno logical movement, fifty years after Husserl's death. IX A -T. Tymieniecka (ed.), Analecta Husserliana, Vol. XXXVII, ix.
A beautiful book on the famed Chinati Foundation in Marfa, Texas The Chinati Foundation, a world-famous destination for large-scale contemporary art, was founded by Donald Judd (1928-1994) to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape in Marfa, Texas. This handsome publication, first published in 2010 and now available with a new chapter devoted to the permanent installation by Robert Irwin that was inaugurated in 2016 and a new foreword by Jenny Moore, director of the Chinati Foundation, describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati. The individual installations featured here include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Ingólfur Arnarsson, Carl Andre, Claes Oldenburg and Coosje Van Bruggen, and John Wesley, as well as by Judd himself. The book also features a complete catalogue of the collection and writings by Judd relating to Chinati and Marfa. Published in association with the Chinati Foundation/La Fundación Chinati
Mexican Beasts and Living Santos This beautiful and extraordinary book is the result of a collaboration between two of the US's most widely acclaimed multimedia/performance artists. Illustrated throughout with numerous line drawings and photographs, many in full colour, it is based around a performance piece of the same name but stands on its own as a fascinating insight into Mexican and Mexican-American culture. Includes CD and tattoo transfer.