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In this robust, informal book, Robert E. Pike tells the colorful story of logging and log-driving in New England. The New England loggers and river drivers were a unique breed of men. Working with their axes and peaveys through Maine, New Hampshire, and Vermont, they contributed mightily to the development of the United States. The daily life of the loggers was hard — working in deep icy water fourteen hours a day, sleeping in wet blankets, eating coarse food, and constantly risking their lives. Their pay was very low, yet they were proud to call themselves loggers. When they came out of the woods after the spring drives, they ebulliently spent their pay carousing in the staid New England towns. Robert E. Pike, who as a youth worked in the woods and on the rivers, writes affectionately and knowingly, with humorous anecdotes, of every detail of lumbering. He describes the daily life of the logging camps, giving a picture of the different specialist jobs: the camp boss, the choppers, the sawyers and filers, the scaler, the teamsters, the river men, the railroaders, and the lumber kings. His descriptions bring the reader vividly into the woods, smelling the tangy, newly cut timber, hearing the boom of the falling trees. "The author's lively prose matches the temper of his subject. . . . This is basic history, geography, psychology, economics, and folklore all rolled into one top-quality volume." — R. S. Monahan, New York Times Book Review
In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 traces the first two decades of the Haystack Mountain School of Craft’s history and its pivotal impact on the world of art and craft practice in the United States during the mid-twentieth century. The first scholarly investigation of this internationally renowned school, the exhibition, and the accompanying catalogue will feature work made at Haystack or influenced by time spent there by some of the most highly recognized names in the fields of fiber, glass, ceramics, jewelry, and graphic arts to demonstrate the school’s significant role in debates about art, craft, industry, and pedagogy in the United States during the 1950s and 1960s. Haystack’s model of brief summer sessions and changing instructors offered new ways of thinking about the status of craft as art and the nature of accessible design in the context of communally based, process-oriented learning. Anni Albers, Toshiko Takaezu, Jack Lenor Larsen, Kay Sekimachi, Arline Fisch, Robert Arneson, Harvey Littleton, Wolf Kahn, and Dale Chihuly are just a few of the artists who taught at the school between 1950 and 1969 and who helped define Haystack’s radically open-ended approach towards art and craft. With approximately eighty objects assembled from public and private collections and archives, many rarely or never before exhibited in a museum, In the Vanguard will establish the substantial legacy of this remote community of makers in the art and education world at large. Archival material installed throughout the exhibition will include original correspondence, photographs, brochures, architectural models, posters, and early ephemera. Published in association with the Portland Museum of Art. Exhibition dates: Portland Museum of Art, Maine: May 24–September 8, 2019 Cranbrook Academy of Art, Michigan: November 15, 2019–March 8, 2020
'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.
Midcoast Maine: The Cunningham Collection transports us back to another time in American history when optimism and confidence soared and anything seemed possible. Based on the remarkable photographic work of brothers Frank and Bert Cunningham, this pictorial history effectively captures the people and their way of life long since gone from the midcoast region. Born in the small town of Washington shortly after the Civil War, the brothers traveled narrow dirt roads by horse-drawn wagon, covering an area that encompasses nearly three hundred square miles. In their works, they preserved for us not only the people and the places of the midcoast, but also something of its character as well.