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An indispensable source for an understanding of what Hawthorne read during more than twenty years. An introductory essay summarized the areas in which Hawthorne's interests were traced & sheds light on his reading habits & the workings of the Salem Athenaeum.
From 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The jouranl has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
Presents a brief biography of Nathaniel Hawthorne, thematic and structural analysis of his works, critical views, and an index of themes and ideas.
Hawthorne wrote much of his major fiction in the decade that the theories of Charles Marie François Fourier crossed the Atlantic and contributed to a wave of communitarian experimentation in the American North. Famously, Hawthorne briefly lived and worked at Brook Farm, a Transcendentalist commune that formally converted to Fourierism when he had left and was embroiled in litigation to recover money he had invested in the community. In his fiction, Hawthorne responded directly to Fourierism and its critique of capitalism. He used his experiences at Brook Farm as the inspiration for The Blithedale Romance, and in The House of the Seven Gables cast one of the principal characters as a recovering Fourierist. In The Scarlet Letter he engaged with Fourierist debates on marriage and the regulation of desire. Somewhat on the Community-System examines these interventions, and argues that Hawthorne's fiction both seeks to contain Fourierism and responds to its allure. Moreover, in formulating alternative, morally acceptable utopias (ones that are predicated on middle-class marriage), Hawthorne's fiction appropriates key aspects of Fourierist theory
This volume argues that by focusing on British and American backgrounds, readers have underestimated the impact of Asia and "the East" on American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing. The central force in Hawthorne's intellectual development was New England Puritanism. It fascinated even when it sometimes repelled him. It exercised a pull on his imagination which a lifetime of varied experience did not loosen. The author recreates Hawthorne's heritage and examine his readings in material dealing with the East; he examines three of Hawthorne's "early tales" that were all written before 1830; and he looks at Hawthorne's "The Story Teller", the two-volume book of sketches and tales Hawthorne unsuccessfully tried to publish in 1834 and issued piecemeal thereafter in periodicals as annuals. The author also evaluates the role of the Eastern world in Hawthorne's view of Romance and studies some of Hawthorne's "remarkable" heroines -- Beatrice Rapaccini, Hester, Zenobia, and Miriam in particular. The author maintains that the Puritan element in Hawthorne's ancestry has been overstressed and that insufficient attention has been paid to the equally important travel-adventure-exploration aspect of Hawthorne's heritage and craft.
Explores the connections between British and American Romanticism, focusing on the novels of Elizabeth Inchbald (1753-1821) and Nathaniel Hawthorne (1804-64). This study argues that Inchbald and Hawthorne are representative of a larger British/American cultural confluence during the eighteenth and nineteenth centuries.
Hawthorne's story of the disgraced Hester Prynne (who must wear a scarlet "A" as the mark of her adultery), of her illegitimate child, Pearl, and of the righteous minister Arthur Dimmesdale continues to resonate with modern readers. Set in mid-seventeenth-century Boston, this powerful tale of passion, Puritanism, and revenge is one of the foremost classics of American literature. This Broadview edition contains a selection of historical documents that include Hawthorne's writings on Puritanism, the historical sources of the story, and contemporary reviews of the novel. New to the second edition are an updated critical introduction and bibliography and, in the appendices, additional writings by Margaret Fuller, Elizabeth Cady Stanton, Henry James, and William Dean Howells.
This is a book that explores in detail the use that Americans have made of their history for commercial, cultural, and ideological purposes. It focuses on popular adaptations of historical incidents and artifacts to reveal how successive generations of Americans have been able to adapt their heritage to address the needs of their contemporaries. Further, it indicates how the past has helped to shape the attitudes of later generations toward their own society.
The first paperback edition to include full annotations of these twenty Hawthorne tales written between the 1830s and 50s, this volume contains the classic pieces "Young Goodman Brown," "The Maypole of Merry Mount," "The Birthmark," "The Celestial Railroad," and "Earth's Holocaust," as well as tales, such as "My Kinsman, Major Molineux," which represent Hawthorne's interest in the spiritual history of New England.
This perennially popular Norton Critical Edition has been revised to reflect the most current scholarly approaches to The Scarlet Letter—Hawthorne’s most widely read novel—as well as to the five short prose works—“Mrs. Hutchinson,” “Endicott and the Red Cross,” “Young Goodman Brown,” “The Minister’s Black Veil,” and “The Birth-mark”—that closely relate to the 1850 novel. This Second Norton Critical Edition also includes: · Revised and expanded explanatory footnotes, a new preface, and a note on the text by Leland S. Person. · Key passages from Hawthorne’s notebooks and letters that suggest the close relationship between his private and public writings · Seven new critical essays by Brook Thomas, Michael Ryan, Thomas R. Mitchell, Jay Grossman, Jamie Barlowe, John Ronan, and John F. Birk. · A Chronology and revised and expanded Selected Bibliography.