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"The Arts of Kingship" offers a sustained and detailed account of Hawaiian public art and architecture during the reign of David Kalakaua, the nativist and cosmopolitan ruler of the Hawaiian Kingdom from 1874 to 1891. Stacy Kamehiro provides visual and historical analysis of four key monuments - Kalakaua's coronation and regalia, the King Kamehameha Statue, 'Iolani Palace, and the Hawaiian National Museum - drawing them together in a common historical, political, and cultural frame. Each articulated Hawaiian national identities and navigated the turbulence of colonialism in distinctive ways and has endured as a key cultural symbol.These cultural projects were part of the monarchy's concerted effort to promote a national culture in the face of colonial pressures, internal political divisions, and declining social conditions for Native Hawaiians, which, in combination, posed serious threats to the survival of the nation. Kamehiro interprets the images, spaces, and institutions as articulations of the complex cultural entanglements and creative engagement with international communities that occur with prolonged colonial contact. Nineteenth-century Hawaiian sovereigns celebrated Native tradition, history, and modernity by intertwining indigenous conceptions of superior chiefly leadership with the apparati and symbols of Asian, American, and European rule." -- Book cover.
This fully illustrated book stands alone as the definitive resource on Hawaiian material culture which guides the reader through every major element of Hawaiian arts and crafts, providing detailed descriptions of traditional objects, methods of construction, and traditional use.
"Sam and Mary Cooke have assembled at Kualii, their Manoa Valley home, a cultural treasure unsurpassed by any other private collection in the islands. This collection of paintings, drawings, and prints of the Hawaiian Islands uniquely reflects the kamaaina appreciation the Cookes have for various locales throughout the islands, including generations-long associations with people and places, and a love of legends and history. In this book, historian and bibliographer David W. Forbes presents a selection of the collection's finest works. Hawaii in the late eighteenth and early nineteenth centuries, with particular focus on portrayal of the Hawaiian chiefs, is depicted by artists associated with voyages of exploration and art in the interest of science, including John Webber, Jacques Arago, Louis Choris, John Hayter, Alfred T. Agate, Titian Ramsay Peale, and J. G. Keulemans. Everyday life in mid-nineteenth century Hawaii is captured by August Borget, Enoch Wood Perry Jr., Edward Bailey, Paul Emmert, and George H. Burgess. Landscapes and portraits of emerging multi-cultural Hawaii are beautifully rendered by accomplished late nineteenth- and early twentieth-century artists Charles Furneaux, Joseph D. Strong, Jules, Tavernier, D. Howard Hitchcock, Helen Whitney Kelly, Lionel Walden, Matteo Sandona, and by mid-twentieth century painters Lloyd Sexton and Peter Hurd"-- From book jacket.
Artists/Hawaii celebrates the fiftieth state's visual arts through the featured works and personal profiles of twenty-two of Hawaii's most respected contemporary artists. Artists from Oahu, Maui, Kauai, and Hawaii are profiled in this lavishly illustrated volume. From an original list of 160 artists working in a variety of media, the twenty-two chosen through peer selection describe in their own words their life, work, and reflections on the role of art in society. Each artist was interviewed by the editors and responded to a series of questions about their background, their style and medium, and how Hawaii has influenced their creative endeavors. These personal and revealing sketches are followed by four signature pieces of each artist's work. University of Hawaii art professors Tom Klobe and Duane Preble visited with each artist prior to selecting the works featured in this book. Two pieces were identified as "career best" and two as outstanding recent works. Artists/Hawaii presents a captivating visual statement of the remarkable individual style of these twenty-two artists.
Painstakingly constructed by hand of plant fiber and precious feathers from endemic birds of Hawai‘i, feather cloaks and capes provided spiritual protection to Hawaiian chiefs for centuries while proclaiming their royal status. Few of the artworks known as nā hulu ali‘i, or royal feathers, survive today except in museums and private collections. Through photographs and scholarly essays, Royal Hawaiian Featherwork highlights approximately seventy-five rare examples of the finest featherwork capes and cloaks (‘ahu‘ula) extant, as well as royal staffs of feathers (kāhili), feather lei (lei hulu manu), helmets (mahiole), feathered god images (akua hulu manu), and related eighteenth- and nineteenth-century paintings and works on paper. With their brilliant coloring and abstract compositions of crescents, triangles, circles, quadrilaterals, and lines, the artworks are both beautiful and rich in cultural significance. In the seventeenth and eighteenth centuries, featherworks were key items of indigenous Hawaiian diplomacy, used to secure political alliances and agreements, worn as battlefield regalia, and seized as spoils from defeated chiefs. Later, in the nineteenth and early twentieth centuries, the featherworks—used in trading and gifts to foreign visitors—became symbols of Hawaiian heritage and cultural pride. This stunningly illustrated volume also serves as the catalogue to accompany the first exhibition of Hawaiian featherwork to be staged on the U.S. continent, scheduled for a six-month run starting in late August 2015 at the Fine Arts Museums of San Francisco. The book and exhibition provide an overdue opportunity for the public to discover the central role these artworks played in the culture and history of the Hawaiian Islands, to explore their unparalleled technical craftsmanship, and to discover an aesthetic tradition unique to the Hawaiian archipelago. Essays by: Samuel M. Ohukaniōhia Gon III, Marques Marzan, Maile Andrade, Noelle Kahanu, Betty Kam, Adrienne Kaeppler, Stacy L. Kamehiro, Christina Hellmich, and Roger Rose.
What do the London Science Museum, California Shakespeare Theater, and ShaNaNa have in common? They are all fighting for relevance in an often indifferent world. The Art of Relevance is your guide to mattering more to more people. You'll find inspiring examples, rags-to-relevance case studies, research-based frameworks, and practical advice on how your work can be more vital to your community. Whether you work in museums or libraries, parks or theaters, churches or afterschool programs, relevance can work for you. Break through shallow connection. Unlock meaning for yourself and others. Find true relevance and shine.
The first comprehensive study of Hawaiian sculptural tradition, Hawaiian Sculpture documents most known extant indigenous carvings of the human figure and identifies their location in public and private collections. More than 164 illustrations illuminate the wooden sculpture of artists whose names are unknown but who were brilliant by any standard. The revised (1988) edition adds recently discovered pieces and a new introduction. The first edition discussed 147 pieces; the revised edition presents 17 previously uncatalogued works, making the volume a valuable addition to the field of Oceanic art.