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Breadfruit is called 'ulu in Hawaiian. This book is about the ethnographic and ethnohistorical information about the Hawaiian breadfruit tree. It is about the significance of the breadfruit in ancient Hawai'i as a crop and animal feed. It discusses 'ulu as an important component of Hawaiian culture.
Kū, a Hawaiian god, came from Kahiki and settled in Hawaiʻi. He lives as a man until famine strikes and his family starves. To save them, he descends into the ground and re-emerges as a breadfruit tree, whose fruits could be cooked and eaten.
Ku and Hina—man and woman—were the great ancestral gods of heaven and earth for the ancient Hawaiians. They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born. The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano. Ancient Hawaiians lived by the animistic philosophy that assigned living souls to animals, trees, stones, stars, and clouds, as well as to humans. Religion and mythology were interwoven in Hawaiian culture; and local legends and genealogies were preserved in song, chant, and narrative. Martha Beckwith was the first scholar to chart a path through the hundreds of books, articles, and little-known manuscripts that recorded the oral narratives of the Hawaiian people. Her book has become a classic work of folklore and ethnology, and the definitive treatment of Hawaiian mythology. With an introduction by Katherine Luomala.
Ancient Hawaiians lived in a world where all of nature was alive with the spirits of their ancestors. These aumakua have lived on through the ages as family guardians and take on many natural forms, thus linking many Hawaiians to the animals, plants, and natural phenomena of their island home. Individuals have a reciprocal relationship with their guardian spirits and offer worship and sacrifice in return for protection, inspiration, and guidance. Hawaiian Legends of the Guardian Spirits is told in words and pictures by award-winning artist Caren Loebel-Fried. The ancient legends are brought to life in sixty beautiful block prints, many vibrantly colored, and narrated in a lively "read-aloud" style, just as storytellers of old may have told them hundreds of years ago. Notes are included, reflecting the careful and extensive research done for this volume at the Bishop Museum Library and Archives in Honolulu and at the American Museum of Natural History in New York. A short section on the process of creating the block prints that illustrate the book is also included. The matching poster of "A Chance Meeting with the Iiwi" measures 22 x 28 inches.
Ancient Hawaiians lived in a world where all of nature was alive with the spirits of their ancestors. These aumakua have lived on through the ages as family guardians and take on many natural forms, thus linking many Hawaiians to the animals, plants, and natural phenomena of their island home. Individuals have a reciprocal relationship with their guardian spirits and offer worship and sacrifice in return for protection, inspiration, and guidance. Hawaiian Legends of the Guardian Spirits is told in words and pictures by award-winning artist Caren Loebel-Fried. The ancient legends are brought to life in sixty beautiful block prints, many vibrantly colored, and narrated in a lively "read-aloud" style, just as storytellers of old may have told them hundreds of years ago. Notes are included, reflecting the careful and extensive research done for this volume at the Bishop Museum Library and Archives in Honolulu and at the American Museum of Natural History in New York. A short section on the process of creating the block prints that illustrate the book is also included. The matching poster of "A Chance Meeting with the Iiwi" measures 22 x 28 inches.
According to some of the oldest and least-known of Hawaii's legends, man became a trickster to survive, and later became a riddler to win a place for himself in society. Vivian Thompson's tales, written for youngsters, are based on some of the earliest recorded versions of these legends; they instruct and delight readers of today as the oral traditions of old captivated their audiences. The first voyagers to Hawaii were filled with terror of the unknown terrain inhabited by evil spirits. Fearless fellows, tricksters - those who could match wits not only against nature, spirits, and monsters but also against chiefs and kings who held the power of life and death - became the heroes of the common people. As trickster legends emerged from primitive Hawaii, so riddler legends grew from later Hawaii, where mental as well as physical skills were admired.
An accessible, concise reference source on Polynesia's complex mythology, product of a culture little known outside its home. Encounters with the West introduced Polynesian mythology to the world—and sealed its fate as a casualty of colonialism. But for centuries before the Europeans came, that mythology was as vast as the triangle of ocean in which it flourished, as diverse as the people it served, and as complex as the mythologies of Greece and Rome. Students, researchers, and enthusiasts can follow vivid retellings of stories of creation, death, and great voyages, tracking variations from island to island. They can use the book's reference section for information on major deities, heroes, elves, fairies, and recurring themes, as well as the mythic implications of everything from dogs and volcanoes to the hula, Easter Island, and tattooing (invented in the South Pacific and popularized by returning sailors).