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In the Hawaiian Homes Commission Act (HHCA) of 1921, the U.S. Congress defined “native Hawaiians” as those people “with at least one-half blood quantum of individuals inhabiting the Hawaiian Islands prior to 1778.” This “blood logic” has since become an entrenched part of the legal system in Hawai‘i. Hawaiian Blood is the first comprehensive history and analysis of this federal law that equates Hawaiian cultural identity with a quantifiable amount of blood. J. Kēhaulani Kauanui explains how blood quantum classification emerged as a way to undermine Native Hawaiian (Kanaka Maoli) sovereignty. Within the framework of the 50-percent rule, intermarriage “dilutes” the number of state-recognized Native Hawaiians. Thus, rather than support Native claims to the Hawaiian islands, blood quantum reduces Hawaiians to a racial minority, reinforcing a system of white racial privilege bound to property ownership. Kauanui provides an impassioned assessment of how the arbitrary correlation of ancestry and race imposed by the U.S. government on the indigenous people of Hawai‘i has had far-reaching legal and cultural effects. With the HHCA, the federal government explicitly limited the number of Hawaiians included in land provisions, and it recast Hawaiians’ land claims in terms of colonial welfare rather than collective entitlement. Moreover, the exclusionary logic of blood quantum has profoundly affected cultural definitions of indigeneity by undermining more inclusive Kanaka Maoli notions of kinship and belonging. Kauanui also addresses the ongoing significance of the 50-percent rule: Its criteria underlie recent court decisions that have subverted the Hawaiian sovereignty movement and brought to the fore charged questions about who counts as Hawaiian.
He includes information from Hawaiian folklore and mythology, describes uses of ferns by native Hawaiians, and updates Hawaiian common names. More than one hundred line drawings illustrate all 222 species, varieties, and forms, and some hybrids." "This well-researched and highly readable book will be enthusiastically received by amateur and professional naturalists, fern enthusiasts, and professional botanists."--BOOK JACKET.
Hawaii: The Aloha Sate, is a part of the Discover America Series. Hawaii celebrates the people and culture with beautiful images and engaging facts as well as describing the history, industry, environment, and sports that make this state unique.
In the middle decades of the twentieth century, Hawai'i changed rapidly from a conservative oligarchy firmly controlled by a Euro-American elite to arguably the most progressive part of the United States. Spearheading the shift were tens of thousands of sugar, pineapple, and dock workers who challenged their powerful employers by joining the left-led International Longshoremen and Warehousemen's Union. In this theoretically innovative study, Moon-Kie Jung explains how Filipinos, Japanese, Portuguese, and others overcame entrenched racial divisions and successfully mobilized a mass working-class movement. He overturns the unquestioned assumption that this interracial effort traded racial politics for class politics. Instead, the movement "reworked race" by incorporating and rearticulating racial meanings and practices into a new ideology of class. Through its groundbreaking historical analysis, Reworking Race radically rethinks interracial politics in theory and practice.
Rarely a day goes by in Hawai‘i without the media reporting on environmental issues stemming from public debate. Will the proposed housing development block my access to the beach? Is the rising sea level going to cause flooding where I live? How does overfishing damage the reef? Is the water clean where I surf? Living on the Shores of Hawai‘i discusses the paradox of environmental loss under a management system considered by many to be one of the most stringent in the nation. It reviews a wide range of environmental concerns in Hawai‘i with an eye toward resolution by focusing on "place-based" management, a theme consistent with—and borrowing from—the Hawaiian ahupua‘a system. After describing a typical situation in Hawai‘i where a sandy beach is lost because a seawall has been built to protect a poorly sited home, the authors step back in time to trace land-use practices before and after the arrival of Westerners and the increased tempo of destruction following the latter. They go on to discuss volcanoes and the risk of placing homes in locations vulnerable to natural hazards and the potential dangers of earthquakes and tsunamis to a complacent public. Water issues, including scarcity, flooding, and pollution, are surveyed, as well as climate change and the possible outcomes of projected sea rise for Hawai‘i. The authors explain coastal erosion and beach loss and the problems of overfishing and ocean acidification. Later chapters assess residents’ risks to hurricanes, offering mitigation techniques, and provide a summary and some management conclusions. As tensions increase because of conflicting standards, misunderstandings, and contradictory ideals and actions, we put our economy and quality of life at risk. Sound decision-making begins with asking the right questions. This book addresses these questions within the context of sustainability and thus their influence on the future of Hawai‘i.
New Year’s Eve, 1934. While Honolulu celebrates with champagne and fireworks, someone is making away with the Bishop Museum’s portrait of King Kalakaua and its curator. A series of brutal murders follows, and an unlikely pair, newspaper reporter Mina Beckwith and visiting playwright Ned Manusia, find themselves investigating a twisted trail of clues in an attempt to recover the painting and uncover the killer. Honolulu in the 1930s is a unique (and volatile) mix of the provincial and the urban, East and West, islander and mainlander. Mina and Ned, both of Polynesian descent, confront the complexities and contradictions of Island life as their investigation takes them into the heart of Honolulu society and close-knit local families, whose intricate histories and relationships will have a direct impact on future lives and events. A lively cast of characters aids Mina and Ned in their search for answers: Cecily Chang, an antiques and explosives expert, steers them through Chinatown’s back alleys; Hinano Kahana, a hula chanter and dancer, brings Ned closer to solving an ancient riddle; Mina’s grandmother, Hannah, helps them unlock a secret from the past. Prewar Honolulu comes to life in this thoroughly entertaining mystery that evokes a colorful bygone era. The Mina Beckwith and Ned Manusia series continues with Murder Leaves Its Mark, available September 2011.