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Sun Wukong becomes the Monkey King after being born out of a rock on the Huaguo Mountain. Amused by his fellow monkeys' attempts at military drills, he decides to find a better weapon, as his sword is useless. The nearby Dragon Palace, which is full of treasures, seems like the perfect place. But Sun finds that the weapons there are too light. That is, until the proud Dragon King presents him with the cudgel that tamed the waters in ancient times. It weighs over six tons, so Sun shrinks it to fit into his ear. Unable to get it back, the Dragon King turns to Heaven for help. The gods try to tame Sun by giving him minor positions in Heaven--firstly as the head of the stables, and then the guardian of the garden. When this fails, they resort to force. The gods have never tried to tame such a free and rebellious soul before. They put too much faith in their army, which turns out to be a huge mistake!
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
Ten international academics explore heterodoxy dissent challenging the beliefs and meanings of the established norm in late Imperial China. In this process, they trace the origins of the cultural and intellectual protests to aspects of Daoism and Buddhism in the Ming (1368-1644) and Qing (1644-1911)
Grab your favorite boba and pull a chair up to the dim sum table as we celebrate Asian Heritage Month with all your favorite Asian DC characters, old and new! Join Cassandra Cain, Katana, Green Lantern Tai Pham, the Atom, Dana Tan (a.k.a. Batman Beyond), Red Arrow, Lady Shiva, Damian Wayne and the al Ghul clan, New Super-Man, and more as we present new tales of these characters from their thrilling history! Plus, Cheshire Cat’s relationship to Cheshire is revealed as Shoes asks Selina Kyle to take her under her wing as Cat Girl. And that’s just the start!
Able to shape-shift and ride the clouds, wielding a magic cudgel and playing tricks, Sun Wukong (aka Monkey or the Monkey King) first attained superstar status as the protagonist of the sixteenth-century novel Journey to the West (Xiyou ji) and lives on in literature and popular culture internationally. In this far-ranging study Hongmei Sun discusses the thousand-year evolution of this figure in imperial China and multimedia adaptations in Republican, Maoist, and post-socialist China and the United States, including the film Princess Iron Fan (1941), Maoist revolutionary operas, online creative writings influenced by Hong Kong film A Chinese Odyssey (1995), and Gene Luen Yang’s graphic novel American Born Chinese. At the intersection of Chinese studies, Asian American studies, film studies, and translation and adaptation studies, Transforming Monkey provides a renewed understanding of the Monkey King character as a rebel and trickster, and demonstrates his impact on the Chinese self-conception of national identity as he travels through time and across borders.
Weaving political commentaries, cultural adventures, and Chinese and Native American Indian myths into stories rich in adventure and mystery, Griever: An American Monkey King in China is about Griever de Hocus, a reservation-born tribal trickster, who accompanied by his rooster, Matteo Ricci, takes on the monolithic institutions of the People's Republic of China.
The historical development of Esoteric Buddhism in India is still known only in outline. A few verifiably early texts do give some insight into the origin of the ideas which would later develop and spread to East and Southeast Asia, and to Tibet. However, there is another kind of evidence which can be harnessed to the project of reconstructing the history of Esoteric Buddhist doctrines and practice. This evidence consists of art objects, mainly sculpture, which survive in significant numbers from the 6th to the 13th century.
Introducing the newest hero in the DCU, the great sage, equal to the heavens, better than his predecessor the legendary Monkey King, even better than the Justice League-and definitely the Teen Titans-(actually, all the heroes combined), everyone put your hands together for…the Monkey Prince! Marcus Sun moves around a lot because his adoptive parents are freelance henchpeople, so this month he finds himself as the new kid at Gotham City High School, where a mysterious man with pig features asks Marcus to walk through a water curtain to reveal himself as who Marcus really is…someone who has adventured through The Journey to the West, can transform into 72 different formations, can clone himself using his hairs, and is called…the Monkey Prince!
China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.
The first study in English to offer a systematic introduction to the Chinese pantheon of divinities. It challenges received wisdom about Chinese popular religion, which, until now, presented all Chinese deities as mere functionaries and bureaucrats. The essays in this volume eloquently document the existence of other metaphors that allowed Chinese gods to challenge the traditional power structures and traditional mores of Chinese society. The authors draw on a variety of disciplines and methodologies to throw light on various aspects of the Chinese supernatural. The gallery of gods and goddesses surveyed demonstrates that these deities did not reflect China's socio-political order but rather expressed and negotiated tensions within it. In addition to reflecting the existing order, Chinese gods shaped it, transformed it, and compensated for it, and, as such, their work offers fresh perspectives on the relations between divinity and society in China.