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(Piano Solo Songbook). 26 popular holiday songs creatively arranged by "Backwards Piano Man" Jason Lyle Black into memorable medleys for piano solo. Includes: All I Want for Christmas Is You * Baby, It's Cold Outside * Feliz Navidad * Grown-Up Christmas List * Have Yourself a Merry Little Christmas * I'll Be Home for Christmas * Jingle Bell Rock * (Everybody's Waitin' For) the Man with the Bag * Mary, Did You Know? * Please Come Home for Christmas * Rockin' Around the Christmas Tree * Where Are You Christmas? * and more.
A Trilogy of Christmas Novellas In Mr. Dickens Christmas Eve In London, the famed author is thinking of writing a Christmas story, but he has neither a plot nor a main character, though he has his settingLondon. Whenever he finds himself in such a quandary, Mr. Dickens walks about the citys streets, searching for characters and ideas. Inviting a grumpy, begrudging old friend along by the name of Phineas Frost, he heads into the night on Christmas Eve in 1842. This is Dickens favorite time of year. Families come together and are filled with affection! People everywhere are overcome with generosity, friendship and good cheer! And he finds that the city does not let him down. Before long, he has the characters and ideas for A Christmas Carol, though it will be sometime before he can put the story on paper. The Eighth Choir Celestial and the Birth of the Messiah draws from canonical and noncanonical writings and from speculative Christian theology to spin a warming, affectionate tale of the Nativity of Christ, but from the perspective of the archangel Gabriel. As a member of the eighth choir of celestial beings, his primary responsibility is the deliverance of divine decrees, but he also performs other angelic assignments of extreme importance, including assuring that those things which must happen do indeed occur. The story begins about 15 BCE (Before the Christian Era) when Gabriel visits 5-year-old Mary at the Temple in Jerusalem, and ends with the flight into Egypt. Middle chapters tell the story of Gabriels diligence in watching over Mary from her early childhood to her betrothal, and from the nativity to the flight into Egypt. It also follows Gabriels adventures in assuring the Magi find their way to Bethlehem and are able to outsmart Herod. A Christmas in Princeton, also published separately, celebrates the very reasons for Christmas and its colorful traditions. Young Tom Cooper is preoccupied with getting money to purchase a used bicycle for sale at a shop on Nassau Street in Princeton, but a twist of fate suddenly puts things in proper perspective. A visit to a little shack! A bicycle accident! An epiphany of sorts! A puppy needing a home! Lessons about Christmas! And, finally, the special magic that Christmas brings. Yet, Tom will never fully understand what has happened to him until many years later.
(Piano/Vocal/Guitar Songbook). This collection features over 20 popular modern Christmas songs by today's top artists arranged for piano and voice with guitar chord frames. Includes: Christmas Lights (Coldplay) * Christmas Saves the Year (Twenty One Pilots) * Christmas Tree Farm (Taylor Swift) * Cozy Little Christmas (Katy Perry) * Everyday Is Christmas (Sia) * Glittery (Kacey Musgraves) * Hallelujah (Carrie Underwood & John Legend) * He Shall Reign Forevermore (Chris Tomlin) * I Need You Christmas (Jonas Brothers) * Light of the World (Lauren Daigle) * Mistletoe (Justin Bieber) * Santa Tell Me (Ariana Grande) * Underneath the Tree (Kelly Clarkson) * and more.
(Choral). This is a book for choral directors who find themselves in conversations they might not feel ready to have. Teaching with Respect prompts us to ask deeper questions about the language we use, about systems of power, about our heritage and inheritance. When we examine our teaching, we may find that, while we do not intentionally act with racism, sexism, or bigotry, we may be complicit in adopting systems and language that marginalize and discriminate. But since we want to be the kind of directors that foster artistic communities built on respect, we must be willing to ask such questions. And the burden cannot be on our singers who are being marginalized to teach us a more respectful path; it is on us to learn how it is that we are marginalizing. In this book we look closely at our teaching strategies. How does our repertoire and instruction intersect with our singers' identities, specifically their learning abilities, gender, sexuality, religion, ethnicity, and race? How do we engage with our audience? The book suggests an ethical approach to teaching choral music that is centered on respecting the singers in front of us. Readers will discover ways to maintain and elevate their artistic standards of excellence while also expanding their mindset.
Perry Como put aside his career as a barber to become one of the top American crooners of the 20th century and also one of the first multimedia stars. His record sales exceeded 100 million. In 1948, Como was the first popular singer to cross over to television and The Perry Como Show became the benchmark for a broadcast music and variety show. Como's career illuminates developments in the music and television business in the middle of the last century. This biography features 73 photographs, a complete discography, a listing of all television appearances, and a year by year chronology of Perry Como's life from 1912 to 2001.
Contains printed music for twenty-one Christmas songs, arranged for piano.
Known for a voice as mellow as his moniker, "The Velvet Fog," Mel Torme was an accomplished vocalist, pianist, drummer, songwriter, arranger and author. Leaving a recording legacy of jazz and popular music, his death in June 1999 ended an entertainment career spanning over sixty years. This comprehensive discography is intended not only for the Torme enthusiast, but the casual fan as well, who may only know Torme for his Night Court television appearances or as vocalist and co-writer of "The Christmas Song (Chestnuts Roasting on an Open Fire)," which was first recorded by Nat "King" Cole. Included are a selective chronology providing the highlights of Torme's career as an entertainer; notes on record issues, recording dates, session numbers, takes, musicians and arrangers; lists of all musical releases by label and category; "hits" and awards; and indexes of song titles and musicians. Films, short subjects, stage appearances, and television work (recorded on video) in which he acted, performed musically, or served as a contributor are noted, as are books that Torme wrote, or to which he contributed.
The Flex-Ability series is ideal for solos, duets, trios, quartets or any size ensemble, including woodwinds, brass, strings, percussion, optional rhythm section. It is meant to be usable by all levels of ability for fun at home, in school or around the community. The Four-Line Score Includes: Line 1: Melody; Level 2 Œ_ - 3; intermediate range; sixteenth-note combinations; rock/jazz syncopation Line 2: Harmony; Level 2 -- 2 Œ_; wide range; sixteenth notes; easy syncopation Line 3: Harmony; Level 1 Œ_; limited range; dotted rhythms; some eighth-quarter-eighth syncopation Line 4 (Bass): Harmony; Level 1; narrow range; simple rhythms (eighth notes); alternate note suggestions Titles: * Alegria (from Alegria) * American Idiot * Because of You * Boulevard of Broken Dreams * Gonna Fly Now (Theme from Rocky) * Hedwig's Theme (from Harry Potter and the Sorcerer's Stone) * Hips Don't Lie * Jumpin' Jack Flash * The New Girl In Town (from Hairspray) * We Are Family * Wonka's Welcome Song (from Charlie and the Chocolate Factory)
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. Titles: * Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl