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She's been kidnapped and beaten, lives under surveillance, and can only get online—in disguise—at tourist hotspots. She's a blogger, she's a Cuban, and she's a worldwide sensation. Yoani Sánchez is an unusual dissident: no street protests, no attacks on big politicos, no calls for revolution. Rather, she produces a simple diary about what it means to live under the Castro regime: the chronic hunger and the difficulty of shopping; the art of repairing ancient appliances; and the struggles of living under a propaganda machine that pushes deep into public and private life. For these simple acts of truth-telling her life is one of constant threat. But she continues on, refusing to be silenced—a living response to all who have ceased to believe in a future for Cuba.
Yoani Sanchez is an unusual dissident. She produces an intelligent diary about what it really means to live under the Castro regime in Cuba today: the difficulty of shopping and chronic hunger, the art of repairing ancient appliances, the struggles for real news and the burdens of reading a single-party newspaper. Through sensitive dispatches, Sanchez draws a vivid picture with brutal honesty. Her simple act of truth-telling, as published on her award-winning blog, GenerationY, is collected here for the first time in English.
It is one of the most extraordinary cases in the history of science: the mating calls of insects were mistaken for a “sonic weapon” that led to a major diplomatic row. Since August 2017, the world media has been absorbed in the “attack” on diplomats from the American and Canadian Embassies in Cuba. While physicians treating victims have described it as a novel and perplexing condition that involves an array of complaints including brain damage, the authors present compelling evidence that mass psychogenic illness was the cause of “Havana Syndrome.” This mysterious condition that has baffled experts is explored across 11-chapters which offer insights by a prominent neurologist and an expert on psychogenic illness. A lively and enthralling read, the authors explore the history of similar scares from the 18th century belief that sounds from certain musical instruments were harmful to human health, to 19th century cases of “telephone shock,” and more contemporary panics involving people living near wind turbines that have been tied to a variety of health complaints. The authors provide dozens of examples of kindred episodes of mass hysteria throughout history, in addition to psychosomatic conditions and even the role of insects in triggering outbreaks. Havana Syndrome: Mass Psychogenic Illness and the Real Story Behind the Embassy Mystery and Hysteria is a scientific detective story and a case study in the social construction of mass psychogenic illness.
“[A] superb collection . . . The 18 stories by current and former residents of Havana are gritty, heartbreaking and capture the city.” —Orlando Sentinel To most outsiders, Havana is a tropical sin city. Habaneros know that this is neither new nor particularly true. In the real Havana—the lawless Havana that never appears in the postcards or tourist guides—the concept of sin has been banished by the urgency of need. And need—aching and hungry—inevitably turns the human heart darker, feral, and criminal. In this Havana, crime, though officially vanquished by revolutionary decree, is both wistfully quotidian and personally vicious. In the stories of Havana Noir, current and former residents of the city—some international sensations such as Leonardo Padura, others exciting new voices like Yohamna Depestre—uncover crimes of violence and loveless sex, of mental cruelty and greed, of self-preservation and collective hysteria. Other authors include: Pablo Medina, Alex Abella, Arturo Arango, Lea Aschkenas, Moisés Asís, Arnaldo Correa, Mabel Cuesta, Michel Encinosa Fú, Mylene Fernández Pintado, Carolina García-Aguilera, Miguel Mejides, Achy Obejas, Oscar F. Ortíz, Ena Lucía Portela, Mariela Varona Roque, and Yoss. “[A] remarkable collection . . . gritty tales of deprivation, depravity, heroic perseverance, revolution and longing in a city mythical and widely misunderstood.” —The Miami Herald
This is the first comprehensive history of the culturally diverse city, and the first to be co-authored by a Cuban and an American. Beginning with the founding of Havana in 1519, Cluster and Hernández explore the making of the city and its people through revolutions, art, economic development and the interplay of diverse societies. The authors bring together conflicting images of a city that melds cultures and influences to create an identity that is distinctly Cuban.
Showcasing the colorful buildings and iconic classic cars of Havana, this verse picture book follows a Cuban boy and his family on their road trip into the city.
An evocative and unforgettable memoir from award-winning journalist Carlos Frías about his journey to Cuba where he retraces his family's history and encounters the realities of Cuba under Fidel Castro's rule. Carlos Frías, an award-winning journalist and the American-born son of Cuban exiles, grew up hearing about his parents' homeland only in parables. Their Cuba, the one they left behind four decades ago, was ethereal. It existed, for him, only in their anecdotes, and in the family that remained in Cuba—merely ghosts on the other end of a telephone. Until Fidel Castro fell ill. Sent to Cuba by his newspaper as the country began closing to foreign journalists in August 2006, Frías begins the secret journey of a lifetime—twelve days in the land of his parents. That experience led to this evocative, spectacular, and unforgettable memoir. Take Me With You is written through the unique eyes of a first-generation Cuban-American seeing the forbidden country of his ancestry for the first time. Frías provides a fresh view of Cuba, devoid of overt political commentary, focusing instead on the gritty, tangible lives of the people living in Castro's Cuba. Frías takes in the island nation of today and attempts to reconstruct what the past was like for his parents, retracing their footsteps, searching for his roots, and discovering his history. The story creates lasting and unexpected ripples within his family on both sides of the Florida Straits—and on the author himself.
The dazzling true story of one of Hollywood’s most celebrated Hispanic actresses and her daughter’s search for answers. Cuba, 1936: When Estelita Rodriguez sings in a hazy Havana nightclub for the very first time, she is nine years old. From then on, that spotlight of adoration — from Havana to New York’s Copacabana and then Hollywood — becomes the one true accomplishment no one can take from her. Not the 1933 Cuban Revolution that drove her family into poverty. Not the revolving door of husbands and the fickle world of film. Not even the tragic devastation of Castro’s revolution that rained down on her loved ones. Thirty years later, her young adult daughter, Nina Rodriguez, is blindsided by her mother’s mysterious, untimely death. Seeking answers no one else wants to hear, the grieving Nina navigates the troubling, opulent memories of their life together and discovers how much Estelita sacrificed to live the American dream on her own terms. Based on true events and exclusive interviews with the real Nina Rodriguez, Find Me in Havana weaves two unforgettable voices into one extraordinary journey that explores the unbreakable bond between mother and child, and the ever-changing landscape of self-discovery.
When U.S. immigration authorities deported Graham Greene from Puerto Rico in 1954, the British author made an unplanned visit to Havana and the former MI6 officer had stumbled upon the ideal setting for a comic espionage story. Three years later, he returned in the midst of Castro’s guerrilla insurgency against a U.S.-backed dictator to begin writing his iconic novel Our Man in Havana. Twelve weeks after its publication, in January 1959, the Cuban Revolution triumphed, soon transforming a capitalist playground into a communist stronghold.Combining biography, history, politics, and a measure of psychoanalysis, Our Man Down in Havana investigates the real story behind Greene’s fiction. It includes his many visits to a pleasure island that became a revolutionary island, turning his chance involvement into a political commitment. His Cuban novel describes an amateur agent who dupes his intelligence chiefs with invented reports about “concrete platforms and unidentifiable pieces of giant machinery.” With eerie prescience, Greene’s satirical tale had foretold the Cold War’s most perilous episode, the 1962 Cuban Missile Crisis.