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By the author of the award-winning book "Waiting on Zapote Street," another epic saga that will take readers into an unforgettable journey. When Rodolfo Hernandez's mother forces him to leave Cuba alone, nine years after Fidel Castro comes to power, he doesn't suspect the twists and turns his life would take. But nothing could prepare him for his encounter with his uncle Arturo in Miami, a man who seemed to care little about Rodolfo and anyone else around him, a troubled man with a secret past who would take him years to understand. When Rodolfo begins the twelfth grade at Miami High School, he meets Lissy, a girl with geeky glasses who offers to help him assimilate into a new culture and master a new language. As Rodolfo struggles to understand his uncle, tries to comprehend the changes occurring within the United States as a result of the Vietnam War, and deals with unforeseen events that his parents are facing in Cuba, he fails to understand Lissy and her motivation to help him, a mistake he recognizes when it is almost too late.Havana: A Son's Journey Home also explores the question: Where is home? Is it where we are born, or where our dreams come true? It is a novel that will take readers on an engaging historical adventure that will make them laugh and cry.
A memoir by the mustachioed baseball pitcher who went playing rocky, trash-ridden fields in Castro’s Cuba to becoming a Boston Red Sox legend. Luis Tiant is one of the most charismatic and accomplished players in Boston Red Sox and Major League Baseball history. With a barrel-chested physique and a Fu Manchu mustache, Tiant may not have looked like the lean, sculpted aces he usually played against, but nobody was a tougher competitor on the diamond, and few were as successful. There may be no more qualified twentieth-century pitcher not yet enshrined in the National Baseball Hall of Fame. His big-league dreams came at a price: racism in the Deep South and the Boston suburbs, and nearly fifteen years separated from a family held captive in Castro’s Cuba. But baseball also delivered World Series stardom and a heroic return to his island home after close to a half-century of forced exile. The man whose name—“El Tiante” —became a Fenway Park battle cry has never fully shared his tale in his own words, until now. In Son of Havana, Tiant puts his heart on his sleeve and describes his road from torn-up fields in Havana to the pristine lawns of major league ballparks. Readers will share Tiant’s pride when appeals by a pair of US senators to baseball-fanatic Castro secure freedom for Luis’s parents to fly to Boston and witness the 1975 World Series glory of their child. And readers will join the big-league ballplayers for their spring 2016 exhibition game in Havana, when Tiant—a living link to the earliest, scariest days of the Castro regime—threw out the first pitch.
Showcasing the colorful buildings and iconic classic cars of Havana, this verse picture book follows a Cuban boy and his family on their road trip into the city.
A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.
She's been kidnapped and beaten, lives under surveillance, and can only get online—in disguise—at tourist hotspots. She's a blogger, she's a Cuban, and she's a worldwide sensation. Yoani Sánchez is an unusual dissident: no street protests, no attacks on big politicos, no calls for revolution. Rather, she produces a simple diary about what it means to live under the Castro regime: the chronic hunger and the difficulty of shopping; the art of repairing ancient appliances; and the struggles of living under a propaganda machine that pushes deep into public and private life. For these simple acts of truth-telling her life is one of constant threat. But she continues on, refusing to be silenced—a living response to all who have ceased to believe in a future for Cuba.
From the bestselling author of THE GIRLS WITH NO NAMES, a new historical novel based on the dazzling story of one of Hollywood’s most celebrated Hispanic actresses and her daughter’s search for closure. “Told in a series of letters, FIND ME IN HAVANA is a beautiful and heart-wrenching story of mothers and daughters, and the American Dream that comes with the biggest price of all. I couldn’t put it down!” — Heather Webb, USA Today bestselling author Cuba, 1936: When Estelita Rodriguez sings in a hazy Havana nightclub for the very first time, she is nine years old. From then on, that spotlight of adoration—from Havana to New York’s Copacabana and then Hollywood—becomes the one true accomplishment no one can take from her. Not the 1933 Cuban Revolution that drove her family into poverty. Not the revolving door of husbands or the fickle world of film. Thirty years later, her young adult daughter, Nina, is blindsided by her mother’s mysterious death. Seeking answers, the grieving Nina navigates the troubling, opulent memories of their life together and discovers how much Estelita sacrificed to live the American dream on her own terms. Based on true events and exclusive interviews with Nina Lopez, Estelita’s daughter, Find Me in Havana weaves two unforgettable voices into one extraordinary story that explores the unbreakable bond between mother and child, and the ever-changing landscape of self-discovery.
Cuba was a playground for the wealthy in the 1950s. It was a place to bask in the sun during the day, and enjoy many fine nightclubs, restaurants, theaters, and casinos after the sun went down. Many wealthy Americans traveled to Cuba for both business and pleasure. In January of 1959, everything changed. I was a little girl in Cuba at that time. I was living a life of luxury with practically anything that my little heart desired. My family had a chauffeur and homes in the city, in the country, and at the beach. I had my own nanny. I had parents and grandparents that loved me and lived close by so that I could see them almost every day. I was truly living a fairy-tale existence. In what seemed like the blink of an eye, my world came crashing down around me. Fidel Castro took over Cuba and made devastating changes to the country - and to the lives of those who lived there. The fairy tale quickly came to an end. Many difficult decisions had to be made by my parents and by many others. The world that we knew no longer existed. We had to leave loved ones and property behind. We had to move forward to a new life in a different country, with different customs, and a different language - and there was no turning back.
Alfredo José Estrada's intimate ties to Havana form the basis for this "autobiography," written as though from the city's own heart. Covering the island's five hundred year history, Estrada portrays the adventurers and dreamers who left their mark on Havana, including José Martí, martyr for Cuban independence; and Ernest Hemingway, the most American of writers who became an unabashed Habanero. Deeply personal and affecting, Havana is the accessible and complete story of the city for the history buff and armchair traveler alike.
In power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself -- yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America's near neighbor, veteran reporter Eugene Robinson knew exactly where to look -- or rather, to listen. In this provocative work, Robinson takes us on a sweaty, pulsating, and lyrical tour of a country on the verge of revolution, using its musicians as a window into its present and future. Music is the mother's milk of Cuban culture. Cubans express their fondest hopes, their frustrations, even their political dissent, through music. Most Americans think only of salsa and the Buena Vista Social Club when they think of the music of Cuba, yet those styles are but a piece of a broad musical spectrum. Just as the West learned more about China after the Cultural Revolution by watching From Mao to Mozart, so will readers discover the real Cuba -- the living, breathing, dying, yet striving Cuba. Cuban music is both wildly exuberant and achingly melancholy. A thick stew of African and European elements, it is astoundingly rich and influential to have come from such a tiny island. From rap stars who defy the government in their lyrics to violinists and pianists who attend the world's last Soviet-style conservatory to international pop stars who could make millions abroad yet choose to stay and work for peanuts, Robinson introduces us to unforgettable characters who happily bring him into their homes and backstage discussions. Despite Castro's attempts to shut down nightclubs, obstruct artists, and subsidize only what he wants, the musicians and dancers of Cuba cannot stop, much less behave. Cubans move through their complicated lives the way they move on the dance floor, dashing and darting and spinning on a dime, seducing joy and fulfillment and next week's supply of food out of a broken system. Then at night they take to the real dance floors and invent fantastic new steps. Last Dance in Havana is heartwrenching, yet ultimately as joyous and hopeful as a rocking club late on a Saturday night.