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This book records and assembles illustrations of three large-format portfolios by Charles Rennie Mackintosh, his wife Margaret Macdonald, Mackay Hugh Baillie Scott and the Viennese Leopold Bauer, issued in 1902 after and editorial competition on the subject An Art-Lover's House.
A revolutionary reaction to traditional nineteenth-century art, the turn-of-the-century Art Nouveau movement drew much of its inspiration from nature. Applying its sinuous, curvilinear motifs to the decorative arts, graphics, architecture, sculpture, and painting, artists and craftspeople attempted to create a style suitable for a "modern" age. In this absorbing, exceptionally detailed, and well-researched book (one of the first scholarly works to revive interest in the style after World War II), a noted Norwegian authority on the subject examines the movement in depth. Stephan Madsen offers a wealth of facts and insights about the origins and development of the style; trends leading up to Art Nouveau, including the influence of Blake and the Pre-Raphaelites; early Art Nouveau posters and book illustrations; and its use in architectural ornamentation, furniture, jewelry, wrought-iron, glass, and other applied arts. A magnificent selection of 264 photographs and line drawings accompanies the text, which gives broad coverage to the movement, as well as insightful discussions of such important artists as Emile Gallé, Alphonse Mucha, Walter Crane, Charles Rennie Mackintosh, Aubrey Beardsley, Henry Van de Velde, Victor Horta, William Morris, and Eugène Grasset. Artists and students, admirers of Art Nouveau, and anyone interested in this enduring and influential style will welcome Professor Madsen's expert, fully documented study.
A showcase of the artistic output of Charles Rennie Mackintosh, Herbert MacNair, Margaret and Frances Macdonald, known simply as 'The Four'.
Letter Perfect explores the artistic facet of the style, arrangement, appearance, and recent accelerated evolution of typeset matter, primarily through the medium of posters.
Part 1, Books, Group 1, v. 24 : Nos. 1-148 (March, 1927 - March, 1928)
“The ever-alluring Arts and Crafts garden…is profoundly relevant to our 21st-century needs.” —Sam Watters, author of Gardens for a Beautiful America In Gardens of the Arts and Crafts Movement, landscape scholar Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during this iconic movement. Tankard presents a selection of houses and gardens of the era from Great Britain and North America. With almost 300 illustrations and photographs, and an emphasis on the diversity of designers who helped forge the movement, Gardens of the Arts and Crafts Movement is an essential resource for this truly distinct approach to garden design.
The house, throughout history, in every place in the world, has been built to provide shelter from the elements. The dwellings that have resulted are as different as the people that have built them, the social norms that prevailed at the time and place in which they were built and the natural environment that they adapted to. Studying them now in a comprehensive way allows us to understand the social, political, economic and religious conditions that existed for their inhabitants. They are a three-dimensional record of culture. Twenty-four pages of color images, along with black and white images through three volumes, illustrate the homes of people throughout the world. The volumes cover ancient times to the late Middle Ages, the Renaissance to the Industrial Revolution, and the Post-Industrial Revolution to the Present.