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Haunting Hands looks closely at the consequences of digital media's ubiquitous presence in our lives, in particular the representing, sharing, and remembering of loss. From Facebook tribute pages during public disasters to the lingering digital traces on a smartphone of the deceased, the digital is both extending earlier memorial practices and creating new ways in which death and loss manifest themselves. The ubiquity of digital specters is particularly evident in mobile media spanning smartphones, iPads, iPhones, or tablets. Mobile media entangle various forms of social, online and digital media in specific ways that are both intimate and public, and yet the use of mobile media in contexts of loss has been relatively overlooked. Haunting Hands seeks to address this growing and important area by helping us to understand the relationship between life, death, and our digital after-lives.
From smartphones to tablets, mobile media is increasingly playing a central role in the representation, sharing, and experience of events public and private, formal and informal. Drawing on cross-cultural fieldwork, Haunting Hands considers the role mobile media practices and rituals provide as fundamental insights into contemporary notions of life, death, and loss.
An actress stars in her own off-screen mystery in this Golden Age whodunit from the award-winning Jamaican novelist, poet, and historian. Though originally a medical student specializing in chemistry, twenty-five-year-old Margot Anstruther decides to try her luck as an actress and gets cast in her first role for the Superfilm Company. With the studio’s boorish director taking a personal interest in her, Margot finds herself caught in the middle of two men: her boss and her increasingly jealous suitor, Gene Varley. One night, alone in her midtown Manhattan apartment after a party, Margot is shocked to find a hand reaching out from under her bed. Though Gene and the police find no sign of an intruder, Margot refuses to believe in a supernatural cause. She puts her scientific mind to work delving into her apartment’s strange past—a recent tenants’ disappearance—and walking a fine line between the complicated passions of friends and rivals . . .
A dark family secret prompts a ghost to seek revenge in this spooky novel in the spirit of Mary Downing Hahn. The only life 12-year-old Emily has ever known is the cold, unloved existence of being an orphan. But everything changes when the Thorntons, a young couple from London, adopt Emily, whisking her away to a new life at their grand estate. At first, life at Blackthorn Manor is wonderful. But as Emily explores the grounds and rooms, she stumbles upon a mysterious girl named Kat, who appears to be similar in age, and the two become fast friends. That's when things take a turn for the worse. Kat seems to know a curious amount about the estate, and strange things happen whenever she's around. In one case, Emily narrowly avoids getting toppled by a bookcase in the library; in another, the fire erupts in the fireplace, nearly burning Emily's hands. It's almost as if someone -- or something -- wants Emily dead. Emily must find out what happened to the Thorntons and, more important, how Kat is connected to these strange goings-on at Blackthorn Manor before it's too late!
Set in the silent film era, in Astoria, Queens, a film director is illegally renting a supply of radium to use in his production of "Toreador of Love". A disembodied hand emerges briefly from under Margot's bed, then vanishes. Later, the hand is found under the floorboards. Whose arm was it, and why was it put under the floor?
“Avery Gordon’s stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. ” —George Lipsitz “The text is of great value to anyone working on issues pertaining to the fantastic and the uncanny.” —American Studies International “Ghostly Matters immediately establishes Avery Gordon as a leader among her generation of social and cultural theorists in all fields. The sheer beauty of her language enhances an intellectual brilliance so daunting that some readers will mark the day they first read this book. One must go back many more years than most of us can remember to find a more important book.” —Charles Lemert Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations. Avery F. Gordon is professor of sociology at the University of California, Santa Barbara. Janice Radway is professor of literature at Duke University.
This Shirley Jackson Award–winning novel is “a true surreal phantasmagoria . . . [a] gothic supernatural” horror story set in the decadent world of British rock (Chelsea Quinn Yarbro). When the young members of a British acid-folk band are compelled by their manager to record their unique music, they hole up at Wylding Hall, an ancient country house with dark secrets. There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again. Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?
Spectral visions, footsteps in the attic, thumps in the night. Who hasn't witnessed or heard such things and not thought of ghosts? Join your guide, author Jack Powell, on a wild ride from Pensacola to Jacksonville and down to Key West, touring Florida's places and history through some of its best ghost stories. Powell has woven together a creepy collection of tales. Explore the darker side of the Sunshine State. What horrible fate awalted the pirates lover in Pensacola? Care to check out the last crop Edgar Watson planted on his farm in the Everglades? When will the ghost leave baby Carlys room?
A Haunting at Land's End is paranormal romance for the lover of a haunted-house story. It begins before the Civil War in Charleston, South Carolina, and moves up through today. Most ghost stories dodge the reason for the haunting, however this book tells the story from the perspective of everyone involved, even the ghost Anna talks. Allen and Susan are in love but can't marry and begin a life together at the restored Land's End until the ghost that's haunting the house has been crossed over to the next world. Anna, the ghost, refuses to leave and thinks look alike Allen is her husband Jeffery from the past. In her mind, she is still living in the time when she died and that makes her think Susan is a whore from a Civil-War-era saloon in Charleston. The ghost has to stop Susan because she thinks she's out to steal her Jeffery away from her.