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"An exceptional collection of ghost and haunting encounters—made even better because of Michelle Belanger's firsthand experience with them, on top of her extensive knowledge of the phenomena."—Loyd Auerbach, MS, parapsychologist and director of the Office of Paranormal Investigations Michelle Belanger's chilling collection of true ghost stories will take you further than you've ever gone before into the realm of spirits, astral entities, and dark forces. Along the way, you'll encounter haunted violins, dark fey, hell hounds, haunted cremains, and even an astral vampire summoned by an aspiring magician who becomes its unwitting target. Whether she's being accosted by an angry spirit who recently committed suicide or being driven out of haunted woods in a very Hitchcock-esque manner, Belanger's hard-won expertise and insightful commentary add both depth and context to her truly frightening—and sometimes dangerous—haunted experiences.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
The 2008 economic collapse in Iceland sent its residents into a destabilising crisis with far-reaching, temporal and affective consequences. Haunting Futures explores how the complex relationships of this unstable past and the anticipatory modes of the ongoing present keep Icelanders and the Polish migrant community in their midst alert to looming futures in crisis. It offers insights into timely crisis-ridden impacts and imaginings, migration processes and social understandings and practices. Through its attention to how people engage with crisis temporally and affectively, the book presents the crisis not simply as an isolated and distressing event but as a spectre embodied in time through ongoing anticipation.
Haunting Hands looks closely at the consequences of digital media's ubiquitous presence in our lives, in particular the representing, sharing, and remembering of loss. From Facebook tribute pages during public disasters to the lingering digital traces on a smartphone of the deceased, the digital is both extending earlier memorial practices and creating new ways in which death and loss manifest themselves. The ubiquity of digital specters is particularly evident in mobile media spanning smartphones, iPads, iPhones, or tablets. Mobile media entangle various forms of social, online and digital media in specific ways that are both intimate and public, and yet the use of mobile media in contexts of loss has been relatively overlooked. Haunting Hands seeks to address this growing and important area by helping us to understand the relationship between life, death, and our digital after-lives.
Is San Diego’s renowned Tenth Avenue Theater home to an unlikely cast of ghosts — and if so, what has kept the spirits of the dead bound to this venue of entertainment and illusion? From reports of a child’s tragic death on the premises to a suicide stemming from overwhelming guilt, there is grief, turmoil, and unfinished business lingering within these walls. Alex Matsuo, an actress by day and a ghost hunter by night, was granted unlimited access to the haunted property where she has performed as an actor and staged professional readings of her plays. Investigating the popular and thriving theater she has always considered home, Alex must unravel the turbulent history of the building in order to find out why the ghosts of the Tenth never want to leave.
The history of paranormal phenomena in the presidential residence is revealed for the first time in a fascinating exploration of the country's most famous portal to the unknown.
The Amityville Horror: Haunting Or Hoax? explores the controversial case of the Amityville haunting, focusing on the experiences of the Lutz family who moved into a seemingly haunted house. The book delves into the strange occurrences they encountered, including supernatural phenomena, terrifying nightmares, and what they believe to be poltergeist activity and demonic possession. Chapter by chapter, the book examines various aspects of the case, investigating the house, consulting psychics and paranormal experts, and exploring alternative explanations for the occurrences. It also highlights the media frenzy surrounding the case, the impact on popular culture, and the ongoing debates about the reality of the haunting. Additionally, the book delves into the Amityville curse, unexplained phenomena, psychic connections, and the influence of the occult. With witness testimonies, crime scene photos, EVP recordings and more, the book aims to uncover the truth behind the Amityville horror and its lasting effects on the Lutz family and their legacy.
In this companion volume to The Haunting of America and The Haunting of Twentieth-Century America, national bestselling authors William J. Birnes and Joel Martin explore today's intellectual and spiritual awakening—one that is challenging traditional belief systems. Birnes and Martin show that, though many governments deny the importance of a spiritual component to national policy, even the most conservative governments have based social and financial policy decisions on a profound belief in the existence of the paranormal, ghosts, and spirits. From using psychic spying programs to gather intelligence on enemy nations to investigating the use of mind control to impede the abilities of hostile troops, the U.S. government has continuously developed paranormal weapons and tactics alongside their more mundane counterparts. U.S. Presidents from Franklin Pierce through Ronald Reagan regularly relied on the paranormal, using trance mediums, channelers, and astrologists to help plan agendas and travel schedules. The Haunting of Twenty-First-Century America is unlike any American history you will ever read—it posits that not only is the paranormal more normal than most people think, but that it is driving current events to a new "Fourth Culture" of the twenty-first century. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An innovative collection of essays examining the sometimes paradoxical alignment of Realism and Naturalism with the Gothic in American literature to highlight their shared qualities Following the golden age of British Gothic in the late eighteenth century, the American Gothic’s pinnacle is often recognized as having taken place during the decades of American Romanticism. However, Haunting Realities explores the period of American Realism—the end of the nineteenth century—to discover evidence of fertile ground for another age of Gothic proliferation. At first glance, “Naturalist Gothic” seems to be a contradiction in terms. While the Gothic is known for its sensational effects, with its emphasis on horror and the supernatural, the doctrines of late nineteenth-century Naturalism attempted to move away from the aesthetics of sentimentality and stressed sobering, mechanistic views of reality steeped in scientific thought and the determinism of market values and biology. Nonetheless, what binds Gothicism and Naturalism together is a vision of shared pessimism and the perception of a fearful, lingering presence that ominously haunts an impending modernity. Indeed, it seems that in many Naturalist works reality is so horrific that it can only be depicted through Gothic tropes that prefigure the alienation and despair of modernism. In recent years, research on the Gothic has flourished, yet there has been no extensive study of the links between the Gothic and Naturalism, particularly those which stem from the early American Realist tradition. Haunting Realities is a timely volume that addresses this gap and is an important addition to scholarly work on both the Gothic and Naturalism in the American literary tradition.