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In almost every town in America there are places where strange things happen. The perfect companion to The International Directory of Haunted Places, this revised and updated edition of Haunted Places is both a fascinating and unusual travel guide as well as an indispensable casebook for those interested in the paranormal. From buildings and parks believed to have resident ghosts and poltergeists to areas where Bigfoot or UFO sightings are most frequently reported, Haunted Places will lead you to more than 2,000 sites of paranormal activity across the United States. Organized alphabetically by state, each entry is referenced to an extensive bibliography of sources-with descriptions, addresses, phone numbers, Web sites, and travel directions provided for all locations.
Every state has its own spine-tingling stories of ghosts and mysterious hauntings grounded in its regional history. The Haunted States of America series uses real-life ghost lore as jumping off points to new, chilling tales. An author's note provides historical origins and fascinating facts, but beware: sometimes real life is stranger than fiction.
Prior studies of post-war American Gothic literature (and even American horror films) have primarily interpreted Gothic cultural production of the post-war period through a Cold War lens. Despite legitimate reasons for such an approach, this emphasis has limited inquiries into post-war fiction as well as our understanding of the nation’s complicated identity. While the federal government and its investigative agencies may have been preoccupied with the so-called ‘red menace’ that threatened to spread across the planet, each region of the country already possessed major strains of Gothic fiction that focused on regional anxieties – namely of those connected to women and minorities that threatened the region’s constructed identity and balance of power. The Haunted States of America shifts the focus to these Gothic strains by examining how the anxieties, fears and concerns illustrated in the works of several post-World War II writers can be best understood through regional history and identity.
An intellectual feast for fans of offbeat history, Ghostland takes readers on a road trip through some of the country's most infamously haunted places--and deep into the dark side of our history.
50 States 500 Scary Places to Visit takes readers on a spooky tour through the scariest haunts in every state. Organized by state, discover America's famous haunted mansions, hotels, parks, cemeteries, lighthouses, and theaters. Includes creepy locations like the House of the Seven Gables, the LaLaurie Mansion, the Winchester Mystery House, the Bell Witch Cave, and many more. Features full-color photos of the country's scariest places. Hardcover, 144 pages
“When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing—and reappearing—objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.
A fusion of travel literature and cultural criticism investigating the dark history of the US and exploring how past horrors – from witch trials to slavery and genocide – continue to haunt the national consciousness. Haunted States is a unique guidebook that explores the dark, often horrifying, history of the US. Based on the author’s journey across the United States in summer 2022, it explores locations connected to Gothic fiction and film, tracking the relationship between the American landscapes and the various forms of fictional horror the nation has produced over the centuries. Part cultural history and part travelogue, Haunted States traces how the American Gothic draws inspiration from the natural and built environments, with the astounding geographical variation of the landscape influencing the distinctive forms of horror produced across its many diverse regions. The book also investigates how the horrors of the American Gothic have their roots in the nation’s dark history of colonialism, slavery, violence and oppression – past sins that continue to haunt the national consciousness to this day. Taking horror (in literature, film and the visual arts) as its starting point, Haunted States investigates the landscapes, places and cultures that produced it. Incorporating first-person travel narrative, historical context and supplementary interviews, Haunted States journeys across the USA to learn about its eclectic, regional forms of horror.
Fifty two different stories. Fifty two different Authors. Endless fright for all ages. Every state has an urban legend that evokes fear and curiosity in equal parts, and we've chronicled all of these logic-defying horrors here in the Haunted States of America anthology. From the Jersey Devil to La Llorona, each story included introduces a new chill inducing, stomach churning monster, spectre, or poltergeist certain to keep you up at night. A broad ranging collection of authors, including seasoned veterans and some first timers making a fright-tastic debut, have all united to unearth the scariest lore from each state in the US, as well as D.C. and Puerto Rico. Make sure to strap in for this spooky cross country tour, but be extra careful not to let any of these terrors follow you home. Featuring stories from Ellen Hopkins, Rae Rose, Daniel Barlekamp, Aixa Perez- Prado, Paul Lubaczewski, Jan Eldredge, and many more.
Since the release of The Exorcist in 1973, there has been a surge of movies depicting young women becoming possessed by a demonic force that only male religious figures can exorcise, thereby saving the women from eventual damnation. This book considers this history of exorcism cinema by analyzing how the traditional exorcism narrative, established in The Exorcist, recurs across the exorcism subgenre to represent the effects of demonic possession and ritual exorcism. This traditional exorcism narrative often functions as the central plot of the exorcism film, with only the rare film deviating from this structure. The analysis presented in this book considers how exorcism films reflect, reinforce or challenge this traditional exorcism narrative. Using various cultural and critical theories, this book examines how representations of possession and exorcism reflect, reinforce or challenge prevailing social, cultural, and historical views of women, minorities, and homosexuals. In particular, exorcism films appear to explore tensions or fears regarding empowered and sexually active women, and frequently reinforce the belief that such individuals need to be subjugated and disempowered so that they no longer pose a threat to those around them. Even more recent films, produced after the emergence of third wave feminism, typically reflect this concern about women. Very rarely do exorcism films present empowered women and feminine sexuality as non-threatening. In examining this subgenre of horror films, this book looks at films that have not received much critical scrutiny regarding the messages they contain and how they relate to and comment upon the historical periods in which they were produced and initially received. Given the results of this analysis, this book concludes on the necessity to examine how possession and exorcism are portrayed in popular culture.