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A tour of the spookiest spots in this Pennsylvania city, filled with local history and legends . . . Includes photos! At the heart of the Lackawanna Valley, Scranton is haunted by those who once walked its streets and worked its mines and rail lines. From the woman in white who lingers in Courthouse Square to the passenger of trolley car #46 who never reached her destination, the specters of Scranton make their presence known. Supernatural investigator A.C. Bernardi chronicles chilling tales of the city’s landmarks, from the mysterious happenings on the sixth floor of the Lackawanna Station Hotel to stories of the angry spirits of victims of the Spanish influenza epidemic who lurk in the basement of the Banshee Pub. Join him as he traverses the dark side of Scranton, Pennsylvania.
At the heart of the Lackawanna Valley, Scranton is haunted by those who once walked its streets and worked its mines and rail lines. From the woman in white who lingers in Courthouse Square to the passenger of trolley car #46 who never reached her destination, the specters of Scranton make their presence known. Supernatural investigator A.C. Bernardi chronicles chilling tales of the city's landmarks, from the mysterious happenings on the sixth floor of the Lackawanna Station Hotel to stories of the angry spirits of victims of the Spanish influenza epidemic who lurk in the basement of the Banshee Pub. Join Bernardi as he traverses the dark side of Scranton, Pennsylvania.
"One of the best and most disturbing war novels in years." —The Wall Street Journal “War porn,” n. Videos, images, and narratives featuring graphic violence, often brought back from combat zones, viewed voyeuristically or for emotional gratification. Such media are often presented and circulated without context, though they may be used as evidence of war crimes. War porn is also, in Roy Scranton’s searing debut novel, a metaphor for the experience of war in the age of the War on Terror, the fracturing and fragmentation of perspective, time, and self that afflicts soldiers and civilians alike, the global networks and face-to-face moments that suture our fragmented lives together. In War Porn three lives fit inside one another like nesting dolls: a restless young woman at an end-of-summer barbecue in Utah; an American soldier in occupied Baghdad; and Qasim al-Zabadi, an Iraqi math professor, who faces the US invasion of his country with fear, denial, and perseverance. As War Porn cuts from America to Iraq and back again, as home and hell merge, we come to see America through the eyes of the occupied, even as we see Qasim become a prisoner of the occupation. Through the looking glass of War Porn, Scranton reveals the fragile humanity that connects Americans and Iraqis, torturers and the tortured, victors and their victims.
A MORRIS AND CHASTAIN INVESTIGATION Supernatural investigator Quincey Morris and his partner, “white witch” Libby Chastain, are each in pursuit of a vicious killer. One is murdering small children for their bodily organs; the other is hunting down white witches – and Libby may be next. Along a trail that leads from Iraq to Turkey, to the US, all clues point to crazed billionaire Walter Grobius, a man obsessed with harnessing the ultimate evil. Morris and Chastain, teamed with the deadly Hannah Widmark, must fight desperately to stop a midnight rendezvous between forces so powerful that the fate of the world may be at stake. And the clock is ticking...
Two thrilling new occult investigations, featuring the urban fantasy sleuths Quincy Morris, great-grandson of Dracula’s killer, and the white witch Libby Chastain. PLAY WITH FIREHouses of worship – churches, synagogues and mosques alike – are burning across the U.S., usually while still full of people. The fires are initially dismissed as random acts of violence, until Morris and Chastain uncover the deadly meaning behind the destruction, and the terrifying cause the arsonists seek to serve. MIDNIGHT AT THE OASISSeeking revenge for the U.S.’s actions in the Middle East, a terrorist cell has conjured an afreet, a deadly djinn that will strike at the very heart of America – unless Morris and Chastain can stop it first.
Our 59th issue puts us firmly into one of the happiest seasons of the year, Halloween! So fun and frights abound, with extra spooky content—starting with “Ghost Writers in the Sky,” an original tale by Steve Liskow, courtesy of Acquiring Editor Michael Bracken. (It does double-duty as mystery and fantasy, as does Acquiring Editor Barb Goffman’s pick, “Deal Breaker,” by Justin Gustainis.) Alas, we have no selection from Cynthia Ward this time, but hopefully she will be back in short order. I picked up one of my favorite dark fantasies by another Acquiring Editor to fill the hole: “Peeling It Off,” by Darrell Schweitzer. Plus an uncanny tale by A.R. Morlan that would have been at home in Weird Tales, then a Victorian-era occult novel by Marie Corelli round things out. For fans of traditional mysteries, we have a pair of great private detective novels: About Face, by Frank Kane, and a vintage Nick Carter novel from 1903. On the science fiction side, we have contributions by Murray Leinster and a novel by George O. Smith. Overall, this is one of our most eclectic issues, but there is bound to be more than a few tales to suit everyone’s taste. Here’s the complete lineup: Mysteries / Suspense / Adventure: “Ghost Writers in the Sky,” by Steve Liskow [Michael Bracken Presents short story] “Point, Set, Match,” Hal Charles [Solve-It-Yourself Mystery] “Deal Breaker,” by Justin Gustainis [Barb Goffman Presents short story] Toying with Fate, by Nicholas Carter About Face, by Frank Kane [novel] Science Fiction & Fantasy: “Ghost Writers in the Sky,” by Steve Liskow [Michael Bracken Presents short story] “Deal Breaker,” by Justin Gustainis [Barb Goffman Presents short story] “Peeling It Off,” by Darrell Schweitzer [novelet] “The Cat Tracker Lady of Asad Alley,” by A.R. Morlan [short story] “The Nameless Something,” by Murray Leinster [novelet] The Hellflower, by George O. Smith [novel] The Sorrows of Satan, by Marie Corelli [novel]
A thrilling new occult investigation from Justin Gustainis, creator of the urban fantasy sleuths Quincy Morris, great-grandson of Dracula?s killer, and his partner, white witch Libby Chastain. Houses of worship are burning all across the U.S., churches, synagogues and mosques alike. Usually while the places are full of people. The fires are initially dismissed as unconnected, random acts of violence, until Morris ? freshly released from jail after their last case ? and Chastain track down the terrible meaning behind the destruction, and the dark cause the arsonists seek to serve. A race against time ensues, to stop a ritual that will cause the deaths of hundreds... and bring about the end of the world.
A thrilling new occult investigation from Justin Gustainis, creator of the urban fantasy sleuths Quincy Morris, great-grandson of Dracula?s killer, and his partner, white witch Libby Chastain. Seeking revenge for the U.S.?s actions in the Middle East, a terrorist cell has conjured an afreet, a deadly djinn that will strike at the very heart of America ? unless Morris and Chastain can stop it first.
Hauntings lurk and spirits linger in the heart of America Reader, beware! Turn these pages and enter the world of the paranormal, where ghosts and ghouls alike creep just out of sight. Author James A. Willis shines a light in the dark corners of Ohio and scares those spirits out of hiding in this thrilling collection. From ghostly soldiers that still haunt Fort Meigs to the eerie Franklin Castle, there’s no shortage of bone-chilling tales to keep you up at night. There’s even a carved tombstone of an infant at Cedar Hill cemetery, whose ghostly eyes keep watch over those wander too close. Around the campfire or tucked away on a dark and stormy night, this big book of ghost stories is a hauntingly good read.
This book provides the historical framework for the shift in Native American literary studies away from cultural analyses toward more politically inflected and motivated perspectives, and examines the key moments in this turn.