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Haunted English explores the role of language in colonization and decolonization by examining how Anglo-Celtic modernists W. B. Yeats, Hugh MacDiarmid, and Marianne Moore “de-Anglicize” their literary vernaculars. Laura O'Connor demonstrates how the poets’ struggles with and through the colonial tongue are discernible in their signature styles, using aspects of those styles to theorize the dynamics of linguistic imperialism—as both a distinct process and an integral part of cultural imperialism. O'Connor argues that the advance of the English Pale and the accompanying translation of the receding Gaelic culture into a romanticized Celtic Fringe represents multilingual British culture as if it were exclusively English-speaking and yet registers, on a subliminal level, some of the cultural losses entailed by English-only Anglicization. Taking the fin-de-siècle movements of the Gaelic revival and the Irish Literary Renaissance as her point of departure, O'Connor examines the effort to undo cultural cringe through language and literary activism.
Haunted Selves, Haunting Places in English Literature and Culture offers a series of readings of poetry, the novel and other forms of art and cultural expression, to explore the relationship between subject and landscape, self and place. Utilizing an interdisciplinary approach grounded in close reading, the text places Jacques Derrida’s work on spectrality in dialogue with particular aspects of phenomenology. The volume explores writing and culture from the 1880s to the present day, proceeding through four sections examining related questions of identity, memory, the landscape, and our modern relationship to the past. Julian Wolfreys presents a theoretically informed understanding of the efficacy of literature and culture in connecting us to the past in an affective and engaged manner.
Journey Across England's Haunted Lands Where Epic Legends, Medieval Castles and Ghoulish Ghosts Come Alive The sprawling, mysterious castles of England are incredible sights to behold, but even more captivating are the restless spirits that dwell within them. This book invites you to explore nearly 100 English castles and meet the paranormal entities that roam their grounds, from the tallest towers to the deepest tunnels. Discover fascinating stories, photos, and eyewitness accounts of hauntings across England, from the Tower of London to Oxford Castle to Castle Keep. Experience gruesome prisoners rattling their chains, ghostly maidens in shimmering gowns, and gallant knights charging on their spectral steeds. Organized by region, Haunted Castles of England provides the history of each structure, reported hauntings, and much more.
This book explores the literary and cultural history behind certain Christmas and Halloween traditions, and examines the way that they have moved into broadcasting. It demonstrates how these horror traditions have become more domestic and personal, and how they provide a necessary seasonal pause for reflection on our fears.
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
In Haunted Heritage, author Michele Hanks draws on long-term ethnographic fieldwork to delve into the anthropological, sociological, political, historical, and cultural factors that drive the burgeoning business of ghost or paranormal tourism.
Postcolonialism has attracted a large amount of interest in cultural theory, but the adjacent area of multiculturalism has not been scrutinised to quite the same extent. In this innovative new book, Sneja Gunew sets out to interrogate the ways in which the transnational discourse of multiculturalism may be related to the politics of race and indigeneity, grounding her discussion in a variety of national settings and a variety of literary, autobiographical and theoretical texts. Using examples from marginal sites - the "settler societies" of Australia and Canada - to cast light on the globally dominant discourses of the US and the UK, Gunew analyses the political ambiguities and the pitfalls involved in a discourse of multiculturalism haunted by the opposing spectres of anarchy and assimilation.