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Black Country Ghosts and Hauntings is a ghostly gazetteer guide to over 150 spooky locations from in and around this area of the West Midlands. The Black Country has never been a clearly defined area and so whilst most of these haunted locations are most definitely 'Black Country' also included are some ghostly tales from a little further afield such as the haunted Drakelow Tunnels in Wolverley and some stories from the east of Shropshire where the county borders with the Wolverhampton area. Within these pages you will find haunted houses, castles, pubs, hotels and a host of other locations carefully researched and mapped by the author over many years. Where known, buildings which no longer exist at the time of publication are noted in the text. Similarly, photographs taken at the time the stories were collected may not necessarily reflect buildings and locations as they appear now. This is particularly true of public houses. Do take care if you are planning to visit any of these haunted locations in person and please be respectful of both people and places. Very few are private homes but those that are would probably not welcome unwanted intrusion. The vast majority can be visited if you have the nerve but bear in mind some may charge an admission fee if the hauntings are based on a castle or museum site for example. Haunted hostelries of course may be visited during opening hours for nothing more than just the price of a drink.
Local author Anthony Poulton-Smith takes the reader on a fascinating A—Z tour of the haunted places of the Black Country. Contained within the pages of this book are strange tales of spectral sightings, active poltergeists and restless spirits appearing in streets, inns, churches, estates, public buildings and private homes across the area. They include the ghost of a murdered woman in Dudley's Station Hotel cellar, the tragic lovers of Cradley Heath's Haden Estate, Walsall's notorious Hand of Glory and Coseley's enormous black dog forecasting death. This new collection of stories, a product of both historical accounts and numerous interviews conducted with local witnesses, is sure to appeal to all those intrigued by the Black Country's haunted heritage.
Beer and Spirits offers a fascinating insight into the stories behind some of Central England's most haunted pubs. With over 50,000 public houses in the United Kingdom, the local pub has become an essential part of British culture. Samuel Pepys described the inn as the heart of England. Pubs have been an integral part of British culture since Roman times. The lives and dramas, intrigues and mysteries of the people who visited them form the rich tapestry of any local pub. As a result there are often many stories and histories that are inherently part of the place, and naturally ghost stories and haunted reputations form a dynamic feature of many local pubs. From spectral monks and phantom coaches, to ghostly highwaymen and supernatural hounds, the authors examine some well known and not so well known aspects of Black Country pub history and folklore. While the stories and accounts in this book are not meant to offer any proof or conclusive evidence of ghosts, they do offer a fresh look at new and more traditional accounts of haunted pubs in the Black Country and the surrounding area.
Dan Chiponda earns a scholarship to study in China and reluctantly leaves his native Zimbabwe for an uncertain future. Learning to take racial abuse in his stride, he dates a fellow student, Lai Ying, who is attracted to his easy-going manner. He remains haunted by the weight of his mother’s expectations, encapsulated by the image of the African fish eagle. Things take a dramatic turn when Chinese students pour into the streets in an orgy of violence to drive Africans out of town. The situation in Nanjing only stabilises when attention turns to the mayhem that is unraveling in Tiananmen Square, Beijing. But that is only the beginning of Dan’s troubles with the ‘Campus Gestapo’, loan sharks in Hong Kong, and the shock of his family getting caught up in the violence by Mugabe’s war vets. Black Ghosts was inspired by stories of Africans living in China in the 1980s and, in particular, by the little known incident in Nanjing, where African and Chinese students engaged each other in a violent battle just months before the Tiananmen Square massacre.
Anthony Poulton-Smith takes the reader on a fascinating A–Z tour of the haunted hotspots of Worcestershire. Contained within the pages of this book are strange tales of spectral sightings, active poltergeists, and restless spirits appearing in streets, inns, churches, estates, public buildings, and private homes across the area. They include tales from Worcester, Bewdley, Droitwich, Bromsgrove, Tenbury Wells, and Stourport-on-Severn. This new collection of stories, a product of both historical accounts and numerous interviews conducted with local witnesses, is sure to appeal to all those intrigued by Worcestershire’s haunted heritage.
From heart-stopping accounts of apparitions, manifestations and related supernatural phenomena to first-hand encounters with ghouls and spirits, this collection of stories contains both new and well-known spooky stories from around Staffordshire. Compiled by the Wolverhampton Express & Star's own psychic agony uncle, Philip Solomon, this terrifying assortment of tales includes details of long-reported poltergeist activity at Sinai House, strange goings-on at the Gladstone Pottery Museum and even a reported visitation from author J.R.R. Tolkien in Leek! Haunted Staffordshire is sure to fascinate everyone with an interest in the area's haunted history.
Alice Randall, award-winning professor, songwriter, and author with a “lively, engaging, and often wise” (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family of Black country music. Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite a number one country hit, Trisha Yearwood’s “XXX’s and OOO’s”. Randall found inspiration and comfort in the sounds and history of the first family of Black country music: DeFord Bailey, Lil Hardin, Ray Charles, Charley Pride, and Herb Jeffries who, together, made up a community of Black Americans rising through hard times to create simple beauty, true joy, and sometimes profound eccentricity. What emerges in My Black Country is a celebration of the most American of music genres and the radical joy in realizing the power of Black influence on American culture. As country music goes through a fresh renaissance today, with a new wave of Black artists enjoying success, My Black Country is the perfect gift for longtime country fans and a vibrant introduction to a new generation of listeners who previously were not invited to give the genre a chance.
A spine-chilling, spooky tour of Shropshire’s haunted hostelries frequented by guests from this world as well as the next.
A Home Away from Home examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics. At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928. Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.