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Over 200 new color photos of existing hats and bonnets, beginning in the eighteenth century and progressing through the golden age of millinery to the 1970s, are featured in this new edition.
Representing a journey through the styles of the period, the ladies' hats, bonnets and caps featured here survived a period of radical change, such as the French Revolution, the Industrial Revolution and the emancipation of women. They not only serve as a fashion statement, but as a gauge of society at that time.
A delightful tale about magic hats and bonnets, but above all about the importance about being yourself and the hidden treasures we carry within us. Guided Reading Level: O, Lexile Level: 950L
The hat is one of our most beloved pieces of clothing, appearing in virtually every society. Through the centuries, hats have represented the most important structures of culture: governance (the crown), religion (the turban), tradition (the bonnet), and much more. Yet hats have also always allowed for the very personal expression of style and feeling. In this exquisitely illustrated celebration of the hat, Drake Stutesman uncovers the influence on our lives of this versatile headgear. Beginning in the Ice Age, the story of the hat is traced through its links with the origins of abstract thinking, through the complex evolution of the professions of millinery and hatting starting in the Middle Ages, through the rise of the superstar milliner in the twentieth century, and, finally, through the work of the ingenious hat makers of today who continue to dazzle us with their creations. For all those interested in the history of fashion and the history of culture--and couture--Hat offers new perspectives on this stylish, practical, and important accessory.
Master Iconic 18th Century Hair and Makeup Techniques Ever wondered how Marie Antoinette achieved her sky-high hairstyle or how women in the 1700s created their voluminous frizz hairdos? The American Duchess Guide to 18th Century Beauty answers all your Georgian beauty questions—and teaches you all you need to know to recreate the styles yourself. Learn how to whip up your own pomatum and hair powder and correctly use them to take your ’dos to the next level. From there, dive into the world of buckles, hair cushions and papillote papers with historically accurate hairstyles straight from the 1700s. And top all your hair masterpieces with millinery from the time period, from a French night cap to a silk bonnet to a simple, elegant chiffonet. With Lauren and Abby’s step-by-step instructions and insightful commentary, this must-have guide is sure to find a permanent place on the shelves of all 18th century beauty enthusiasts.
Genealogist and photo identification/preservation expert Maureen Taylor reveals information you can learn from family photographs about a person's fashion sense and character. Taylor writes for those interested in using "this handy guide to study the tresses and trims in your ancestral portraits and learn when different hairstyles and facial hair were in vogue." Her analysis of sample photographs from each decade illustrates how people can use "clues of clothing and hairstyles ... [to] discover when those pictures were taken, how old the subjects were at the time, and how wealthy they were." Includes "fast facts" and "fun facts" about hairstyles through the 19th century.
Contains 29 doll hat patterns for complementing your antique doll's outfit. Patterns, many by Sandy Williams, are accompanied with helpful instructions, suggestions and millinery hints. 85 b/w photos.
Jazz cats in fedoras, feisty cats in Viking horns, gourmand cats in chef’s hats, Burmese cats in bonnets, and the always popular Siamese in a sombrero—no one rocks a hat quite like a cat. Featuring more than forty two-page spreads consisting of color photos alongside hilarious captions and informative text, Cats in Hats is a fun, joyful compendium of some exquisite combinations of felines and head wear. They say cats have nine lives, but no one’s ever told us how many hats they have...
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal