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Excerpt from Hathaway's Dahlias, 1921 A. R. Perry. Old rose, tipped with gold. Large exhibition flowers with long, narrow incurved petals. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Hathaway's Dahlias and Gladioli, 1929 Barbara redfern. (dec) One of California's best introductions. Color is a combination of old rose and old gold. Flower is of large size, and borne on. A heavy stiff stem. Blossoms early and blooms continuously. Tubers, Plants. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Dahlias, 1928 As for my own Dahlias - and they are the ones I am principally concerned in selling, you know - after going about to the big Fall shows in the East, where I go both to judge and to make newer selections, I return home with the feeling of satisfaction that I grow Dahlias as well as most of those I have seen on exhibition. From my customers scattered throughout the land, I get most enthusiastic reports of their successes, not only in the gardens but also at their competitive Shows. And now I must tell you a joke which does not bring discredit upon my Dahlias. The present President of the Dahlia Society of California gave a Dahlia talk at our State University, last Sum mer. He used a lot of my blooms to illustrate his talk. In a burst of confi dence he said to me: To tell you frankly, Doctor, I saw no better Dahlias than yours out at our Dahlia Show in California, this year. Then, that naive spirit so noticeable amongst the people of Virginia, Massachusetts, New York, New Jersey, Texas, and California flamed forth with this: But, this year (1927) was not a very good season in California! (all right, Curtis old dear, we are even!) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.
This volume profiles all the people who have served as Wisconsin Supreme Court justices and includes an introduction by Chief Justice Shirley Abrahamson summarizing the court's history and its vision for the future.