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Saddle up for adventure with the horse-and-rider sets by Hartland Plastics, the small midwestern company that set a standard of excellence for mass produced, plastic figurines. Whether you like horses; collect toys, model horses, TV mementos or Western memorabilia; or just want to recall the days when heroes were good guys on horseback, this book will make you smile. Hartland Plastics manufactured about six dozen riders and 10 standing gunfighters, over 100 horses for the riders, and countless miniature accessories--and the fun they had shows. The quality sculpture by Roger Williams and Alvar Backstrand and fine attention to painted details give Hartland models a place in the history of American toys and the hearts of kids and collectors. Hartland expert Gail Fitch has assembled a guide loaded with color photography and valuable information for the collector, including current prices, data tables, and advice on care and repair of your models.
With artistic sculpture and imaginative colors, lovely horses by Hartland have thrilled kids and collectors since the 1940s. They have held a special place in the world of make-believe horses. While hardships halted Hartland horse production in the 1990s, in 2000, these much sought after figures returned in style, with gleaming coats and expressive eyes. This new book picks up the trail with 358 bright illustrations of Hartland's revived production run. New-century American Saddlebreds, Appaloosas, Arabians, Mustangs, Paints, Polo Ponies, Quarter Horses, Tennessee Walkers, riders, saddles, and more are covered, with detailed descriptions, values, and plastic-horse hobby lore. Also included are gift-run models in sizes ranging from Tinymites to 11", test models, and other unusual examples. If you have a passion for model horses, you will love this book
From a renowned horsewoman and gifted storyteller comes this groundbreaking new book that explores a powerful relationship like no other: the magical kinship between women and horses. Drawing from myth and literature, the author’s own experiences, and interviews with countless women, we learn, through women’s deeply personal stories, how horses enrich our lives and connect us to nature–making us readers of rhythm and invisible signs, helping us harness our youthful sexuality, sharing the “horsepower” we need to reach our dreams. And here we see how, for thousands of years, the deep kinship between women and horses has connected us to our most intimate feelings of delight, helped us learn to solve problems, and set our creativity free. From the poetry of Geoffrey Chaucer to the fiction of Jane Austen to folktales from around the world, She Flies Without Wings uses great literature and myth to encompass a wide spectrum of beliefs and perspectives–and creates a true celebration of speed, air, and the spectacular animal that connects us with both. Filled with the moving lessons–-about sensuality, commitment, power, nurturance, and spirituality–women riders have known for centuries, written with a loving hand by an expert equestrian, She Flies Without Wings is an eloquent paean to a pairing that enlivened history, inspired literature, and continues to enchant us all.
The thousand years explored in this book witnessed developments in the history of Ireland that resonate to this day. Interspersing narrative with detailed analysis of key themes, the first volume in The Cambridge History of Ireland presents the latest thinking on key aspects of the medieval Irish experience. The contributors are leading experts in their fields, and present their original interpretations in a fresh and accessible manner. New perspectives are offered on the politics, artistic culture, religious beliefs and practices, social organisation and economic activity that prevailed on the island in these centuries. At each turn the question is asked: to what extent were these developments unique to Ireland? The openness of Ireland to outside influences, and its capacity to influence the world beyond its shores, are recurring themes. Underpinning the book is a comparative, outward-looking approach that sees Ireland as an integral but exceptional component of medieval Christian Europe.