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Money making is an art but unfortunately not everyone is able to master this art. There are some people who can make money out of every possible opportunity. Let's take a look at one short story about an individual named Harry. This person is a real opportunist; he can make money out of any and every situation!
17 October 1898. An impossibly daring jewellery heist aboard a train at Paris's Gare du Nord station captures the attention of the world. Who would have dared to pull off such a feat? Award-winning writer Duncan Hamilton reveals the true story of Harry the Valet, the notorious crook who was the scourge of Victorian London. Harry conned and stole his way into high society, living a life of excess in London's best hotels and hang-outs. Dressed in bespoke suits and handmade shoes, Harry outwitted Scotland Yard with his trademark guile and panache. With dozens of pseudonyms, no fixed address and a knowledge of his city that allowed him to hide in its shadows, Harry seemed almost invisible. Until, blinded by love, he carried out the robbery that would prove his downfall.
A sympathetic, nuanced exploration of the fiction and turbulent life of this best-selling author A best-selling novelist in the 1930s, Irène Némirovsky (1903-1942) was rediscovered in 2004, when her Suite Française, set during the fall of France and the first year of German occupation, became a popular and critical success both in France and in the United States. Surviving in manuscript for sixty years after the author's deportation to Auschwitz, the work drew respectful attention as the voice of an early Holocaust victim. However, as remaining portions of Némirovsky's oeuvre returned to print, many twenty-first-century readers were appalled. Works such as David Golder and The Ball were condemned as crudely anti-Semitic, and when biographical details such as her 1938 conversion to Catholicism became known, hostility toward this "self-hating" Jew deepened. Countering such criticisms, Understanding Irène Némirovsky offers a sympathetic, nuanced reading of Némirovsky's fiction. Margaret Scanlan begins with an overview of the writer's life—her upper-class Russian childhood, her family's immigration to France, her troubled relationship with her neglectful mother—and then traces how such experiences informed her novels and stories, including works set in revolutionary Russia, among the nouveau riche on the Riviera, and in struggling French families and failing businesses during the Depression. Scanlan examines the Suite Française and other works that address the rise of fascism and anti-Semitism. Viewing Némirovsky as a major talent with a distinctive style and voice, Scanlan argues for Némirovsky's keen awareness of the unsettled times in which she lived and examines the ways in which even her novels of manners analyze larger social issues. Scanlan shows how Némirovsky identified with France as the center of culture and Enlightenment values, a nation where a thoughtful artist could choose her own identity. The Russian Revolution had convinced Némirovsky that violent liberations led to further violence and repression, that interior freedom required political stability. In 1940, when French democracy had collapsed and many seemed reconciled to the Vichy state, Némirovsky's idea of private freedom faltered—a recognition that her last work, Suite Française, for all its seeming reticence, makes poignantly clear.
Most of us think we know ourselves, and some of us actually do. Clive Mason was neither—he didn’t care. Our protagonist, for he could hardly be called a hero, was one of the fortunate people; he loved what he did, did it well, and was successful. For him, it wasn’t the money—though that helped—but the buzz he felt when he’d completed what he’d set out to do. Many experience a “Road to Damascus” moment in their lives, and Mason is one of those. Though those of us who have experienced it know it can come in many different forms.
This book builds upon the author’s extensive previous work on the movies, adopting a more comprehensive and inquisitive stance for the study of moving pictures as a cultural movement and ludenic innovation. It returns to earlier analysis and commentary on this new invention and recreation quickly termed “the movies”, and develops the initial impression of both moviegoers and observers that the movies appealed because they were fun. As such, the book examines the characteristics that made films so enjoyable, namely their use of magic, presentation of myth, and persistence of mnemonic recollection. The enduring appeal of moving pictures remains consistent, even though the medium has proliferated and diversified, so much so that now a good portion of the human race spends a great deal of time looking at moving pictures. The book is eclectic and exploratory, designed to urge consideration of moving pictures in this larger perspective as something that has changed and perhaps enriched the lives of many people, leaving inquirers the task of calculating the enormous significance and consequences of our motion picture experience for the conduct of our lives. Such an effort is not without merit, since it now seems quite clear that the whole world is watching.
The story of the most famous protest in sports history, written by one of the men who staged it.
While investigating a man claiming to be the long-lost heir to a noble family, Veronica Speedwell gets the surprise of her life in this new adventure from the New York Times bestselling and Edgar Award–nominated author Deanna Raybourn. London, 1889. Veronica Speedwell and her natural historian beau Stoker are summoned by Sir Hugo Montgomerie, head of Special Branch. He has a personal request on behalf of his goddaughter, Euphemia Hathaway. After years of traveling the world, her eldest brother, Jonathan, heir to Hathaway Hall, was believed to have been killed in the catastrophic eruption of Krakatoa a few years before. But now a man matching Jonathan’s description and carrying his possessions has arrived at Hathaway Hall with no memory of his identity or where he has been. Could this man truly be Jonathan, back from the dead? Or is he a devious impostor, determined to gain ownership over the family's most valuable possessions—a legendary parure of priceless Rajasthani jewels? It's a delicate situation, and Veronica is Sir Hugo's only hope. Veronica and Stoker agree to go to Hathaway Hall to covertly investigate the mysterious amnesiac. Veronica is soon shocked to find herself face-to-face with a ghost from her past. To help Sir Hugo discover the truth, she must open doors to her own history that she long believed to be shut for good.
This classic comic novel about a midlife man whose life is spiraling out of control is a “heartbreaking delight . . . Nothing less than a joy” (The Washington Post Book World). Screenwriter Harry Towns, a bicoastal playboy with a broken marriage and a child he rarely sees, has been reveling in the freewheeling atmosphere of the early 1970s. But when cracks start to appear in his perfectly constructed life, he has no option but to pick up the scattered pieces of his past and begin anew. From a New York Times–bestselling author and veteran Hollywood screenwriter, About Harry Towns is both a portrait of a particular era and a timeless look at the wrong turns that make up a life—featuring “ a character unique, haunting, and completely memorable” (The Washington Post Book World). “Brilliant.” —The New York Times Book Review