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Drawing on a range of historical and sociological sources, this work shows how aspects of Harry's world contain aspects of our own. It also includes chapters on the political economy of the franchise, and on the problems of studying popular culture.
This political analysis of Harry Potter uses the beloved wizarding world to introduce readers to the equally murky and intimidating world of politics. Rowling's work provides us with entries into all of the most important political questions in history, from terrorism and human rights to the classic foundations of political thought.
Harry Potter and the Millennials tells the fascinating story of how the team designed the study and gathered results, explains what conclusions can and cannot be drawn, and reveals the challenges social scientists face in studying political science, sociology, and mass communication. Specifically, the evidence indicates that Harry Potter fans are more open to diversity and are more politically tolerant than nonfans; fans are also less authoritarian, less likely to support the use of deadly force or torture, more politically active, and more likely to have had a negative view of the Bush administration. Furthermore, these differences do not disappear when controlling for other important predictors of these perspectives, lending support to the argument that the series indeed had an independent effect on its audience. In this clear and cogent account, Gierzynski demonstrates how social scientists develop and design research questions and studies.
Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations. A growing number of scholars in and out of IR are studying the importance of cultural artifacts – popular or otherwise – for the phenomena that make up the core of our discipline. The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques, the fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship then, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be 'human'. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalise a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded. This work will be of interest to student and scholars of international relations, popular culture and security studies.
In this investigation and celebration of America's fascination with space, Constance Penley, a professor of film studies and women's studies at the University of California, illustrates issues of sex and sexuality in the world of science and technology and examines the widely held prejudices against women in this area. 20 photos.
"To the extent that politics involves decision-making amidst an array of competing values, most of human interaction may be understood as political. For students of international relations and political science, it can be a daunting task to evaluate value propositions in debate and discussion of issues with equally compelling opposing sides. Fictions found in storybooks, on the stage, and on the silver screen, however, offer scenarios in which value propositions may be sorted out as low-stakes case studies. To help his students think critically about international relations and politics, Stephen Benedict Dyson has found that using the fictional realities of three different television and cable programs, Star Trek, Battlestar Galactica, and Game of Thrones, so thoroughly engages his students in the classrooms that conversations frequently spill out into the hallways after class and onto Blackboard discussion groups. Students' strong grasp of these shows' events, themes, characters, and plot lines allow them to more easily understand the theory of international relations and politics and then translate that theory into contemporary political scenarios"--
As the publishing sensation of the last half-century, Harry Potter dominates early education in politics. Children, tweens, teens, and adults love it; and most students come to college knowing at least some of it. This dark fantasy analyzes politics in strikingly practical and institutional ways. Like ancient Sophists, modern Machiavellians, and postmodern Nietzscheans, the Potter books treat politics as dark arts and our defenses against them. The Potter saga overflows with drama, humor, and insight into ours as dark times of terrible troubles. These reach from racism, sexism, and specism to fascism, terrorism, autocracy, and worse. Harry and his friends respond with detailed, entertaining takes on many ideologies, movements, and styles of current politics.Defenses Against the Dark Arts argues that Potter performances of magic show us how and why to leap into political action. This includes the high politics of governments and elections, and especially the everyday politics of families, schools, businesses, media, and popular cultures. It explores Potter versions of idealism, realism, feminism, and environmentalism. It clarifies Potter accounts of bureaucracy, nationalism, and patronage. And it analyzes Potter resistance through existentialism and anarchism. The emphasis is on learning to face and defend against dark arts in dark times.
This book uses several fantasy movies or movie series and television series to explain political and international relations (IR) concepts and theories. It begins with an overview of the importance of fantasy in literature, film and television, and its increasing impact on the field of International Relations. It then presents the political, IR, and social issues in each franchise, and in five chapters uses these tales’ key story arcs or plot points to illustrate major political and IR themes. The volume pays particular attention to such fantasy franchises as Lord of the Rings, Game of Thrones, the Harry Potter films, recent fairytale and children’s stories, and female-led fantasy projects.
We live in a period of uncertainty about the fate of America's global leadership. Many believe that Donald Trump's presidency marks the end of liberal international order-the very system of global institutions, rules, and values that shaped the international system since the end of World War II. Exit from Hegemony, Alexander Cooley and Daniel Nexon develop a new approach to understanding the rise and decline of hegemonic orders. They identify three ways in which the liberal international order is transforming. The Trump administration, declaring "America First," accelerates all three processes, lessening America's position as a world power.
For eight seasons the hit HBO series Game of Thrones painted a picture of a fantasy world filled with images such as white walkers (the undead), a three-eyed raven, and dragons. All these elements set the series visually apart, far distant from our realities. And yet, after each episode and season, viewers were left pondering about the wars, political games, diplomacy, and human rights violations that somehow resonated with the world today. Laura D. Young and Ñusta Carranza Ko’s groundbreaking book provides the answers to these questions that international relations scholars, historians, and fans have been wanting to know. How does Game of Thrones mirror international politics and how may the series provide a useful tool for better understanding the theories, concepts, and thematic issues in international relations? Game of Thrones and the Theories of International Relations connects the prominent international relations theories—realism, liberalism, constructivism, and critical identity theories—to the series, providing examples from various characters whose actions reflect applied scenarios of decision-making and strategizing.