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An introduction to the bold and engaging photography of Harry Gruyaert. Born in Antwerp in 1941 and a member of Magnum Photos since 1981, Harry Gruyaert revolutionized the creative and experimental use of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non- narrative, and boldly graphic way of perceiving the world. A new entry in the acclaimed Photofile series, Harry Gruyaert reproduces the photographer's influential work in over sixty full-page images alongside an introduction by Brice Matthieussent.
New from Magnum Photos member Harry Gruyaert, a collection of photographs of airports and people in transit. Alongside American photographers such as Saul Leiter, Joel Meyerowitz, Stephen Shore, and William Eggleston, Harry Gruyaert became one of the first European pioneers to explore the creative possibilities of color photography in the 1970s and 1980s. The previous decades had elevated black-and-white photography to the realms of art, relegating the use of color to advertising, press, and illustration. Gruyaert’s work suggested new territory for color photography: an emotive, nonnarrative, and boldly graphic way of perceiving the world. Harry Gruyaert: Last Call highlights the photographer’s signature ability to seamlessly weave texture, light, color, and architecture into a single frame with his photographs taken at airports. These photographs beautifully record these liminal, yet reliably inhabited spaces in a striking and sometimes surprising fashion.
In this stunning collection, Magnum photographer Harry Gruyaert explores the visual power of shorelines. The “edges” that Harry Gruyaert, a preeminent member of the Magnum photo agency, explores in this lush, full-color book are the oceans, seas, and rivers where humans meet the edge of the shoreline and the water begins. This unique volume, which opens from the bottom up, takes the reader to Israel’s Dead Sea, the Niger River in Mali, the North Sea of Iceland, South Korea, and Biarritz, as Gruyaert’s photos record the subtle chromatic vibrations of the edges of the far East and West. Gruyaert juxtaposes the hustle of the city with a pared-down, yet intense, nature. His landscapes are never empty; they are inhabited places where light, color, objects, people, and situations weave a serene, sublime scene. This beautifully produced photographic manifesto reveals the profoundly poetic character of Gruyaert’s work, and the sensual elegance of his compositions.
Award-winning photographer Matt Black traveled over 100,000 miles to chronicle the reality of today’s unseen and forgotten America. When Magnum photographer Matt Black began exploring his hometown in California’s rural Central Valley—dubbed “the other California,” where one-third of the population lives in poverty—he knew what his next project had to be. Black was inspired to create a vivid portrait of an unknown America, to photograph some of the poorest communities across the US. Traveling across forty-six states and Puerto Rico, Black visited designated “poverty areas,” places with a poverty rate above 20 percent, and found that poverty areas are so numerous that they’re never more than a two-hour’s drive apart, woven through the fabric of the country but cut off from “the land of opportunity.” American Geography is a visual record of this five-year, 100,000-mile road trip, which chronicles the vulnerable conditions faced by America’s poor. This compelling compilation of black-and-white photographs is accompanied by Black’s own travelogue—a collection of observations, overheard conversations in cafe´s and public transportation, diner menus, bus timetables, historical facts, and snippets from daily news reports. A future classic of photography, this monograph is supported by an international touring exhibition and is a must-have for anyone with an interest in witnessing the reality of an America that’s been excluded from the American Dream.
An exquisite collection of photographs by the celebrated Russian artist.
The ultimate collection of canine photography for the discerning dog lover with images selected from the renowned Magnum Photos archive. Magnum Dogs brings together a brilliantly diverse and entertaining selection of images that showcase man’s best friend, through the visual wit and skill of Magnum’s photographers. This collection features some 180 photographs of dogs from across the world—and highlights the depth of their relationships with humans. The book is organized into five thematic chapters—“Streetwise,” “Best in Show,” “It’s a Dog’s Life,” “At the Beach,” and “Behind the Scenes.” These encounters include immaculately coiffed showdogs captured in wryly observed photography from the likes of Martin Parr and Harry Gruyaert as well as privileged, intimate glimpses of Hollywood stars alongside their trusted, four-legged confidants, as seen through the lenses of Eve Arnold and Dennis Stock. Since the Magnum photo agency was founded eight decades ago, dogs have found their way into the collection’s most captivating images. Whether depicting pampered pooches lounging in Parisian apartments or beloved family dogs, these photos convey affection, humor, and insight into the universal human bond with canines. Packaged in an irresistible gift format, this is the perfect book for anyone, around the world, who is a “dog person” at heart.
A powerful collection of the luminous last work by one of the true giants of twentieth-century photography. After the death of his wife, André Kertész consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertész dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City’s Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer’s eye as manifested in the simple Polaroid.
At their best, the pictures add to our understanding of the surface event documented and reveal something profound about the people pushing that history forward. — The Los Angeles Times Available for the first time in an accessible paperback edition, this groundbreaking book presents a remarkable selection of contact sheets and ancillary material, revealing how the most celebrated Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice, the book illuminates the creative methods, strategies, and editing processes behind some of the world’s most iconic images. Featured are 139 contact sheets from sixty- nine photographers, as well as zoom-in details, selected photographs, press cards, notebooks, and spreads from contemporary publications including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by the members’ estates. Many of the acknowledged greats of photography are featured, including Henri Cartier- Bresson, Elliott Erwitt, and Inge Morath, as well as such members of Magnum’s latest generation as Jonas Bendiksen, Alessandra Sanguinetti, and Alec Soth. The contact sheets cover over seventy years of history, from Robert Capa’s Normandy landings and the Paris riots of 1968 via Bruno Barbey, to images of Che Geuvara by René Burri, Malcolm X by Eve Arnold, and portraits of classic New Yorkers by Bruce Gilden.
HARRY THE CAMEL lives in the sand dunes of Dubai, and he often watches from a distance as the beautifully sleek race horses at the track run their laps. He laments that his back isn't as smooth as theirs and wonders how much faster he could run without his bulky old hump.