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Strangest genius
"The work and career of the celebrated artist Harry Clarke is inextricably linked to the complex nature of early-twentieth-century Irish culture and of modernism. This beautifully designed and fully illustrated book assesses how Clarke and his studios responded to public and private commissions in glass and in illustration. Clarke's contribution is analysed in the context of the quest for a cohesive identity by the new Irish Free State and situated within international art and design movements. The book examines the complex relationship between visual art and literature that lies at the heart of Clarke's contribution to post-independence society in Ireland. Its scholarly essays highlight the impact of patronage, public reception, advertising, propaganda, war and memory on Clarke's work, placing it within a larger political, artistic and cultural context. Essential reading for art lovers and scholars alike, Harry Clarke and Artistic Visions of the New Irish State will appeal to anyone interested in the arts of Ireland, and the history and development of early- to mid-twentieth-century visual and material culture"--Inside front flap.
Dark Beauty focuses on the minute detail in Harry Clarke’s stained-glass windows, particularly in the borders and lower panels of his work. Clarke’s brilliance as a graphic artist is clearly visible in his book illustrations, which are imbued with precise attention to intricate designs, and he applied the same lavish focus to every facet of his stained glass. The title ‘Dark Beauty’ refers to the duality of Clarke’s work that sees delicate angels juxtaposed with macabre, grotesque figures, and represents the partially hidden details that dwell in the background of his windows – motifs, accessories, flora, fauna and diminutive characters – which may be missed in light of the dominance of the central subjects. The authors spent many years photographing Clarke’s windows in Ireland, England, America and Australia, and the resulting 60,000 photos have been carefully whittled down to 500 glorious images. Dark Beauty will provide lovers of Clarke’s stained glass with the opportunity to view previously obscured or unnoticed details in all their unique beauty and inspire their own travels to view Clarke’s work.
Stained glass, Symbolism, Decadence, Celtic mysticism, Art Nouveau and the Ballets Russes - all these elements claim a place in the definition of Harry Clarke. Born a century ago, this Dublin artist, son of an English father and an Irish mother, worked intensely at his art, as if conscious that death would overtake him at an early age. Clarke is now recognized internationally as a bizarre genius of his age, as the Irish Beardsley. This is the story of a questing soul with a complex imagination who produced prolifically and with outstanding originality. His skill and vision has not been equaled and this book is based on a study which won the 1984 CINOA Art History Laureate and is richly illustrated, bringing the range and importance of Clarke's work to general attention.
Harry Clarke is the story of a shy midwestern man who feels more himself when adopting the persona of cocky Londoner Harry Clarke. Moving to New York and presenting himself as an Englishman, he charms his way into a wealthy family’s life, romancing two family members as the seductive and sexually precocious Harry, with more on his mind than love. With his spellbinding and emotionally nuanced storytelling, Cale has created a riveting story of a man leading an outrageous double life.
Ireland’s Memorial Records, 1914-1918 contain the names of 49,435 enlisted men who were killed in the First World War. Commissioned in 1919 by the Lord Lieutenant of Ireland and published in 100 eight-volume sets, the Records are notable for stunning and elaborate page decorations by celebrated Irish illustrator Harry Clarke. Drawing from published and unpublished sources, Marguerite Helmers’ ground-breaking study provides a fascinating insight into the work of Harry Clarke as an extraordinary war artist and examines the process that led to the Records being commissioned through to the eventual placement of the Records within the Irish National War Memorial at Islandbridge, Dublin. With Harry Clarke’s illustrations taking center stage in the story, the Records and their genesis are of vital importance to our understanding of how art and commemoration can come together in a powerful visual creation.
Harry Clarke was Ireland's greatest stained-glass artist and an illustrator of genius, whose works have been collector's items for decades. Over his short lifetime he produced a plethora of elaborate designs that have been a source of endless fascination and inspiration. In this collection, 30 of his most famous designs have been redrawn in black and white to create intricate pictures, ideal for testing the bounds of your imagination. Suitable for children.
Lillian, a bookish middle-aged British woman, falls for Jimmy, a man half her age. Promptly divorcing her husband, she marries the young man and buys a flower shop to support his desire to be a gardener. Unbeknownst to Lillian, however, Jimmy has a terminal heart condition, and his anticipation of the end fills him with a restless energy.
HARRY CLARKE (1889-1931) was a leading figure in the Irish Arts and Crafts movement and is best known for his stained glass designs and book illustrations. This collection concentrates on his work for various published books. His psychedelic with a hint of the grotesque black and white line work incorporated the most detailed and intricate textures. His distinctive style established him as one of the leading illustrators of the early 20th century. His first published work was 'Fairy Tales by Hans Christian Andersen. A number of commissions followed including among others 'The Fairy Tales of Charles Perrault', Goethe's 'Faust' and probably his best known work for Poe's 'Tales of Mystery and Imagination'. This superb compilation features over 120 examples of Clarke's colour paintings and black and white pen work, mostly full page. A comprehensive collection that is certain to delight lovers of the great artists from the 'Golden Age' of illustration.