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Vol 1 905p Vol 2 961p.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Mrs. McCall's roster of Georgia soldiers in the Revolution was compiled over many years. The work as a whole is cumulative, with only slight, albeit significant, differences in the kinds of information which may be found in one volume versus another. This volume (Volume II) contains records of officers and soldiers not only from Georgia but from other states, many of whose descendants later came to Georgia because of liberal land grants. The Appendix contains miscellaneous records and documents of the families of some Revolutionary soldiers and officers. Clearfield Company also publishes Volumes I and III. Volume I coontains the records of hundreds of Revolutionary War soldiers and officers of Georgia, with genealogies of their families, and lists of soldiers buried in Georgia whose graves have been located. Volume III, the longest of the work, is similar in scope to this volume except that the majority of the entries are for Georgia officers and soldiers, with only some material relating to other states. The three volumes, each of which is indexed, refer to as many as 20,000 persons overall.