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"A Gay and Gray Anthology looks back to record the feelings, struggle, strategies and adventures of the elders of our LGBTQ community. Its description of the world that existed before diversity became a watchword enchants us with its insight and originality. This anthology grew out of the desire to preserve and celebrate out heritage; as time passes these memories become ever more precious. These artifacts of the mind take many forms as evidenced by this publication. A Gay and Gray Anthology includes poetry, fiction, memoir, social criticism, and even a performance piece. The offerings are born of the heart, yet there is humor as well. Hopefully, there is something for everyone."--Page 4 of cover.
On the Meaning of Friendship Between Gay Men takes readers beyond a traditional exploration of gay sexuality and romantic relationships, into the realm of recognizing the importance of friendship to gay men.
Harrington Gay Men's Fiction Quarterly is devoted to the latest names and innovations in gay men's fiction and serves as a forum for discovering new talents. Readers get exclusive "sneak peeks" of the latest works in progress from such prominent writers as Andrew Holleran, Scott Heim, and Bernard Cooper, and new critical examinations of "lost" gay novels.
Gay City: Volume One is a collection of fiction, poetry, comic art and photography published under the auspices of Seattle's Gay City Health Project. The anthology addresses Gay City's mission of preventing HIV transmission by building community, fostering communication, and nurturing self-esteem. Included here are author Tom Spanbauer?s ?Mr. Energy?, written during the dark dawn of AIDS, alongside ?25 Years, 25 Fears,? drawn by ?Ethan Green? creator, Eric Orner. Inside you?ll also find an excerpt from novelists and syndicated columnist Michael Thomas Ford?s novel ?Full Circle?, eight pieces from the award winning poet Peter Pereira, vibrant works from artist Donna Barr, plus many others.
The beauty and barrenness of the southwestern landscape naturallylends itself to the art of storytellers. It is a land of heat and dryness, aland of spirits, a land that is misunderstood by those living along thecoasts. New Stories from the Southwest presents nineteen short stories that appeared in North American periodicals between January and December 2006. Though many of these stories vary by aesthetics, tone, voice, and almost any other craft category one might wish to use, they are nevertheless bound together by at least one factor, which is that the landscape of the region plays a key role in their narratives. They each evoke and explore what it means to exist in thisunique corner of the country. Selected by editor D. Seth Horton, the former fiction editor for the Sonora Review, from a wide cross-section of journals and magazines, and with a foreword by noted writer Ray Gonzalez, New Stories from the Southwest presents a generous sampling of the best of contemporary fiction situated in this often overlooked area of the country. Swallow Press is particularly pleased to publish this wide-ranging collection of stories from both new and established writers. Contributors to New Stories from the Southwest are: - Alan Cheuse - Matt Clark - Lorien Crow - Kathleen De Azvedo - Alan Elyshevitz - Marcela Fuentes - Dennis Fulgoni - Ray Gonzalez - Anna Green - Donald Lucio Hurd - Toni Jensen - Charles Kemnitz - Elmo Lum - Tom McWhorter - S. G. Miller - Peter Rock - Alicita Rodriguez - John Tait - Patrick Tobin - Valery Varble
As such literary movements as interstitial and slipstream gain momentum, more and more authors interweave their traditional stories with gay themes as coming out, homophobia, and self-as-other, with a bit of the strange and weird. Named after one of the founding fathers of gay speculative fiction, Wilde Stories is a new annual anthology that offers readers the best of such stories from the prior year. Editor Steve Berman, a finalist for both the Lambda Literary and Andre Norton Awards, has collected an engaging selection of the fantastical, the strange, and the scary from such notable authors as Victor J. Banis, Hal Duncan and Lee Thomas.
Built on all new information recently unearthed, this stylishly written and illustrated "timeline archive" of art, sex, obscenity, gender, culture wars, homophobia, pop culture, and the gay mafia, will get 21st-century readers and researchers up to speed fast on the serious fun of who did what to whom when and why.
The Southwest of the twenty-first century is full of surprises, and so is this collection of southwestern short stories published between 2007 and 2011. The writers represented here remind us that this is not the “Old Southwest” of gunfighters and sagebrush but, instead, a place of rock collectors, palm readers, and Russian mail-order brides. Well-known authors like Sallie Bingham, Ron Carlson, Laura Furman, and Dagoberto Gilb are joined here by exciting newcomers Eddie Chuculate, Don Waters, Claire Vaye Watkins, and others.
This study examines the relationship between Catholicism and homosexuality and between historical homophobia and contemporary struggles between the Church and the homosexual? Moving from the Gothic to the late Twentieth-century, from Europe to America, it interrogates what is queer about Catholicism and what is modern about homosexuality.
"At Stonewall," Jack Fritscher wrote, "gay character changed." In June 1969, the legendary Stonewall Rebellion in New York's Greenwich Village began the national gay civil rights movement. Fritscher, one-time lover of Robert Mapplethorpe and early intimate of elegant Picasso biographer and "Vanity Fair" author John Richardson, is the highly acclaimed novelist, award-winning historian, and polished prose stylist. His best-selling "Some Dance to Remember: A Memoir-Novel of San Francisco 1970-1982" pairs perfectly with his nonfiction tour de force "Gay San Francisco" as "roots" landmarks in gay literature. "The Advocate" said that "Fritscher writes...wonderful books" and that he made "the Castro mythic." In his fiction collection celebrating Stonewall turning forty, Fritscher-turning seventy-unreels nine perfectly crafted stories introduced by literary critics Richard Labont of A Different Light and by Mark Thompson of "The Advocate." Labont "A sterling collection...perfectly catches our bitchy bravura." Thompson: "Hilarious, exquisite, empowering stories about how fabulous we are." Editor Mark Hemry selected the tales in this edition to show, first, how Stonewall affected gay culture (on the Gay Axis connecting Stonewall to San Francisco), and, second, how Fritscher in the West Coast school of writing helped build the national aftermath of the East Coast Stonewall. Among fellow authors such as Armistead Maupin, Edmund White, Felice Picano, and the pseudonymous Andrew Holleran, Fritscher is the eldest and the first published (1950s) and is the only lifelong magazine editor, journalist, and photographer. His truly distinctive contribution to GLBT literature has been his widening-precisely with his recurrent themes of humanism and eros-the liminal diversity of the gay literary canon in books such as his controversial memoir of his affair with the much-damned photographer Robert Mapplethorpe in "Mapplethorpe: Assault with a Deadly Camera." "Stonewall " surveys the fictive essence of his 50-year career capturing the character, dialogue, and nuance of the gay culture whose emotional curves he loves. Willie Walker, founder of the GLBT Historical Society of San Francisco, has observed: "Fritscher is a prolific writer who since the late 1960s has helped document the gay world and the changes it has undergone." Guided by a rather good sense of gaydar in this new collection, Fritscher celebrates gay "drama" and diversity and "brilliant gay voices" in these nine tales scanning the curvature of the gay Earth--from the 1906 earthquake in "Meet Me in San Francisco" through the 1969 Stonewall rebellion up to gay marriage in "Mrs. Dalloway Went That-A-Way." Recommended for public and academic libraries, and for special collections of gay literature and GLBT studies, as well as for coffee-house, commute, vacation, and bedside reading. "'Stonewall' is pitch-perfect." Thomas Long, editor, "Harrington Gay Men's Fiction Quarterly," University of Connecticut